Untitled (1964) je najpoznatije delo umetnika David Smith. Hudson River Landscape (1951) i Cubi i su sledeća dva dela koja svet najbolje poznaje. Od 19 dela umetnika David Smith u našem katalogu, izdvajamo ovih 18 koja kolekcionari i posetioci muzeja najčešće posmatraju, uz navođenje godine, muzeja i priče o svakom od njih.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026.
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika David Smith | Slike iz ovog spiska |
|---|---|---|---|
| Njujork | 1 | Hudson River Landscape |
14 godina umetničkog stvaralaštva David Smith, od 1951 do 1964, prikazanih godinu po godinu kroz njena najpoznatija dela.
Untitled (1964). Sledeći su Hudson River Landscape (1951) i Cubi i.
58 godina: Untitled datira iz 1964, a David Smith je rođen/a 1906.
Untitled, Hudson River Landscape, Cubi i, Three planes, N08744 46 lr, Saw head, (1933), 5 And A Half (Use Half Sign), Suspended cube, Untitled i Zig iv. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 19 dela umetnika David Smith, datiranih od 1951 do 1964.
Većina njih se nalazi u Whitney Museum of American Art (Njujork). U tabeli iznad su muzeji navedeni jedan po jedan.
Najstarije delo na ovoj stranici je iz Hudson River Landscape (1951), a najnovije iz Untitled (1964).
Abstract expressionism, kao što pokazuju slike na ovoj stranici.
Born in Decatur, United States, David Smith was a sculptor, painter, designer, photographer, artist, writer, and visual artist. His creative journey involved studying at Ohio University and Notre Dame, and he worked on the assembly line of the Studebaker automobile factory in South Bend, Indiana. After moving to New York in 1926, he studied at the Art Students League of New York. During the Great Depression, he participated in the Works Progress Administration’s Federal Art Project. Smith later moved to Bolton Landing, New York, where he operated a studio. During World War II, he worked as a welder for the American Locomotive Company in Schenectady, New York.
His sculptural work is characterized by the use of industrial steel, which he manipulated using an oxyacetylene torch to weld metal. He often created unique works by cutting, plugging, flattening, pinching, and bending steel bars. His output included various series, such as the Agricolas and the Cubi series, which featured stainless steel. In his later years, he utilized spray paint to create stenciled shapes. Beyond sculpture, Smith produced drawings and paintings, including a series known as the Last Nudes.
Smith's body of work includes several recognized pieces, such as:
His work has been featured in numerous exhibitions globally, including the Venice Biennale and the São Paulo Bienal. His sculptures have been held in collections such as the Whitney Museum of American Art in New York.