Ben Nikolson Om, 1894 – 1982

100 najpoznatijih slika umetnika Ben Nikolson Om

Slika koja je proslavila Ben Nikolson Om je 1946 (cerulean abstraction) (1946); nalazi se u muzeju Pallant House Gallery, Chichester. 1933 (St Rémy self portrait with Barbara Hepworth) (1933) i 1934 (painted relief) (1934) slede nakon njih u srcima kolekcionara i posetilaca muzeja. Od 127 dela umetnika Ben Nikolson Om u našem katalogu, ovih 100 su najcenjenija, a svako je predstavljeno sa datumom nastanka, muzejom i onim što ga izdvaja.

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Ben Nikolson Om · 1894 – 1982

Rođen · umro: 1894 – 1982, Бакингемшир
Pokret: Cubism
Radovi u našem katalogu: 127
Najpoznatije: 1946 (cerulean abstraction) (1946)
Najviše dela u: Kettle's Yard

Ben Nikolson Om: deset remek-delo

1946 (cerulean abstraction)

1946 · Acrylic On Canvas · Pallant House Gallery, Chichester

Ben Nicholson OM’s “1946,” a cerulean abstraction housed at Pallant House Gallery, stands as a testament to the burgeoning modernist movement and Nicholson's singular vision for capturing emotion through geometric form. Painted in 1946 amidst the postwar landscape of Britain—a period marked by rebuilding efforts and a fervent embrace of experimental artistic approaches—the canvas embodies a profound stillness punctuated by dynamic interplay between color and shape.

Priča o ovom delu

1933 (St Rémy self portrait with Barbara Hepworth)

1933

Priča o ovom delu

1934 (painted relief)

1934 · Acrylic On Canvas · University of Hertfordshire, North Hatley

Exploring Geometric Minimalism: Ben Nicholson’s ‘1934 (relief)’ Ben Nicholson OM's '1934 (relief)' stands as a testament to the understated elegance of geometric abstraction, embodying the spirit of mid-century modern design and inviting contemplation on form and texture. Created in 1934, this mahogany painted relief exemplifies Nicholson’s pioneering exploration of spatial relationships within simplified shapes—a deliberate departure from representational art that sought to capture the essence of experience rather than visual…

Priča o ovom delu

1928 (Walton Wood cottage no.1)

1928

O ovoj slici

1948 (still life)

1948 · New Walk Museum - Art Gallery, Leicester

Priča o ovom delu

1924 (first abstract painting, Chelsea)

Otkrijte ovo remek-delo

1932–33 (musical instruments)

1933 · Oil On Canvas · Kettle's Yard, Kembrijdž

A violin and a cello emerge from a quiet, gray landscape. They are not drawn with the soft curves of a musician's hand, but through the sharp, disciplined language of geometric abstraction. In this 1933 oil on canvas, the instruments lose their wooden warmth to become a series of intersecting planes and incised lines. The composition relies on a muted palette, where shades of gray dictate the mood, creating a…

Otkrijte ovo remek-delo

1932 (Au Chat Botté)

1932

O ovoj slici

Jan 27 1933

1933

O ovoj slici

1932 (Auberge de la Sole Dieppoise)

1932

Priča o ovom delu

Još Ben Nikolson Om remek-delo, od 11 do 100

#11

1932 (prince and princess)

1932 · Walker Art Gallery

#12

May 1956 (hendrifter)

1956 · Arts Council Collection

To stand before Ben Nicholson’s May 1956 (hendrifter) is to encounter a moment of profound, almost crystalline stillness. This work does not shout its presence; rather, it invites…

#13

c.1922 (Balearic Islands)

1924 · Kettle's Yard

Ben Nicholson's "c.1922 (Balearic Islands)" isn’t merely a painting; it’s a distilled moment of introspection, captured with the quiet intensity characteristic of the artist’s mature style. Painted in…

#14

1927 (Winifred and Jake)

1928 · Pallant House Gallery

The artwork titled 1927 (Winifred and Jake) is a painting by the artist Ben Nicholson. Completed in 1927, this work functions as a portrait of Winifred and Jake…

#15

1938

1938 · Nacionalna galerija Viktorije

is an oil on canvas work by the British artist Ben Nicholson. Created in 1938, the piece marks a significant period in the artist's career, coinciding with a…

