Najpoznatije delo umetnika Leandro Basano je Portrait of the Merchant Leonhard Hermann (1595), koje se nalazi u muzeju Bavarske državne slikopisne kolekcije, Minhen. Uz Magistrate with Crucifix (1600) i Departure of Abraham into the Promised Land (1595), to su tri dela koja svi prepoznaju. Naš katalog sadrži 86 dela umetnika Leandro Basano; ovih 86 ispod su dela koja svet najčešće posmatra, svako sa navedenom godinom nastanka, muzejom u kojem se čuva i razlogom zašto je značajno.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.
A single quill pen rests against a cream-colored sheet, its tip poised as if waiting for the next command of commerce. Leonhard Hermann sits in the quiet gravity of his own success, a man defined by the documents spread before him. The light falls from the upper left, a sharp beam that carves his features out of the surrounding gloom. It catches the stark white of his ruff collar and…
A man sits in the heavy silence of a dark room. He is a magistrate, his presence defined by the weight of his black garment and the soft, white fur that trims his chest. His face is pale, caught in a sharp light that carves his features from the surrounding gloom. In his right hand, he holds a small book, the pages perhaps recently turned. To his left, a crucifix…
The painting titled Departure of Abraham into the Promised Land is a work by the artist Leandro Bassano, also identified as Leandro da Ponte gen. Leandro Bassano. This piece originates from the Italian and Venetian cultural traditions. It was executed about 1595.
The oil on canvas titled March is a work by the Venetian painter Leandro Bassano. Born in 1557, the artist lived until 1622, capturing the rhythms of life through his brush. This specific painting belongs to his larger series known as the Twelve Months.
A single light source strikes from the upper left, carving the face of Battista Gardalino out of a heavy, ink-dark void. The man sits in a three-quarter pose, his presence anchored by the gravity of his own skin. Every line on his weathered face tells a story of years passed, etched deeply into the pale surface of his cheeks and forehead. He holds a pair of gloves, a quiet gesture…
Leandro Bassano captures a moment of divine friction in Christ Drives the Merchants from the Temple. Painted about 1593, the work focuses on the biblical scene of Christ cleansing the Temple. It is a collision of sacred purpose and worldly commerce. The air in the composition feels heavy with the sudden disruption of the sanctuary.
The room is quiet, held in a heavy, contemplative stillness. Tiziano Aspetti sits before us, his gaze steady and direct, meeting the viewer with a quiet, scholarly intensity. He is a man of substance, draped in a dark doublet that absorbs the light, contrasted sharply by the crisp white of his collar and the patterned grey of his sleeves. A well-groomed beard and mustache frame a face etched with the…
A three-quarter length view of a middle-aged man seated in a wooden chair defines the central composition of this oil portrait. The subject is positioned slightly off-center, creating a sense of depth against a dark, atmospheric background. He wears a white habit, the fabric of which appears as a luminous, stark contrast to the surrounding tones. The folds of the linen are rendered with soft, defined lines that suggest a…
In this oil on canvas from 1597, we find ourselves drawn into a quiet, industrious corner of the Venetian countryside. The scene is one of rhythmic, daily toil, captured under a heavy, overcast sky that lends a certain weight to the atmosphere. In the foreground, the focus rests upon the tactile reality of domestic production. Two women are deeply engaged in their craft; one sits near a wooden spinning mechanism,…
The Crowning with Thorns is an oil painting by Leandro Bassano. Created around 1590, the work captures a heavy, singular moment of biblical history. It depicts the Crowning with Thorns, a scene of profound suffering and ritualized cruelty. The subject remains fixed in a state of tension, caught between the movement of the tormentors and the stillness of the central figure.
