Slika koja je proslavila Јохан Цофани je Self Portrait (1805); nalazi se u muzeju Britanska biblioteka, London. George, Prince of Wales and Prince Frederick, later Duke of York (1765) i The Honourable George de la Poer Beresford (1735–1800), 2nd Earl of Tyrone, Later 1st Marquis of Waterford (1780) slede nakon njih u srcima kolekcionara i posetilaca muzeja. Od 185 dela umetnika Јохан Цофани u našem katalogu, ovih 100 su najcenjenija, a svako je predstavljeno sa datumom nastanka, muzejom i onim što ga izdvaja.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.
Johann Zoffany's "Self Portrait as David with the Head of Goliath," painted in 1805, is far more than a simple depiction of an artist contemplating his own likeness. It’s a meticulously constructed tableau vivant—a staged scene brimming with classical allusion, theatricality, and a subtle, almost unsettling, exploration of identity and artistic ambition. This remarkable work, housed within the Google Art Project, offers a captivating glimpse into the mind of a…
Johann Zoffany's 1765 painting, "George, Prince of Wales and Prince Frederick, later Duke of York," isn’t merely a portrait; it’s a meticulously constructed tableau vivant – a staged scene designed to capture a fleeting moment of aristocratic leisure. Commissioned for Queen Charlotte’s private collection at Buckingham House, this work exemplifies Zoffany's mastery of the ‘conversation piece,’ a burgeoning genre that sought to depict not just likenesses but also social interactions…
A Window Into Georgian Society: Johann Zoffany’s “The Honourable George de la Poer Beresford” Johann Zoffany's "The Honourable George de la Poer Beresford," completed around 1780, stands as a quintessential example of the English *conversation piece*, capturing not merely a likeness but an entire social milieu. More than just a portrait, it’s a meticulously crafted tableau that speaks volumes about Georgian England – its intellectual curiosity, aristocratic ambition, and burgeoning…
Garrick, Ackman and Bransby in a Scene from Lethe – A Portrait of Enlightenment Johann Zoffany’s “Garrick, Ackman and Bransby in a Scene from Lethe,” completed in 1766, stands as an emblem of the British Enlightenment, capturing not merely likenesses but also intellectual curiosity and theatrical grandeur. Executed in oil on canvas, this monumental portrait resides within Birmingham Museums Trust’s collection, offering viewers a glimpse into a pivotal moment in…
Johann Zoffany’s “The Gore Family with George, 3rd Earl Cowper” is more than just a portrait; it's a meticulously constructed tableau vivant, a frozen moment of social interaction that offers an unparalleled glimpse into the opulent world of Georgian England. Painted in 1775, this remarkable ‘conversation piece’ – a genre popularized by Zoffany himself – transcends the simple act of recording likenesses, instead presenting a carefully orchestrated scene brimming with…
In the heart of Florence’s famed Galleria degli Uffizi, there exists a room designed to inspire awe, and in 1772, Johann Zoffany captured its very soul upon canvas. The Tribuna of the Uffizi is far more than a mere depiction of a gallery; it is a meticulously crafted tableau vivant—a living picture that freezes a moment of profound intellectual synergy. As one gazes upon this monumental oil on canvas, they…
The young Francis of Austria sits within a room heavy with the textures of status. He is a small figure positioned slightly off-center, caught in the soft, directional light that defines the smooth skin of his face and the precise folds of his clothing. Around him, the world is built of deep green drapery and the metallic glint of a sword hilt. A globe rests in the foreground, its curved…
Johann Zoffany’s Capturing Georgian Society with Brushstrokes of Cosmopolitan Flair Johann Zoffany (1733 – 1810), born Johannes Josephus Zaufallij in Frankfurt, Germany, stands as a pivotal figure in eighteenth-century European art. Primarily active in England and Italy, his legacy rests upon groundbreaking “conversation pieces”—genre paintings that meticulously documented social gatherings with an unprecedented level of realism and psychological depth. This remarkable portrait, titled *Portrait of Ann Brown in the Role…
The oil on canvas titled Self-Portrait with His Daughter Maria Theresa, James Cervetto, and Giacobbe Cervetto captures a quiet intersection of lineage and craft. Johann Zoffany, the artist behind this composition, was born in 1733 in Frankfurt, Germany. His hand moved through the artistic traditions of Europe before he became active in Britain from 1760. The work is dated about 1780.