#16

1930 (Christmas night)

1930 · Kettle's Yard

The painting 1930 (Christmas night) is a work by Ben Nicholson OM. Created in 1930, the piece captures a quiet domestic scene through a lens of geometric simplicity.…

#17

1925 (ландшафт)

1925 · Pallant House Gallery

Ben Nicholson OM (1894–1982) stands as one of the most influential figures in British abstract art, forging a distinctive path that blended geometric precision with profound sensitivity to…

#18

1914 (the striped jug)

1914 · The Stanley - Audrey Burton Gallery

#19

1925 (jar and goblet)

1925 · Kettle's Yard

Ben Nicholson OM's "Jar and Goblet," created in 1925, stands as a cornerstone of British Modernism—a deceptively simple painting that belies its profound exploration of form, color, and…

#20

1917 (portrait of Edie)

1919

#21

1922 (bread)

1922

#22

1944–5 (painted relief)

1945 · The Pier Arts Centre

In the quiet, profound stillness of Ben Nicholson’s 1944–5, one encounters more than just an arrangement of shapes; one enters a meticulously constructed universe of balance and light.…

#23

1921 c.1923 (Cortivallo, Lugano)

1923

#24

c.1926 (apples)

1927 · Kettle's Yard

#25

1926 (still life – L.L.)

1926 · The Ingram Collection of Modern British And Contemporary Art

#26

1928 (three mugs and a bowl)

1928 · Jerwood Gallery

#27

1923 (Castagnola)

1923

#28

Composition

1929 · Dudmaston Hall

#29

1931 (St Ives Bay sea with boats)

1931

#30

1932 (painting)

1932

#31

1932 (Le Quotidien)

1932

#32

1933 (composition in black and white)

1933 · Swindon Art Gallery

#33

1929 (composition)

1929

#34

1933 (study of a head)

1933

#35

1931 (a decorated paint box)

1931 · Pallant House Gallery

#36

Jan 27 1933

1933

#37

1930 (Cumberland farm)

1930

#38

1933 (guitar)

1933 · Kettle's Yard

#39

1932 (crowned head the queen)

1932 · Abbot Hall Art Gallery

#40

c.1932 (Bistre 11)

1932 · Nottingham Castle Museum And Art Gallery

#41

1929 (fireworks)

1929 · The Pier Arts Centre

#42

1932 (head and mug in a Greek landscape)

1932

#43

1934 (relief)

1934

#44

1934 project for Massine for Beethoven 7th Symphony Ballet

1934

#45

1936 (white relief sculpture version 1)

1936

#46

1935 (white relief)

1935

#47

1934 project for Massine for Beethoven 7th Symphony Ballet

1934

#48

circa 1936 (sculpture)

1936

#49

June 1937 (painting)

1937

#50

1934 6 (painting still life)

1934

#51

1934 6 (painting still life)

1934

#52

1935 (painting)

1935 · The Pier Arts Centre

#53

1930–1936 (composition still life)

1936 · Abbot Hall Art Gallery

#54

1934 (still life Birdie)

1934

#55

1937 (painting)

1937

#56

1934 (1st scheme for Massine ballet)

1934 · Kettle's Yard

#57

Untitled

1942

#58

1943 45 (St Ives, Cornwall)

1943

#59

1943 45 (St Ives, Cornwall)

1943

#60

1940 (Cornish Landscape)

1940 · Bolton Museum And Art Gallery

#61

1939–41 (winter landscape Halsetown)

1941 · Ferens Art Gallery

#62

1940 (painted relief plover's egg blue)

1940

#63

1939 (painted relief)

1939 · The Pier Arts Centre

#64

1940–43 (two forms)

1943

#65

1940–42 (two forms)

1942

#66

1932–40 (still life)

1940 · The Pier Arts Centre

#67

Composition, Abstract Squares

1945

#68

December 13-17 1947 (Trendine 2)

1947 · The Phillips Collection

#69

1946 (still life - Alice through the looking ...

