Adoration of the Magi (1606) je najpoznatije delo umetnika Bartolomeus Spranger. Ulysses and Circe (1586) i Allegory of Emperor Rudolf II (1592) su sledeća dva dela koja svet najbolje poznaje. Od 76 dela umetnika Bartolomeus Spranger u našem katalogu, izdvajamo ovih 76 koja kolekcionari i posetioci muzeja najčešće posmatraju, uz navođenje godine, muzeja i priče o svakom od njih.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.
The work titled Adoration of the Magi, also recognized as The Adoration of the Kings, is a creation of the artist Bartholomeus Spranger. Born in Antwerp, Belgium, in 1546, Spranger brought a specific Northern sensibility to the religious scene. He remained active in his craft until his death in 1611. This specific piece emerged from his hand during a period of intense creative output, dated around 1590 or around 1595-6.
The air in the room feels heavy, thick with the scent of old stone and spilled wine. In this Mannerist encounter, the bodies do not merely exist; they twist. Circe, seen from behind, turns her torso in a serpentine arc, her pale skin catching a sharp, luminous light that cuts through the gloom. Her form is a curve of white against the deep, dark shadows of the background. Opposite her,…
The Allegory of Emperor Rudolf II emerges from the brush of Bartholomeus Spranger, a painter who captures a moment of intense, swirling movement. Created in 1592, this work presents a complex arrangement of figures that seem to dance through a bright, open sky. The composition draws the eye upward toward a winged figure, while below, a pyramidal structure of deities and warriors creates a sense of layered depth. Every line…
The air in this scene feels heavy, thick with the sudden, violent shift of fate. In a swirling composition of interlocking limbs and muscular torsos, the figures of Hercules, Deianira, and Nessus collide in a moment of profound struggle. The movement is restless, a serpentine energy that pulls the eye through a tangle of bodies. Hercules dominates the center, his form rendered with a powerful anatomical precision that catches the…
In this dynamic Mannerist oil painting, the goddess Minerva Victorious over Ignorance emerges as a central force of triumph. Created by Bartholomeus Spranger around 1591, the scene captures a moment of intense movement and theatrical energy. Minerva dominates the vertical space, her body held in an elegant, elongated contrapposto pose that suggests both grace and power. She wears a gleaming silver breastplate with a golden relief, paired with a light…
This oil portrait, titled Self-portrait, was executed by the artist Bartholomeus Spranger in 1585. It offers a direct encounter with the painter himself, captured during a period of significant professional development. The work measures 45 x 63 cm, providing an intimate scale for such a personal study of identity and presence.
The religious art piece "Fall of Man" by Bartholomeus Spranger presents a scene centered on the biblical narrative of the expulsion from Paradise. The composition focuses on the figures of Adam and Eve in the immediate aftermath of their transgression. These two figures occupy the central space of the work, positioned within a landscape that reflects the consequences of their actions. The subject matter specifically addresses the moment of humanity's…
A celestial hierarchy unfolds within an oval composition, capturing a moment of profound spiritual descent. At the apex, God the Father gazes downward with a solemn expression, one hand raised in blessing while the other rests upon a luminous orb that represents the universe. Beneath him, the Holy Ghost descends as a white dove, enveloped in radiant golden light. The scene is populated by cherubic angel faces emerging from soft,…
In this Mannerist oil painting, we find ourselves drawn into a crowded, dynamic scene where mythology meets a lush, hilly landscape. Apollo sits at the center of this movement, a radiant figure distinguished by a halo, his fingers engaged with a stringed instrument. He is not alone; he is surrounded by several female Muses, each caught in a moment of music or quiet conversation. The composition feels intentional yet restless,…
In this 1590 oil on canvas, we encounter a scene that translates a classical Latin proverb into a physical, breathing reality. The composition centers on the interplay between…
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The oil on canvas work titled Venus and Mercury was executed by the artist Bartholomeus Spranger. This painting is dated to about 1585. It is currently held within…
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In Jupiter and Antiope, Bartholomeus Spranger draws upon ancient Greek mythological stories to present a scene of divine transformation. The work focuses on the encounter between the king…
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To stand before Bartholomeus Spranger’s “Allegory of Justice and Prudence” is to step into the intellectual and aesthetic heart of the Northern Mannerist movement. Painted around 1599, this…