The oil on canvas painting titled Lazarus and Dives was executed by the artist Leandro Bassano. This work dates to about 1570 AD. The medium consists of oil…
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A pale, limp body rests at the center of a heavy darkness. The skin of Christ, drained of life, catches a sharp, theatrical light that spills from unseen…
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A Moment of Abundance A lush, detailed scene from the late Renaissance unfolds within a garden setting, capturing a moment of dining and service under a leafy arbor.…
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A dense choreography of rural labor unfolds across this late Renaissance oil painting. Figures populate a landscape in constant motion, engaged in the heavy, repetitive tasks of the…
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In this expansive landscape, we find ourselves observing the rhythmic pulse of a late Renaissance summer. The scene unfolds across a wide, panoramic view, where the heavy heat…
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The Portrait of the Dogaressa Morosina Morosini is a significant work by the Venetian painter Leandro Bassano. This portrait genre painting captures the likeness of Morosina Morosini-Grimani, a…
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The scene unfolding before us is titled November, a work that captures a specific moment in the seasonal cycle. This oil on canvas depicts a bustling landscape of…
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The canvas presents May, a work that breathes with the life of a late Renaissance landscape. Leandro Bassano, the hand behind this scene, captures a moment of seasonal…
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In this large-scale oil on canvas, we find ourselves drawn into a crowded, theatrical scene of late 16th or early 17th-century Venetian Mannerism. The composition is a complex…
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This oil on canvas painting, dated 1592, presents a dense and theatrical arrangement of figures that establishes a sharp social contrast. In the foreground, a group of well-dressed…
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In this intimate oil on canvas, we find ourselves drawn into a private, somber moment of commerce. The scene depicts Orazio Lago, a moneychanger, alongside his wife and…
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An elderly man sits before us, his gaze fixed directly upon the viewer with a quiet, steady intensity. He is a figure of gravity, likely a Venetian magistrate,…
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The scene unfolding before us is titled February. It is a work by Leandro Bassano, an artist who also goes by the name Leandro dal Ponte. This oil…
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The painting titled April emerges from the brush of Leandro Bassano. Known also as Leandro da Ponte, gen. Leandro Bassano, the artist captured this scene about 1590. The…
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The Portrait of the Pisan Giovanni Magnani is a significant work by the artist Leandro Bassano. This painting belongs to the portrait genre, focusing on the individual character…
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The artwork titled The Hebrews Gathering Water Gushing from the Rock by Leandro Bassano depicts a specific narrative from the Old Testament. The scene illustrates a large crowd…
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The scene unfolds in a moment of profound reverence as the Magi offer their homage to the Christ child. In this depiction of the biblical Adoration of the…
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In this work, Christ with Mary and Martha, Leandro Bassano presents a crowded, complex interior-to-exterior landscape that draws the eye through several layers of activity. To the left,…
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The Month of July is an artwork by Leandro Bassano. This oil on canvas painting, dated 1597, depicts a bountiful summer scene. The composition focuses on a variety…
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The air in the room seems to thicken as the eye meets this intimate gathering. A soft, directional light spills from the upper left, cutting through a deep,…
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The scene unfolds in Adoration of the Shepherds, a work that carries the hand of Leandro Bassano. This oil painting emerges from the late sixteenth century, dating to…
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The heavy silence of the scene finds its name in The Dead Christ with Angels. This oil painting, which captures a moment of profound mourning, carries the hand…
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Mises Striking the Rock by Leandro Bassano captures a moment of desperate necessity within the wilderness. The painting, dated 1589, centers on the figure of Moses as he…
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In Seasonal allegory with Adam and Eve, Leandro Bassano presents a complex, multi-layered pastoral scene that invites a slow, quiet observation. The composition is dense, drawing the eye…
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Christ Appearing to a Nobleman by Leandro Bassano presents a divine encounter between the celestial and the earthly. The composition is structured around two primary focal points. In…
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The work before us is titled Fairground, a significant oil on canvas by Leandro Bassano. Painted about 1595, this piece reflects the artist's place within the Venetian tradition.…
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Portrait of a Luteplayer is an oil on canvas work by Leandro Bassano. Created about 1600, the painting emerged during the artist's tenure in Venice, where he had…
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The air within the temple courtyard feels heavy, thick with the sudden, violent disruption of sanctuary. In this moment of divine friction, the stillness of prayer is shattered…
