Najpoznatije delo umetnika Хирошиге je Early Department from a Daimyo, koje se nalazi u muzeju Nakagawa-machi Bato Hiroshige Museum of Art, Nagasaki. Uz The maple leaves of Mama, Tekona shrine and Tsugi bridge (1857) i Hakone (1834), to su tri dela koja svi prepoznaju. Naš katalog sadrži 353 dela umetnika Хирошиге; ovih 100 ispod su dela koja svet najčešće posmatra, svako sa navedenom godinom nastanka, muzejom u kojem se čuva i razlogom zašto je značajno.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.
In the delicate dance of lines and muted pigments, Utagawa Hiroshige’s Early Department from a Daimyo invites us to step through a portal into the heart of Edo-period Japan. This exquisite woodblock print captures a moment of vibrant communal life along a bustling riverside, where the rigid structures of social hierarchy melt into the shared leisure of a sunny afternoon. As we gaze upon the scene, we are not merely…
Utagawa Hiroshige (1797-1858), arguably the last titan of *ukiyo-e*, didn't merely depict landscapes; he crafted them into meditations on beauty and impermanence. “The Maple Leaves of Mama, Tekona Shrine and Tsugi Bridge,” created in 1857 during a period of significant societal transformation—the waning influence of feudal Japan as Western ideas crept in—stands as a testament to his enduring artistic legacy. More than just a visual record, it’s an embodiment of…
Utagawa Hiroshige’s “Hakone,” created in 1834, is more than just a landscape; it's a poetic meditation on the beauty and transience of nature within Edo-period Japan. This woodblock print, part of his renowned series "The Fifty-three Stations of the Tōkaidō," captures a specific moment along the vital trade route connecting Tokyo (then Edo) with Kyoto. However, Hiroshige elevates this seemingly simple depiction of a mountain pass into something profoundly evocative,…
In the delicate interplay of ink and paper, Utagawa Hiroshige’s "Station 36, Goyu; Kyoka Tokaido Series" offers much more than a mere topographical record of a journey. Completed in 1855, this exquisite woodblock print serves as a profound distillation of Edo-period sensibilities, capturing a yearning for tranquility amidst the burgeoning dynamism of a Japan in transition. As the nation stood at a pivotal crossroads between ancient feudal traditions and the…
Fushimi, Station # 51 – A Symphony of Tranquility and Observation Utagawa Hiroshige’s “Fushimi Station #51” transcends mere depiction; it embodies the spirit of Edo Japan—a meticulously crafted panorama that captures not just a physical location but also an intangible mood. Published in 1842 during the twilight years of the Tokugawa shogunate, this woodblock print exemplifies Hiroshige’s signature approach to landscape art: prioritizing atmospheric perspective and subtle tonal gradations over…
The Ichikoku Bridge spans a quiet stretch of water in the Eastern Capital. Beneath its wooden arch, two boats drift through the current. People move across the structure, some carrying backpacks and others clutching small handbags. A mountain rises in the distance, watching over the scene. Trees frame the edges of the view, their leaves casting shadows near the water's edge.