1946 · Art Gallery of New South Wales

#70

c.1943–1947 (composition abstract squares)

1947

#71

1944–45 (painted relief Arabian desert)

1945

#72

1945 (still life)

1945

#73

1946 (composition, still life)

1946

#74

Exhibition Sign

1933 · Kettle's Yard

The Quiet Geometry of “Exhibition Sign” Ben Nicholson’s “Exhibition Sign,” painted in 1933, isn't merely a sign; it’s a distilled meditation on form, color, and the very act…

#75

14 March 1947 (still life – spotted curtain)

1947

#76

c.1946–1947 (3 circles)

1947 · The Pier Arts Centre

#77

1945 (2 circles)

1945 · The Pier Arts Centre

#78

March 17 1950 (still life)

1950 · The Phillips Collection

#79

1950 (still life Dolomites)

1950

#80

1950 (still life)

1950

#81

1946–50 (still life)

1950

#82

Still Life

1950 · MAM Rio

#83

February 1955 (talisman)

1955 · The Phillips Collection

#84

Four Squares, Two Circles

1963 · Dudmaston Hall

#85

1966 (Zennor Quoit 2)

1966 · The Phillips Collection

#86

Dordogne No. 4

1967 · Izraelski muzej

#87

1969 (Holkham Sands No. 1)

1969

#88

1967 8 (relief)

1968

#89

1933 (design)

1933 · Laing Art Gallery

In the quiet evolution of British modernism, few works capture the playful intersection of geometry and organic life as poignantly as Ben Nicholson OM’s 1933 design. This captivating…

#90

1945 (still life with flag)

1945 · Ashmolean Museum of Art and Archaeology

In the quiet aftermath of global upheaval, Ben Nicholson OM captured a moment of profound structural stillness in his 1945 masterpiece, 1945 (still life with flag). This evocative…

#91

1928 (foothills, Cumberland)

1928

In the quiet, evocative landscape of 1928 (foothills, Cumberland), we encounter a moment frozen in time, captured by the masterful hand of Ben Nicholson. This oil on canvas…

#92

1932 (Talc de Coty)

1932 · The Pier Arts Centre

In the evocative realm of British Modernism, few works capture the experimental spirit of the early twentieth century as tangibly as Ben Nicholson’s 1932 (Talc de Coty). This…

#93

c.1930 (framed lid)

1930 · Pallant House Gallery

The artwork "c.1930 (framed lid)" by Ben Nicholson Om is a captivating piece that showcases the artist's unique style and technique. Created in 1930, this pen drawing measures…

#94

November 3 1950 (still life winter)

1950 · The Phillips Collection

We are looking at November 3 1950 (still life winter), a work created by Ben Nicholson in 1950. This piece belongs to the collection of the Phillips Collection,…

#95

March 1949 (Trencrom)

1949 · British Council Collection

In the vast landscape of twentieth-century abstraction, few works capture the delicate equilibrium between structure and spontaneity as masterfully as Ben Nicholson’s March 1949 (Trencrom). This commanding piece…

#96

c.1928 (Cumbrian landscape)

1928 · Kettle's Yard

Ben Nicholson’s “Cumbrian Landscape (No. 2),” painted in 1928, isn't merely a depiction of a rural scene; it’s an invitation to pause and contemplate the quiet beauty of…

#97

August 1956 (Val d'Orcia)

1956 · Tate Modern

Ben Nicholson’s “August 1956 (Val d’Orcia)” isn't merely a depiction of a Tuscan hillside; it’s an invitation to contemplate the very nature of perception and memory. Painted in…

#98

1946 (window in Cornwall)

1946 · The Whitworth

Ben Nicholson’s “1946 (Window in Cornwall)” isn't merely a depiction of a landscape; it’s an invitation to contemplate the very essence of perception. Created in 1946, this remarkable…

#99

date unknown (king III)

Pallant House Gallery

In the intimate dimensions of this captivating work, titled date unknown (king III), we are invited into a world that feels both profoundly personal and grandly mythic. At…

#100

1926 (still life with fruit – version 2)

1926 · British Council Collection

Ben Nicholson's "1926 (Still Life with Fruit – Version 2)" isn’t merely a depiction of apples and oranges; it’s a carefully constructed meditation on form, stillness, and the…