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In Portrait of a Boy with his Tutor, Leandro Bassano centers the composition on two figures, creating an intimate space of quiet instruction. The arrangement of the man…
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A celestial burst of light descends from the top center, piercing a dark, nocturnal landscape. This radiant angel acts as the anchor of the composition, casting a golden…
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Step closer and observe the sheer density of this scene. We find ourselves amidst a bustling banquet, a celebration caught in a state of perpetual motion. The composition…
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The light enters from the upper left, a sharp, singular force that carves a face out of the darkness. This is the world of Morosina Morosini, a woman…
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Leandro Bassano produced this religious work in 1590. The oil on canvas portrays Francis of Assisi in a moment of profound spiritual solitude. Captured in profile, the subject…
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The scene unfolds within the work titled January, a painting that captures a specific moment in the seasonal cycle. This piece is the creation of Leandro Bassano, an…
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A heavy silence settles over the room as we gaze upon Doge Marcantonio Memmo. He sits motionless upon a throne, his figure anchored by the weight of authority…
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Portrait of a Premonstratensian is an oil portrait by Leandro Bassano, executed in 1605. The work presents a middle-aged man, likely a member of the Premonstratensian order, captured…
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The oil on canvas painting titled Saint Clara was executed by the artist Leandro Bassano. This work is a piece of religious art created circa 1590. The composition…
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The Wedding at Cana: A Venetian Masterpiece of Light and Grace Leandro Bassano’s “Les Noces de Cana,” painted around 1579, isn't merely a depiction of a biblical miracle;…
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The oil painting titled Portrait of Jacopo Bassano was executed by the artist Leandro Bassano. This work depicts the subject, Jacopo Bassano, in a bust-length composition. The portrait…
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A middle-aged man is captured in profile, his gaze directed upward in an expression of spiritual realization or supplication. The composition focuses on the upper torso and face…
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The Portrait of the Doge Marcantonio Memmo (1537-1615, Doge since 1612) is an oil on canvas work by the artist Leandro Bassano. Painted in 1615, the portrait captures…
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The Banquet Scene by Leandro Bassano is a captivating oil on canvas painting that showcases the artist's skill in composition, color palette, and artistic technique. Created in 1595,…
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The oil painting titled St Anne and the Infant St Mary is a work by Leandro Bassano. This piece emerged from the hand of an artist born in…
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This somber and dignified three-quarter length portrait depicts an elderly man set against a muted, indistinct background that suggests a shallow interior space. Executed in a late Renaissance…
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Leandro Bassano’s “Little Girl Carrying a Basket,” painted in 1594, isn't merely a depiction of a young girl and her burden; it’s a carefully constructed tableau brimming with…
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Leandro Bassano's “Moses Striking the Rock” isn’t merely a depiction of a biblical event; it’s a carefully constructed tableau brimming with symbolic weight and Renaissance artistry. The painting,…
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Četiri teme koje se najčešće pojavljuju među ovim remek-delima, sa najboljim primerom za svaku od njih.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Leandro Basano | Slike iz ovog spiska |
|---|---|---|---|
 Kunsthistorisches Museum |
Beč | 22 | Departure of Abraham into the Promised Land, March, Christ Drives the Merchants from the Temple |
 Bavarske državne slikopisne kolekcije |
Minhen | 9 | Portrait of the Merchant Leonhard Hermann, Portrait of the Pisan Giovanni Magnani, Christ with Mary and Martha |
 Музеј Прадо |
Мадрид | 5 | Magistrate with Crucifix, The Crowning with Thorns, Lazarus and Dives |
 Nationalmuseum |
Стокхолм | 3 | The Feast of Anthony and Cleopatra, St Anne and the Infant St Mary, Portrait of a Man |
 Luvr |
Pariz | 3 | LES NOCES DE CANA, Little Girl Carrying a Basket, Moses Striking the Rock |
 Palais des Beaux-Arts de Lille |
Lille | 2 | Portrait of Battista Gardalino, Jesus chasing the merchants from the Temple |
 John and Mable Ringling Museum of Art |
Sarasota | 2 | Man with a Knife, Portrait of a Man |
 National Gallery |
London | 2 | Portrait of a Bearded Man, The Tower of Babel |
The oil on canvas painting titled Lazarus and Dives was executed by the artist Leandro Bassano. This work dates to about 1570 AD. The medium consists of oil…
An elderly man sits before us, his gaze fixed directly upon the viewer with a quiet, steady intensity. He is a figure of gravity, likely a Venetian magistrate,…
A single quill pen rests against a cream-colored sheet, its tip poised as if waiting for the next command of commerce. Leonhard Hermann sits in the quiet gravity…
A man sits in the heavy silence of a dark room. He is a magistrate, his presence defined by the weight of his black garment and the soft,…
A heavy silence settles over the room as we gaze upon Doge Marcantonio Memmo. He sits motionless upon a throne, his figure anchored by the weight of authority…
Portrait of the Merchant Leonhard Hermann (1595), Bavarske državne slikopisne kolekcije, Minhen. Sledeći su Magistrate with Crucifix (1600) i Departure of Abraham into the Promised Land (1595).