In the soft, burgeoning light of a nineteenth-century morning, Utagawa Hiroshige invites us to witness a moment of profound stillness along the Tōkaidō road. Shinagawa Sunrise is not merely a depiction of a coastal village; it is a masterclass in the art of atmosphere. As the sun begins its ascent, the boundary between the heavens and the earth dissolves into a luminous haze. The water of the bay reflects a…
In the delicate dance of woodblock printing, few masters captured the ephemeral beauty of Japanese life as profoundly as Utagawa Hiroshige. His masterpiece, The Rokugo River Ferry, Kawasaki, serves as a breathtaking window into the Edo period, inviting the viewer to step onto the bustling banks of one of the most vital crossings on the Tokaido road. This evocative scene from his legendary series, The Fifty-three Stations of the Tokaido,…
In the delicate interplay of mist and water, Itsukushima in Aki Province offers more than a mere glimpse of a Japanese landmark; it provides a profound meditation on the ephemeral nature of existence. Created by the legendary ukiyo-e master Ando Hiroshige in 1858, this woodcut print captures the spiritual essence of the Itsukushima shrine area with a poetic sensitivity that remains unparalleled. As one gazes upon the composition, the eye…
The woodblock print depicts a section of the Tenryu River near the station of Mitsuke. In the center of the composition, a large sandbank divides the water into two distinct currents. Several small wooden boats occupy the river, with figures positioned within them to manage the crossing. Some vessels are moored directly against the central sandbank, while others navigate the moving water. The far shore is visible in the distance,…
Parrot and Grape Vines: A Vision of Tranquility Amidst Edo’s Changing Landscape Utagawa Hiroshige's "Parrot and Grape Vines" transcends mere depiction; it embodies the poetic spirit characteristic of…
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To gaze upon Utagawa Hiroshige’s "The Pine Woods of Miho in Suruga Province" is to be transported across the threshold of time, leaving the clamor of modern life…
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A Poetic Vision of Edo Japan: Ando Hiroshige’s “62 (55) Komakata Hall and Azuma Bridge” Ando Hiroshige (1797-1858), a name synonymous with the golden age of Japanese art,…
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“Evening Snow at Kanbara,” a captivating woodblock print by the legendary Utagawa Hiroshige, isn't merely a depiction of a winter landscape; it’s an invitation to step into a…
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To gaze upon Utagawa Hiroshige's "Dawn in the licensed quarters" is to step directly into the vibrant, ephemeral heart of Edo during the mid-nineteenth century. This painting captures…
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A Glimpse into Edo's Nightlife: The Allure of Saruwakacho Ando Hiroshige’s “Night View of Saruwakacho” is more than just a depiction of 19th-century Japan; it’s an invitation to…
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The woodblock print titled Station 28, Fukuroi depicts a serene landscape featuring a field dotted with trees displaying vibrant autumn foliage. Within this scene, a group of at…
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Utagawa Hiroshige's "Evening Snow at Asakusa," a cornerstone of the famed “Eight Views of the Environs of Edo” series, isn’t merely a depiction of a winter scene; it’s…
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Utagawa Hiroshige’s “Keishi (Kyoto), Capital,” painted in 1834, is more than just a picturesque landscape; it’s a window into the vibrant life of Edo-period Japan. Part of his…
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In the twilight years of the Tokugawa rule, as the sun began to set on the era of the shogunate, Utagawa Hiroshige captured a moment of profound stillness…
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In the delicate dance of lines and colors that defines the ukiyo-e tradition, Utagawa Hiroshige’s Yokkaichi (Station #44) emerges as a profound meditation on the harmony between humanity…
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Snow blankets the landscape at Hamamatsu, obscuring the earth beneath a heavy, white layer. Amidst this cold expanse, a small group of travelers has gathered around a central…
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In the delicate interplay of light and shadow found within Utagawa Hiroshige’s Noge and Yokohama in Musashi Province, we encounter more than just a scenic vista; we witness…
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In the mid-19th century, as the sun began to set on the era of the Shogunate, Ando Hiroshige captured a moment of raw, elemental power in his masterpiece,…
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Shirasuga, Shiomi-zaka zu (View of Shima Slope): A Poetic Echo of Edo Japan Utagawa Hiroshige’s “Shirasuga, Shiomi-zaka zu” – View of Shima Slope – transcends mere landscape depiction;…
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In the delicate dance of lines and colors that defines the Ukiyo-e tradition, few works capture the quiet majesty of the Japanese landscape as poignantly as this masterpiece…
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A Poetic Echo of Edo: Utagawa Hiroshige’s “Tsukuda Offing in the Eastern Capital” Utagawa Hiroshige's "Tsukuda Offing in the Eastern Capital (Tōto: Tsukuda oki)" isn't merely a depiction…