Slike umetnika Ben Nikolson Om po periodima

Early Period

1924 – 1932 · 5 dela na ovoj listi

c.1922 (Balearic Islands) (1924), Ben Nikolson Om

#13 c.1922 (Balearic Islands) 1924 · Kettle's Yard

1928 (three mugs and a bowl) (1928), Ben Nikolson Om

#26 1928 (three mugs and a bowl) 1928 · Jerwood Gallery

c.1932 (Bistre 11) (1932), Ben Nikolson Om

#40 c.1932 (Bistre 11) 1932 · Nottingham Castle Museum And Art Gallery

1928 (foothills, Cumberland) (1928), Ben Nikolson Om

#91 1928 (foothills, Cumberland) 1928

1932 (Talc de Coty) (1932), Ben Nikolson Om

#92 1932 (Talc de Coty) 1932 · The Pier Arts Centre

Mature Period

1925 – 1950 · 18 dela na ovoj listi

1946 (cerulean abstraction) (1946), Ben Nikolson Om

#1 1946 (cerulean abstraction) 1946 · Pallant House Gallery

1932–33 (musical instruments) (1933), Ben Nikolson Om

#7 1932–33 (musical instruments) 1933 · Kettle's Yard

1932 (Au Chat Botté) (1932), Ben Nikolson Om

#8 1932 (Au Chat Botté) 1932

#9 Jan 27 1933 1933

1932 (Auberge de la Sole Dieppoise) (1932), Ben Nikolson Om

#10 1932 (Auberge de la Sole Dieppoise) 1932

Early Modern

1919 – 1936 · 5 dela na ovoj listi

1917 (portrait of Edie) (1919), Ben Nikolson Om

#20 1917 (portrait of Edie) 1919

circa 1936 (sculpture) (1936), Ben Nikolson Om

#48 circa 1936 (sculpture) 1936

1934 6 (painting still life) (1934), Ben Nikolson Om

#50 1934 6 (painting still life) 1934

#74 Exhibition Sign 1933 · Kettle's Yard

1926 (still life with fruit – version 2) (1926), Ben Nikolson Om

#100 1926 (still life with fruit – version 2) 1926 · British Council Collection

Motivi koje je Ben Nikolson Om najčešće slikao

Četiri teme koje se najčešće pojavljuju među ovim remek-delima, sa najboljim primerom za svaku od njih.

Gde videti slike umetnika Ben Nikolson Om

8 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej	Grad	Radovi umetnika Ben Nikolson Om	Slike iz ovog spiska
Kettle's Yard	Kembrijdž	17	1932–33 (musical instruments), c.1922 (Balearic Islands), 1930 (Christmas night)
The Pier Arts Centre	Stromness	9	1944–5 (painted relief), 1929 (fireworks), 1935 (painting)
Pallant House Gallery	Chichester	8	1946 (cerulean abstraction), 1927 (Winifred and Jake), 1925 (ландшафт)
The Phillips Collection	Vašington, D.C.	5	December 13-17 1947 (Trendine 2), March 17 1950 (still life), February 1955 (talisman)
British Council Collection	London	4	March 1949 (Trencrom), 1926 (still life with fruit – version 2)
Abbot Hall Art Gallery	Kendal	3	1932 (crowned head the queen), 1930–1936 (composition still life)
Dudmaston Hall		2	Composition, Four Squares, Two Circles
Arts Council Collection	London	3	May 1956 (hendrifter)

Ben Nikolson Om, deceniju po deceniju: kultno delo svake od njih

1910s

#18 od 100
1914 (the striped jug)
Godine 16 – 25 · The Stanley - Audrey Burton Gallery
1920s

#4 od 100
1928 (Walton Wood cottage no.1)
Godine 26 – 35
1930s

2 od 100
1933 (St Rémy self portrait with Barbara Hepworth)
Godine 36 – 45
1940s

1 od 100
1946 (cerulean abstraction)
Godine 46 – 55 · Pallant House Gallery
Ben Nicholson OM’s “1946,” a cerulean abstraction housed at Pallant House Gallery, stands as a testament to the burgeoning modernist movement and Nicholson's singular vision for capturing emotion…
1950s

#12 od 100
May 1956 (hendrifter)
Godine 56 – 65 · Arts Council Collection
To stand before Ben Nicholson’s May 1956 (hendrifter) is to encounter a moment of profound, almost crystalline stillness. This work does not shout its presence; rather, it invites…
1960s

#84 od 100
Four Squares, Two Circles
Godine 66 – 75 · Dudmaston Hall

Remedela Ben Nikolson Om: pitanja i odgovori

Po kojoj je slici Ben Nikolson Om najpoznatiji/a?Prikaži odgovor

1946 (cerulean abstraction) (1946), Pallant House Gallery, Chichester. Sledeći su 1933 (St Rémy self portrait with Barbara Hepworth) (1933) i 1934 (painted relief) (1934).