Painted in 1772, this captivating portrait by German artist Johann Zoffany offers a fascinating glimpse into the world of British colonial India and the life of Sir Elijah…
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In this masterful 1761 portrait by Johann Zoffany, we are invited to step into the quiet, contemplative atmosphere of the 18th century. The painting presents a half-length depiction…
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Johann Zoffany’s Elizabeth Farren as Hermione in The Winter's Tale, painted about 1780, utilizes a formal, theatrical Neoclassical structure to establish a sense of dramatic elegance. The composition…
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Johann Zoffany's “The Mathew Family at Felix Hall, Kelvedon, Essex” is more than just a portrait; it’s a meticulously crafted tableau vivant – a snapshot of a wealthy…
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A three-quarter length portrait depicts Archduchess Maria Christina, Duchess of Teschen, seated in an off-center position. The subject wears a gown of luminous white and silver silk, featuring…
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We are looking at David Garrick and Mary Bradshaw in David Garrick's "The Farmer's Return", a work by Johann Zoffany. This piece was created about 1762, a period…
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In the vast tapestry of eighteenth-century portraiture, few works capture the delicate dance of diplomacy and cultural fascination as exquisitely as Johann Zoffany’s 1784 masterpiece, Hasan Reza Khan,…
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In the quiet, opulent corners of eighteenth-century history, few images capture the tender intersection of royal duty and maternal affection as poignantly as Johann Zoffany’s Queen Charlotte with…
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Johann Zoffany’s “The Tribuna of the Uffizi” (1772–1778), now residing within the Royal Collection at Windsor Castle, isn't merely a painting; it’s a meticulously crafted tableau vivant –…
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The stage is set in Charles Macklin as Shylock in Shakespeare's 'The Merchant of Venice', Covent Garden, 1767 1768, a work by Johann Zoffany. This theatrical scene integrates…
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In this oil on canvas, Johann Zoffany presents The Drummond Family, a work dating from ca. 1769. The painting captures three generations of a wealthy Scottish family, offering…
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In this captivating portrait, we are transported back to the vibrant, candlelit atmosphere of the Drury Lane Theatre in 1763. Johann Zoffany, a master of capturing the nuance…
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The Flower Girl is a beautiful painting created by the renowned artist Johann Zoffany in 1780. This stunning oil on canvas piece measures 89 x 71 cm and…
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In the quiet, shadowed corners of art history, few works possess the startling psychological intensity found in Johann Zoffany’s 1756 masterpiece, Self-portrait as David with the head of…
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For a deeper understanding of Zoffany’s artistic vision and the context of Georgian society, consult resources such as:The Cope Family - Johan Zoffany (Frankfurt 1733 - London 1810)…
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The scene unfolds around Lady Henrietta Cavendish Bentinck, Countess of Stamford, a woman whose presence commands the space. Johann Zoffany captures her in this portrait, a work attributed…
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In the delicate brushstrokes of Johann Zoffany’s 1782 masterpiece, Mary Wilkes John Wilkes, we are transported to an era of refined grace and social poise. This exquisite portrait…