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Utagawa Hiroshige’s “Kawachi,” painted in 1853, isn’t merely a landscape; it’s a distilled moment of profound serenity captured with the meticulous precision and poetic sensibility that defined his…
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The woodblock print depicts a street corner within the Narumi district, where several buildings house shops specializing in textile crafts. A group of at least twelve individuals occupies…
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In this multi-color woodblock print, a hillside descends toward the edge of the ocean. A single tree occupies the left foreground, its branches extending over a man who…
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Utagawa Hiroshige’s “Entrance to Enoshima in Sagami Province” (Sagami Enoshima iriguchi) is more than just a depiction of a coastal scene; it's a carefully constructed window into the…
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In the quiet, ethereal moments of dawn, Utagawa Hiroshige captures a world suspended in time. Morning Mist, Mishima, a breathtaking masterpiece from the celebrated series The Fifty-three Stations…
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In the delicate dance of woodblock printing, few masters captured the ephemeral beauty of Japanese life as profoundly as Utagawa Hiroshige. His masterpiece, The Imagire Sea Ferry, Maisaka,…
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A Poetic Vision of Edo Japan: The Life and Art of Utagawa Hiroshige Utagawa Hiroshige (1797-1858), born Andō Tokutarō in Tokyo, stands as a monumental figure within *ukiyo-e*,…
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A snowy mountain peak dominates the background of this woodblock print, rising above a rugged terrain. In the midground, scattered trees punctuate the landscape, while a boat rests…
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A wide expanse of water occupies the foreground of this woodblock print, reflecting the light of an overcast sky. In the middle distance, several boats navigate the surface…
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This artwork utilizes the distinctive *sumi-e* technique—a cornerstone of Japanese art history—characterized by delicate ink washes and subtle shading to achieve remarkable depth and luminosity. Detailed information about…
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In the quiet stillness of a winter dawn, Utagawa Hiroshige invites us to step into a world where time seems to hold its breath. Clear Winter Morning, Kameyama…
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In the delicate dance of woodblock printing, few masters captured the ephemeral beauty of the Japanese landscape as profoundly as Utagawa Hiroshige. His celebrated series, The Fifty-three Stations…
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In the delicate dance of waves and sky, Utagawa Hiroshige’s The Seven-ri Ferry Crossing, Kuwana offers more than just a glimpse into a bygone era; it provides a…
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Aronia and Bullfinch is a delicate work by the artist Utagawa Hiroshige. Created during the 1830s, this piece belongs to the kacho-e genre, a tradition focused on the…
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Pozdravljamo Vas na WahooArt.com – Maestral Edojske Prirode: Geese Homing at Katata od Hiroshigea Hiroshige, umetnik koji je osvetlilo Edojsko doba lepotom japanske prirode i simbolikom umetnosti, predstavlja…
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In the delicate strokes of Utagawa Hiroshige’s Yugyoji Temple, Fujisawa, we are invited to step back into the Edo period, a time when the Tokaido road served as…
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In the delicate dance of lines and shadows that defines Utagawa Hiroshige’s woodblock mastery, few scenes capture the spirited pulse of Edo-period Japan as vividly as Travellers and…
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In the delicate dance of lines and colors that defines the ukiyo-e tradition, few works capture the transient beauty of the Japanese landscape as intimately as Utagawa Hiroshige’s…
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In the delicate dance of lines and colors that defines the golden age of ukiyo-e, few works capture the transient beauty of Japanese life as intimately as Utagawa…
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In the delicate masterpiece Kyoka Tokaido Series, Kanagawa (Yokohama), the legendary Utagawa Hiroshige invites us to step into a world of profound tranquility and rhythmic grace. This exquisite…
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In the delicate dance of light and water captured within Utagawa Hiroshige’s Distant View of Miho, Ejiri, we are invited to step through a portal into the heart…
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In the quiet, burgeoning light of a Japanese morning, Utagawa Hiroshige captures a moment of profound stillness and spiritual connection in Mt. Fuji in the Morning, Hara. This…
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In the delicate dance of lines and colors that defines the ukiyo-e tradition, few works capture the kinetic energy of Japanese life as masterfully as Utagawa Hiroshige’s A…
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A Poetic Vision of Edo Japan: The Life and Art of Utagawa Hiroshige Utagawa Hiroshige (1797-1858) stands as an unparalleled luminary in the realm of *ukiyo-e*, or “pictures…