Koliko je godina imao/la Ben Nikolson Om kada je slikao/la 1946 (cerulean abstraction)?Prikaži odgovor

52 godina: 1946 (cerulean abstraction) datira iz 1946, a Ben Nikolson Om je rođen/a 1894.

Koja su deset najznačajnijih dela umetnika Ben Nikolson Om?Prikaži odgovor

1946 (cerulean abstraction), 1933 (St Rémy self portrait with Barbara Hepworth), 1934 (painted relief), 1928 (Walton Wood cottage no.1), 1948 (still life), 1924 (first abstract painting, Chelsea), 1932–33 (musical instruments), 1932 (Au Chat Botté), Jan 27 1933 i 1932 (Auberge de la Sole Dieppoise). Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je dela naslikao Ben Nikolson Om?Prikaži odgovor

Naš katalog sadrži 127 dela umetnika Ben Nikolson Om, datiranih od 1914 do 1969.

U kojim muzejima mogu videti remek-dela umetnika Ben Nikolson Om?Prikaži odgovor

Većina njih se nalazi u Kettle's Yard (Kembrijdž), The Pier Arts Centre (Stromness) i Pallant House Gallery (Chichester). U tabeli iznad su muzeji navedeni jedan po jedan.

Kada je Ben Nikolson Om naslikao svoja remek-dela?Prikaži odgovor

U periodima 1930s: 40 od ukupno 100 dela na ovoj stranici datiraju iz tog vremena, od čega je 1933 (St Rémy self portrait with Barbara Hepworth).

Koja su prva i poslednja poznata dela Ben Nikolson Om?Prikaži odgovor

Najstarije delo na ovoj stranici je iz 1914 (the striped jug) (1914), a najnovije iz 1969 (Holkham Sands No. 1) (1969).

Koji su bili omiljeni motivi Ben Nikolson Om?Prikaži odgovor

Geometric shapes (10), Geometric (7) i British art (6), od ukupno 100 dela na ovoj stranici.

Koju je tehniku preferirao/la Ben Nikolson Om?Prikaži odgovor

Oil On Canvas: 14 od ukupno 100 dela na ovoj stranici.

Koji umetnički pravac zastupa Ben Nikolson Om?Prikaži odgovor

Cubism, kao što pokazuju slike na ovoj stranici.

Koja remek-dela Ben Nikolson Om se nalaze u Kettle's Yard?Prikaži odgovor

1932–33 (musical instruments), c.1922 (Balearic Islands) i 1930 (Christmas night) su među 9 dela na ovoj stranici koja se nalaze u Kettle's Yard, Kembrijdž.

Život umetnika Ben Nikolson Om

Ben Nicholson OM: Život u apstraktnoj umetnosti

Rođen: 10. april 1894, Denhem, Bikšerš, Ujedinjeno Kraljevstvo
Preminuo: 6. februar 1982, London, Ujedinjeno Kraljevstvo

Rano detinjstvo i umetničko obrazovanje

Ben Nikolson je rođen u umetničkoj porodici; njegov otac, ser Vilijam Nikolson, i majka, Mejbel Prid, bili su istaknuti slikari. Ovakvo okruženje je od najranijih godina podsticalo duboko poštovanje prema umetnosti.
Svoje rano obrazovanje stekao je u školama Tyttenhangar Lodge Preparatory School, Seaford, Heddon Court, Hampstead, i Gresham's School u Holt, Norfolk.
Nikolson je formalno studirao na Školi lepih umetnosti Slade (1910–1911), gde je bio ravnopravan predstavnik generacije istaknutih umetnika kao što su Pol Neš, Stenli Spenser, Mark Gertler i Edvard Vodsvort. Prema anegdotama, tokom ovog perioda provodio je dosta vremena igrajući bilijar, pronalazeći estetsku privlačnost u geometriji i pokretu ove igre.