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In the sweeping, elegant strokes of Bartholomeus Spranger’s Venus and Adonis, we are transported to a realm where the boundaries between the divine and the mortal dissolve into…
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In the captivating realm of Northern Mannerism, few works capture the tension between passion and prudence as exquisitely as Bartholomeus Spranger’s masterpiece, Venus and Mars warned by Mercury.…
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In the hallowed halls of the Castle of Prague, there exists a moment frozen in time, a divine dialogue captured by the masterful hand of Bartholomeus Spranger. His…
In the quiet, hallowed halls of the Kunsthistorisches Museum in Vienna, there exists a window into a world of divine grace and dramatic tension. Bartholomaeus Spranger’s Venus and…
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The body of Christ, the so-called man of sorrows, carried by angels, is almost shown in front. The angel in the foreground holds a basket of torture tools…
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In the captivating realm of Bartholomeus Spranger, the boundaries between the divine and the earthly often blur into a singular, breathtaking spectacle. His masterpiece, Odysseus and Circe, serves…
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The oil painting titled St Wenceslas and St Vitus by Bartholomeus Spranger presents a solemn encounter between two holy figures. These two male saints are positioned side-by-side, their…
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The oil on oak painting titled St Sigismund and St Adalbert brings the presence of two holy figures into the immediate space. Bartholomeus Spranger, the artist behind this…
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The world of mythology has long been a source of inspiration for artists, and Bartholomaeus Spranger's 'Vulcan and Maia' is a prime example of this. Created in 1575,…
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In the delicate interplay of ink and light, Ceres and Bacchus emerges as a breathtaking testament to the elegance of Northern Mannerism. This exquisite pen and ink drawing…
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Allegorie de la Justice: A Baroque Masterpiece Embodied in Darkness Bartholomäus Spranger’s “Allegorie de la Justice” stands as a testament to the grandeur and dramatic intensity of Baroque…
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To gaze upon Bartholomaeus Spranger's "Venus and Adonis" is to step directly into the opulent, emotionally charged atmosphere of late sixteenth-century art. This masterpiece, painted in 1597, transcends…
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In this Renaissance style work, titled Angelica and Medoro, we encounter a quiet moment between two figures. The painting, executed by Bartholomeus Spranger, was created about 1600. It…
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In the evocative masterpiece Hermaphrodite and the nymph Salmacis, Bartholomeus Spranger invites the viewer into a realm where the boundaries of identity and nature blur through the lens…
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This Renaissance style work, titled Herakles and Omphale, was executed by the artist Bartholomeus Spranger. Created around 1585, the painting captures a moment from classical mythology involving the…
Naručite reprodukciju →Četiri teme koje se najčešće pojavljuju među ovim remek-delima, sa najboljim primerom za svaku od njih.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Bartolomeus Spranger | Slike iz ovog spiska |
|---|---|---|---|
 Kunsthistorisches Museum |
Beč | 19 | Ulysses and Circe, Allegory of Emperor Rudolf II, Hercules, Deianira, and Nessus |
 Bavarske državne slikopisne kolekcije |
Minhen | 7 | Mercury and Venus, The Fragrance, Saint Mary Magdalene |
 Narodna galerija Prag |
Prag | 6 | Portrait of Zdenko Adalbert Popel, 1st Prince Lobkowicz (1568-1628), The Suicide of Sophonisba, St Wenceslas and St Vitus |
 Szépművészeti Múzeum |
Budimpešta | 4 | Diana Resting after Hunt, Diana - Luna, Saint Barbara |
 Staatliche Kunsthalle Karlsruhe |
Karlsrue | 2 | Mountain landscape with a scene of the early history of man, Mountain landscape with a hermit |
 Statens Museum For Kunst |
Kopenhagen | 2 | The Flagellation of Christ, Jael Kills Sisera |
 Luvr |
Pariz | 2 | Allegory of Justice and Prudence, ALLEGORIE DE LA JUSTICE |
 Rijksmuseum |
Amsterdam | 2 | Venus and Adonis, Engelen dragen het lichaam van Christus (Engelenpietà), Bartholomeus Spranger, c. 1587 |
The air in the room feels heavy, thick with the scent of old stone and spilled wine. In this Mannerist encounter, the bodies do not merely exist; they…
The Allegory of Emperor Rudolf II emerges from the brush of Bartholomeus Spranger, a painter who captures a moment of intense, swirling movement. Created in 1592, this work…
The work titled Adoration of the Magi, also recognized as The Adoration of the Kings, is a creation of the artist Bartholomeus Spranger. Born in Antwerp, Belgium, in…
Adoration of the Magi (1606). Sledeći su Ulysses and Circe (1586) i Allegory of Emperor Rudolf II (1592).