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In the delicate dance of lines and colors that defines the ukiyo-e tradition, few masters captured the ephemeral beauty of the Japanese landscape as profoundly as Utagawa Hiroshige.…
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In the delicate dance of waves and wood, Utagawa Hiroshige captures a fleeting moment of maritime life in his masterpiece, The Ichiri-Han Sea Ferry, Arai. Part of the…
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In this exquisite woodblock print from the celebrated series The Fifty-three Stations of the Tokaido, Utagawa Hiroshige invites us to a moment of profound stillness amidst the gentle…
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In the delicate lines of Akasaka, a masterpiece from Utagawa Hiroshige’s legendary series The Fifty-three Stations of the Tokaido, we are invited to step into the rhythmic pulse…
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In the delicate dance of woodblock printing, few masters captured the ephemeral beauty of the Japanese landscape with as much soul as Utagawa Hiroshige. His masterpiece, The Sakawa…
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In the delicate interplay of line and color, Utagawa Hiroshige captures a fleeting moment of tranquility in "A Footpath between Ricefield, Hiratsuka." This exquisite woodblock print, part of…
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The composition centers on the turbulent waters of the Naruto Strait, where the tide creates a swirling vortex. White foam and spray rise from the dark, churning water…
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73 The City Flourishing, the Tanabata Festival is a woodblock print by Utagawa Hiroshige. It belongs to the series One Hundred Famous Views of Edo (Meisho Edo hyakkei).…
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In the delicate lines of Utagawa Hiroshige’s Sarugababa Plain, Futagawa, we are invited to step into a world where time slows to the rhythm of a traveler's footfall.…
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In the delicate dance of light and shadow that defines the ukiyo-e genre, few masters could capture the quiet intimacy of daily life as poignantly as Utagawa Hiroshige.…
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Utagawa Hiroshige’s “Sakanoshita,” part of his renowned series The Fifty-three Stations of the Tōkaidō, offers more than just a scenic view; it provides a window into the heart…
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Утагава Хирошиге, велики уметник утицајног периода *укијо-е*, представља се као последњи велик мастер японских дрвјених блок печата и оставља траг у светској уметности. Ово један од многих дела…
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Hiroshige"s great achievement in translating landscape to prints and popular art forms rested on his unique ability to understand the traditional qualities of famous places (meisho) and to…
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This woodblock print, titled Dog, presents a landscape featuring a mountain topped with snow in the background. A river flows through the valley below the mountain. Several trees…
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The composition centers on a dark, nocturnal landscape dominated by an enoki tree in the foreground. The tree's branches extend across the upper portion of the frame, with…
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A Serene Vista of Coastal Japan: Hiroshige's "Minami Shinagawa and Samezu Coast" This exquisite woodblock print, “109. Minami Shinagawa and Samezu Coast,” is a captivating work by Ando…
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A Poet's Vision of Edo Japan: The Life and Art of Utagawa Hiroshige Utagawa Hiroshige (歌川 広重) or Andō Hiroshige (安藤 広重), born Andō Tokutarō (安藤 徳太郎; 1797…
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Akasaka, No. 37: A Snapshot of Edo Tranquility Utagawa Hiroshige’s “Akasaka, No. 37,” part of the celebrated “Fifty-three Stations of the Tokaido” series (Tokaido gojusan tsugi), offers more…
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Shiojiri Pass in Shinano Province (Shinano Shiojiritōge): A Vision of Tranquility Utagawa Hiroshige II’s “Shiojiri Pass in Shinano Province,” created in 1858, transcends mere depiction; it embodies the…
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A landscape unfolds through a series of layered compositions, leading the eye toward distant, hazy mountains. In the foreground, figures on horseback traverse a narrow path cutting through…
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The water ripples with a gentle energy as figures immerse themselves in the cool depths of the river. In this scene from Fuchu, life moves at the pace…
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In his prints, Hiroshige used the unprinted white paper to represent snow, a technique also exploited in this painting, in which unpainted silk, reserved against the pale ink…
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A Serene Escape: Ando Hiroshige’s “82. Moon Viewing” Subject & Composition: This exquisite ukiyo-e woodblock print transports viewers to a tranquil scene of Edo-era Japan, capturing the intimate…
Unesite ga u svoj dom →Četiri teme koje se najčešće pojavljuju među ovim remek-delima, sa najboljim primerom za svaku od njih.