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A Portrait of Enlightenment: Johann Zoffany’s Edmund Keene Johann Zoffany's "Edmund Keene (1714–1781), Master (1748–1754), Bishop of Chester and Ely" stands as a cornerstone of Rococo portraiture, capturing…
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Četiri teme koje se najčešće pojavljuju među ovim remek-delima, sa najboljim primerom za svaku od njih.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Јохан Цофани | Slike iz ovog spiska |
|---|---|---|---|
 Royal Collection |
London | 21 | George, Prince of Wales and Prince Frederick, later Duke of York, The Tribuna of the Uffizi, William Henry, Duke of Gloucester (1743-1805) |
 Yale Center for British Art |
New Haven | 7 | The Gore Family with George, 3rd Earl Cowper, Self-Portrait with His Daughter Maria Theresa, James Cervetto, and Giacobbe Cervetto, David Garrick and his wife Eva Maria Garrick (née Veigel) by his Temple to Shakespeare at Hampton |
 National Portrait Gallery |
London | 4 | Sir Elijah Impey, Johan Joseph Zoffany, Benjamin Stillingfleet |
 Kunsthistorisches Museum |
Beč | 5 | Portrait of Francis of Austria (1768-1835), Archduchess Maria Christina, Duchess of Teschen, (1742-1798), Franz I Stephan, Holy Roman Emperor |
 The Holburne Museum |
Bat | 3 | Charles Macklin as Shylock in Shakespeare's 'The Merchant of Venice', Covent Garden, 1767 1768, David Garrick as John Brute in 'The Provok'd Wife' by Vanbrugh, Drury Lane, 1763, Shuter, Beard, and Dunstall in 'Love in a Village' by Isaac Bickerstaffe, Covent Garden, 1762 |
 Birmingham Museum and Art Gallery |
Birmingem | 3 | The Blunt Children, Parsons, Bransby and Watkyns in a Scene from Lethe, Garrick, Ackman and Bransby in a Scene from Lethe |
 Britanska biblioteka |
London | 3 | Self Portrait, Hasan Reza Khan, Minister to Asaf al Daula of Oudh |
 National Trust |
Guildford | 2 | The Honourable George de la Poer Beresford (1735–1800), 2nd Earl of Tyrone, Later 1st Marquis of Waterford, The Mathew Family at Felix Hall, Kelvedon, Essex |
Johann Zoffany's 1765 painting, "George, Prince of Wales and Prince Frederick, later Duke of York," isn’t merely a portrait; it’s a meticulously constructed tableau vivant – a staged…
Johann Zoffany’s “The Gore Family with George, 3rd Earl Cowper” is more than just a portrait; it's a meticulously constructed tableau vivant, a frozen moment of social interaction…
A Window Into Georgian Society: Johann Zoffany’s “The Honourable George de la Poer Beresford” Johann Zoffany's "The Honourable George de la Poer Beresford," completed around 1780, stands as…
Johann Zoffany's "Self Portrait as David with the Head of Goliath," painted in 1805, is far more than a simple depiction of an artist contemplating his own likeness.…
Self Portrait (1805), Britanska biblioteka, London. Sledeći su George, Prince of Wales and Prince Frederick, later Duke of York (1765) i The Honourable George de la Poer Beresford (1735–1800), 2nd Earl of Tyrone, Later 1st Marquis of Waterford (1780).
72 godina: Self Portrait datira iz 1805, a Јохан Цофани je rođen/a 1733.
Self Portrait, George, Prince of Wales and Prince Frederick, later Duke of York, The Honourable George de la Poer Beresford (1735–1800), 2nd Earl of Tyrone, Later 1st Marquis of Waterford, Garrick, Ackman and Bransby in a Scene from Lethe, The Gore Family with George, 3rd Earl Cowper, The Tribuna of the Uffizi, Portrait of Francis of Austria (1768-1835), Jacob Wilkinson, a Governor of the East India Company, Portrait of Ann Brown in the Role of Miranda i Self-Portrait with His Daughter Maria Theresa, James Cervetto, and Giacobbe Cervetto. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 185 dela umetnika Јохан Цофани, datiranih od 1753 do 1805.