60 godina: Adoration of the Magi datira iz 1606, a Bartolomeus Spranger je rođen/a 1546.
Adoration of the Magi, Ulysses and Circe, Allegory of Emperor Rudolf II, Hercules, Deianira, and Nessus, Minerva Victorious over Ignorance, Self-portrait, Fall of Man, God the Father with the Holy Ghost and angels, Apollo and the Muses i Mercury and Venus. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 76 dela umetnika Bartolomeus Spranger, datiranih od 1567 do 1611.
Većina njih se nalazi u Kunsthistorisches Museum (Beč), Bavarske državne slikopisne kolekcije (Minhen) i Narodna galerija Prag (Prag). U tabeli iznad su muzeji navedeni jedan po jedan.
U periodima 1580s: 21 od ukupno 76 dela na ovoj stranici datiraju iz tog vremena, od čega je Ulysses and Circe.
Najstarije delo na ovoj stranici je iz Mountain landscape with a hermit (1567), a najnovije iz Saint Barbara (1611).
Man (15), Woman (14) i Drapery (5), od ukupno 76 dela na ovoj stranici.
Oil: 11 od ukupno 76 dela na ovoj stranici.
Renaissance i Northern mannerism, kao što pokazuju slike na ovoj stranici.
Ulysses and Circe, Allegory of Emperor Rudolf II i Hercules, Deianira, and Nessus su među 19 dela na ovoj stranici koja se nalaze u Kunsthistorisches Museum, Beč.
Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.
Bartholomäus Spranger (1546–1611), ime koje odjekuje hodnicima severnog manirizma, bio je mnogo više od običnog slikara; bio je ključna figura koja je oblikovala umetničke senzibilitete svog vremena. Rođen u Antverpenu, kao sin trgovca sa bogatim iskustvom u putovanjima, Sprangerov rani život najavljivao je budućnost duboko prožetu umetnošću i stranim uticajima. Njegovo početno obrazovanje pod vodstvom Jana Mandijna, Fransa Mostaerta i Kornelisa van Dalema pružilo mu je čvrste temelje u slikarstvu pejzaža – što je bilo iznenađujući polaznička tačka za umetnika koji će kasnije postati čuven po svojim intenzivno senzualnim prikazima nagaćenih figura. Ipak, upravo je njegovo boravište u Parizu 1565. godine, u studiju Marca Duvala, zaista zapalilo njegov umetnički put, izlažući ga novim tehnikama i perspektivama.
Sprangerova karijera je zaista dosegla svoj vrhunac kada je 1570. godine imenovan za dvorskog slikara pape Pija V. Ipak, njegovo najtrajnije nasleđe leži u službi Svetog rimskog imperatora Rudolfa II, strastvenog kolekcionara umetnosti i ezoteričnog znanja. Preseljenje imperatorskog dvora u Prag 1581. godine označilo je prekretnicu u Sprangerovom životu. Carova fascinacija klasičnom antikom, mitologijom i alhemijom duboko je uticala na umetnikov rad. Spranger je direktno odgovorio na ove preferencije, stvarajući korpus slika u kojima dominiraju izvrsno izvedeni aktovi – često prikazani od leđa, što prenosi auru misterije i senzualnosti. To nisu bili samo dekorativni studiji; bili su to pažljivo konstruisani alegorije koje su odražavale filozofska sklonost Rudolfa II i njegovu želju da projektuje sliku moći i sofisticiranosti.