#21 Yokkaichi (Station #44)
#22 Desolate Wintry Scene, Hamamatsu, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)
#29 The Dye Craft Shops of Arimatsu, Narumi, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)
#33 The Imagire Sea Ferry, Maisaka, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Хирошиге | Slike iz ovog spiska |
|---|---|---|---|
 Nakagawa-machi Bato Hiroshige Museum of Art |
Nagasaki | 30 | Early Department from a Daimyo, The Rokugo River Ferry, Kawasaki, from the series the Fifty-three Stations of the Tokaido (Hoeido edition ), Tenryu River Ferry Crossing, Mitsuke, from the series The Fifty-three Stations of the Tokaido (Gyosho Edition) |
 Indianapolis Museum of Art |
Indijanapolis | 36 | Hakone, Station 36, Goyu; Kyoka Tokaido Series, Фушими, Станица #51 |
 Metropoliten музеј у Њујорку |
Њујорк | 8 | Shibaura Bay of Musashi Province, Koyurugi Beach of Sagami Province, Honmoku Bay of Musashi Province |
 Brooklyn Museum |
Brooklyn | 4 | Itsukushima in Aki Province, 62 (55) Komakata Hall and Azuma Bridge, Sakanoshita: the Throwing Away the Brush Peak |
 Hill-Stead Museum |
Farmington | 3 | Shinagawa Sunrise from the series Fifty-three Stations on the Tokaido Road, Evening Snow at Asakusa or Woman with Umbrella from the series Eight Views of the Environs of Edo |
 Los Angeles County Museum of Art |
Los Anđeles | 2 | Evening Snow at Kanbara, Night View of Matsuchiyama and the San |
 Музеј Ван Гога |
Амстердам | 1 | The maple leaves of Mama, Tekona shrine and Tsugi bridge |
 Art Gallery of New South Wales |
Sidnej | 1 | Dawn in the licensed quarters |
Utagawa Hiroshige’s “Hakone,” created in 1834, is more than just a landscape; it's a poetic meditation on the beauty and transience of nature within Edo-period Japan. This woodblock…
Fushimi, Station # 51 – A Symphony of Tranquility and Observation Utagawa Hiroshige’s “Fushimi Station #51” transcends mere depiction; it embodies the spirit of Edo Japan—a meticulously crafted…
Utagawa Hiroshige (1797-1858), arguably the last titan of *ukiyo-e*, didn't merely depict landscapes; he crafted them into meditations on beauty and impermanence. “The Maple Leaves of Mama, Tekona…
Early Department from a Daimyo, Nakagawa-machi Bato Hiroshige Museum of Art, Nagasaki. Sledeći su The maple leaves of Mama, Tekona shrine and Tsugi bridge (1857) i Hakone (1834).
Early Department from a Daimyo, The maple leaves of Mama, Tekona shrine and Tsugi bridge, Hakone, Station 36, Goyu; Kyoka Tokaido Series, Фушими, Станица #51, Ichikoku Bridge in the Eastern Capital (Tōto: Ichikoku bashi), Shinagawa Sunrise from the series Fifty-three Stations on the Tokaido Road, The Rokugo River Ferry, Kawasaki, from the series the Fifty-three Stations of the Tokaido (Hoeido edition ), Itsukushima in Aki Province i Tenryu River Ferry Crossing, Mitsuke, from the series The Fifty-three Stations of the Tokaido (Gyosho Edition). Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 353 dela umetnika Хирошиге, datiranih od 1833 do 1858.
Većina njih se nalazi u Nakagawa-machi Bato Hiroshige Museum of Art (Nagasaki), Indianapolis Museum of Art (Indijanapolis) i Metropoliten музеј у Њујорку (Њујорк). U tabeli iznad su muzeji navedeni jedan po jedan.
U periodima 1850s: 43 od ukupno 100 dela na ovoj stranici datiraju iz tog vremena, od čega je The maple leaves of Mama, Tekona shrine and Tsugi bridge.
Najstarije delo na ovoj stranici je iz Ширазука Шиоми-заку (Вид на склон Симы) (1833), a najnovije iz Ichikoku Bridge in the Eastern Capital (Tōto: Ichikoku bashi) (1858).
Edo period (31), Ukiyo-e (22) i Woodblock print (20), od ukupno 100 dela na ovoj stranici.
Woodblock Print: 61 od ukupno 100 dela na ovoj stranici.
Japanese landscape painting, kao što pokazuju slike na ovoj stranici.
Early Department from a Daimyo, The Rokugo River Ferry, Kawasaki, from the series the Fifty-three Stations of the Tokaido (Hoeido edition ) i Tenryu River Ferry Crossing, Mitsuke, from the series The Fifty-three Stations of the Tokaido (Gyosho Edition) su među 29 dela na ovoj stranici koja se nalaze u Nakagawa-machi Bato Hiroshige Museum of Art, Nagasaki.
Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.