Umetnički razvoj i uticaji

Rana dela: Nikolsonovi početni umetnički poduhvati obuhvatali su naturalističke mrtve prirode, pod snažnim uticajem stila njegovog oca.
Kubistički uticaj: Oko 1926. godine, počeo je da istražuje apstrakciju, pod teškim uticajem sintetičkog kubizma i rada Pabla Pikasa.
Neoplasticizam i primitivni stil: Susret sa Pit Mondrijanom upoznao ga je sa neoplasticizmom, dok je susret sa Henrijem Ruso probudio interesovanje za primitivni stil. Ovi uticaji su značajno oblikovali njegov umetnički pravac.
Ključni pokreti: Nikolson se uključio u nekoliko važnih umetničkih pokreta tog vremena, uključujući društvo Seven and Five Society (čiji je bio predsednik), Unit One i Abstraction-Création.

Značajna dela i umetnički stil

Reljefi: Nikolson je posebno poznat po svojim apstraktnim reljefima, koji su počeli da nastajaju 1933. godine. Ova dela su spajala slikarstvo sa skulpturalnim elementima, stvarajući jedinstveno vizuelno iskustvo. Beli reljefi iz sredine 1930-ih smatraju se jednim od njegovih najznačajnijih dostignuća.
Mrtve prirode i pejzaži: Iako je poznat po apstrakciji, Nikolson je stvarao i upečatljive mrtve prirode i pejzaže, često uključujući geometrijske forme i prigušene boje.
Nikolsonov zid: Značajno javno delo je „Nicholson Wall“, mural stvoren za vrt Sutton Place u Gildfordu, u Suriju, koji demonstrira njegovo verovanje da bi apstraktna umetnost trebalo da bude dostupna široj publici.
Materijali i tehnike: Eksperimentisao je sa različitim materijalima i tehnikama, uključujući uljane boje, olovku, šljunak i masonit, često ih kombinujući na inovativne načine.

Nasleđe i istorijski značaj

Moderna britanska umetnost: Ben Nikolson je priznat kao ključna figura moderne britanske umetnosti, dajući značajan doprinos razvoju apstrakcije i reljefne skulpture.
Međunarodno priznanje: Njegov rad je stekao svetsku slavu, sa izložbama na prestižnim mestima poput Venecijanskog binelea i retrospektivama u vodećim muzejima širom sveta. Primio je brojne nagrade, uključujući Red zasluga (Order of Merit) 1ms 1968. godine.
Aukcijski rekordi: Nikolsonova slika postizuju visoke cene na aukcijama, što odražava njihovu umetničku vrednost i istorijski značaj. Na primer, delo „Sept 53 (Balearic)“ prodato je za 1.650.500 dolara u Christie's New York 2011. godine, dok je „Fiddle and Spanish Guitar“ u Christie’s Paris 2012. godine dostiglo cenu od 3.313.000 evra.
Uticaj na umetnike koji su usledili: Nikolsonov inovativni pristup apstrakciji i njegovo istraživanje forme i prostora uticali su na generacije umetnika.

Sva 127 dela umetnika Ben Nikolson Om →

Ben Nikolson Om: deset remek-delo

Još Ben Nikolson Om remek-delo, od 11 do 100

Slike umetnika Ben Nikolson Om po periodima

Early Period

Mature Period

Early Modern

Motivi koje je Ben Nikolson Om najčešće slikao

Geometric shapes 10 dela

Geometric 7 dela

British art 6 dela

Abstract 6 dela

Gde videti slike umetnika Ben Nikolson Om

Ben Nikolson Om, deceniju po deceniju: kultno delo svake od njih

Remedela Ben Nikolson Om: pitanja i odgovori

Život umetnika Ben Nikolson Om

Ben Nicholson OM: Život u apstraktnoj umetnosti

Rano detinjstvo i umetničko obrazovanje

Umetnički razvoj i uticaji

Značajna dela i umetnički stil

Nasleđe i istorijski značaj