38 godina: Portrait of the Merchant Leonhard Hermann datira iz 1595, a Leandro Basano je rođen/a 1557.
Portrait of the Merchant Leonhard Hermann, Magistrate with Crucifix, Departure of Abraham into the Promised Land, March, Portrait of Battista Gardalino, Christ Drives the Merchants from the Temple, Portrait of Tiziano Aspetti holding a statuette, Portrait of a Premonstratensian, Spinning and Weaving (July) i The Crowning with Thorns. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 86 dela umetnika Leandro Basano, datiranih od 1570 do 1615.
Većina njih se nalazi u Kunsthistorisches Museum (Beč), Bavarske državne slikopisne kolekcije (Minhen) i Музеј Прадо (Мадрид). U tabeli iznad su muzeji navedeni jedan po jedan.
U periodima 1590s: 27 od ukupno 86 dela na ovoj stranici datiraju iz tog vremena, od čega je Portrait of the Merchant Leonhard Hermann.
Najstarije delo na ovoj stranici je iz Lazarus and Dives (1570), a najnovije iz Doge Marcantonio Memmo (1536–1615) (1615).
People (21), Man (18) i Animals (13), od ukupno 86 dela na ovoj stranici.
Oil On Canvas: 40 od ukupno 86 dela na ovoj stranici.
Renaissance i Mannerism, kao što pokazuju slike na ovoj stranici.
Departure of Abraham into the Promised Land, March i Christ Drives the Merchants from the Temple su među 22 dela na ovoj stranici koja se nalaze u Kunsthistorisches Museum, Beč.
Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.
Đakopo Karuci, poznatiji kao Đakopo Pontormo, ostaje figura koja budi duboku i često zbunjujuću fascinaciju u istoriji umetnosti. Rođen 1494. godine u malom toskanskom mestu Pontorme blizu Empolija, nije bio predodređen za konvencionalno umetničko vaspitanje. Rano siroče koji je prepodtavljano između različitih florentinskih radionica – prvo kod Leonarda da Vinčija, zatim kod Mariota Albertinelija i Pjera di Kozima, pre nego što je konačno pronašao dom kod Andrea del Sarta – njegovo rano obrazovanje karakterisala je stroga disciplina visoke renesanse. Ipak, uprkos tome što je od ovih cenjenih majstora usvojio principe perspektive, anatomije i klasične kompozicije, Pontormo je na kraju izgradio potpuno svoj put, postajući ključna figura u prelazu ka manierizmu i duboko utičući na generacije umetnika koji su došli nakon njega.