Većina njih se nalazi u Royal Collection (London), Yale Center for British Art (New Haven) i National Portrait Gallery (London). U tabeli iznad su muzeji navedeni jedan po jedan.
U periodima 1760s: 42 od ukupno 100 dela na ovoj stranici datiraju iz tog vremena, od čega je George, Prince of Wales and Prince Frederick, later Duke of York.
Najstarije delo na ovoj stranici je iz Martyrdom of St. Bartholomew (1753), a najnovije iz Self Portrait (1805).
Portraiture (12), 18th century (11) i Conversation piece (9), od ukupno 100 dela na ovoj stranici.
Oil On Canvas: 18 od ukupno 100 dela na ovoj stranici.
Neoclassicism i Rococo, kao što pokazuju slike na ovoj stranici.
George, Prince of Wales and Prince Frederick, later Duke of York, The Tribuna of the Uffizi i William Henry, Duke of Gloucester (1743-1805) su među 13 dela na ovoj stranici koja se nalaze u Royal Collection, London.
Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.
Јохан Зофањи, рођен као Јоханес Јозефус Зауфалиј 1733. године у Фрајбургу, Немачка, био је слика који је славу стекао углавном у Енглеској и Италији. Детаљи његовог раниног детињства су ретки, али се зна да је добио уметничку обуку од малих нога. Прво је радио као ученик код вајара, вероватно Мелхиора Паулуса у Елвангену, пре него што је студирао са Мартином Спеером у Регенсбургу. Овај основни период поставио је основу за његову будућу каријеру.
Године 1750. Зофањи је отпутовао у Рим, где је ушао у радионицу Агостина Масучија и усавршио своје вештине у оквиру италијанске уметничке традиције. Касније се преселио у Енглеску 1760. године, где се прво издржавао стварањем декоративних дизајна за сатове Стефена Римбоа. Овај период је означио преломну тачку док је почео да успоставља контакте и стиче признање у лондонској уметничкој сцени.
Зофањи је брзо привукао пажњу краља Џорџа III и краљице Шарлоте, постајући омиљени портретиста краљевске породице. Његова способност да заухвати неформалне тренутке – као што је Краљица Шарлота и њена два најстарија детета (1765) – разликовала га је од формалнијих дворских сликара. Био је популаран и код аустријске царске породице, а 1776. године га је царица Марија Тереза прогласила бароном Светог Римског царства.
Зофањи се постао познат по својим “конверзационим комадима” или *conversazione* – неформалним групним портретима који приказују друштвене окупљања. Одликовао се у заухватању личности и интеракција у овим сценама, често представљајући познате личности из друштва, позоришта и књижевности. Његова дела као што је Породица Коп (1775) пример су овог стила, нудећи увид у живот својих наручилаца.
Од 1783. до 1789. године Зофањи је боравио у Индији, где је сликао портрете познатих личности као што су Ворен Хестингс и Асаф-уд-Даула. Његова искуства тамо су утицала на његов уметнички стил и тематику. Занимљива прича из овог периода укључује бродолом код Андманских острва, где су преживели прибегли екстремним мерама за опстанак.
Зофањијев рад одражава утицаје немачке прецизности и италијанске уметности. Био је под утицајем уметника као што је Агостино Масучи и црпео је инспирацију из барокне традиције. Његов стил је, заузврат, утицао на савременике и касније уметнике заинтересоване за портретисање и друштвену коментаришење. Везао је уметничке традиције и оставио трајан утицај на уметност 18. века.
Јохан Зофањијева слика пружа драгоцене увиде у друштвене обичаје, интелектуални живот и културне вредности његовог времена. Његови “конверзациони комади” нуде интимне портрете познатих појединаца и њиховог света, док његов приказ Индије доприноси нашем разумевању колонијалне историје. Остаје значајна фигура у историји уметности, слављена због своје техничке вештине, проницљивих запажања и јединствене уметничке визије.