Njegova rana dela, poput Obilaska Device i Svete Elizavete (oko ente 1514-1516), pokazuju jasan dug svojim prethodnicima. Figure su uravnotežene, harmonične i pedantno prikazane unutar pažljivo konstruisanog arhitektonskog okruženja – što su obeležja renesansnog slikarstva. Međutim, čak i u ovim ranim delima počinju se nazirati suptilni tragovi Pontormovog prepoznatljivog stila: izduženi oblici, pojačani osećaj emocije i uznemirujuća ambiguitetnost koja nagoveštava radikalna odstupanja koja će kasnije prihvatiti.
Pontormova umetnička evolucija bila je neraskidivo povezana sa njegovim putovanjima i susretima sa umetnošću severne Evrope. Inspirisan gravurama i drvoreznim printovima umetnika poput Albrehta Dürera i Lukasa van Leydena, koji su u to vreme masovno kružili Italijom, počeo je da eksperimentiše sa opuštenijim, ekspresivnijim pristupom kompoziciji i formi. Ovaj uticaj je posebno evidentan u njegovim kasnijim delima, gde se figure kao da lebde u nedoređenom prostoru, nepovezane ograničenjima gravitacije ili perspektive. Spiralne, zmijaste linije koje karakterišu njegov stil stvaraju osećacije dinamizma i pokreta, oštro kontrastirajući sa statičnom stabilnošću renesansne umetnosti.
Ključno je bilo to što je Pontormo odbacio strogo pridržavanje klasičnih ideala koji su dominirali velikim delom florentinskog slikarstva u tom periodu. On je stavio emocionalni intenzitet ispred anatomske tačnosti, a psihološku dubinu ispred realističnog prikaza. Ovaj zaokret označio je odlučan raskid sa visokom renesansom i čvrsto ga utvrdio kao jednu od ključnih figura u razvoju manierizma – umetničkog pokreta koji karakteriše naglasak na eleganciji, veštačnosti i subjektivnom izrazu.
Iako je bio poznat po svojim religioznim slikama, Pontormo je bio i veoma uspešan portretišta. Njegovi portreti, posebno oni koje je naručila porodica Mediči, prepoznatljivi su po psihološkom uvidu i suptilnim nijansama karaktera. Za razliku od idealizovanih prikaza uobičajenih u renesansnom portretstvu, Pontormovi subjekti poseduju retko dostojanstvo i ranjivost, odražavajući dublje razumevanje ljudskih emocija. Vešto je koristio simboliku – reference na društveni status modela, političku moć ili lična interesovanja – kako bi obogatio narativni kvalitet svojih portreta.
Njegov prikaz članova dvora Medičija, na primer, posebno je upečatljiv. To nisu samo sličice; to su pažljivo konstruisane izjave o moći, bogatstvu i lozbi, prožete osećajem veličanstvenosti i melanholije. Delo Spuštanje sa krsta (1525-1528), naručeno za crkvu Santa Felicità u Firenci, exemplifikuje ovaj pristup, spajajući religioznu ikonografiju sa psihološkom dramom i distinktivnom manierističkom estetikom.
Pontormove poznije godine obeležile su sve veća izolacija i umetnička nemir. Povukao se iz živopisne florentinske umetničke scene, postajući sve povučeniji i uznemireniji. Uprkos ličnim borbama, nastavio je da slika sve do smrti 1557. godine, stvarajući niz emocionalno nabijenih dela koja odražavaju njegov evoluirajući stil i duboki osećaj nelagode. Nedovršeni fresci koje je preduzeo za San Lorenzo u Firenci nude dirljiv uvid u završne faze njegovog umetničkog razvoja.
Uprkos kontroverzama koje su okruživale njegov rad tokom njegovog života – mnogi kritičari su njegov stil odbacili kao haotičan i uznemirujući – Pontormov uticaj na naredne generacije umetnika je neosporan. Njegova pionirska upotreba izduženih figura, ambiguitetne perspektive i ekspresnih boja otvorila je put baroknom periodu i duboko oblikovala tok zapadne umetnosti. On ostaje vitalna figura za razumevanje složenih i transformativnih razvoja koji su se dogodili tokom prelaza iz renesanse u manierizam, kao svedočanstvo njegovog revolucionarnog duha i trajne umetničke vizije.
