An Alchemist's Laboratory (1570) je najpoznatije delo umetnika Stradanus, koje se nalazi u muzeju Palazzo Vecchio u gradu Firenca. Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times) (1596) i Crucifixion (1569) su sledeća dva dela koja svet najbolje poznaje. Od 22 dela umetnika Stradanus u našem katalogu, izdvajamo ovih 19 koja kolekcionari i posetioci muzeja najčešće posmatraju, uz navođenje godine, muzeja i priče o svakom od njih.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.
An Alchemist's Laboratory is an oil on slate painting created by the artist Stradanus in 1570. The work depicts the laboratory of Francesco I de' Medici, who was the son of Cosimo I de' Medici and Eleonora di Toledo. This specific laboratory space was originally set up by Cosimo I between 1519 and 1574.
The print titled Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times) emerges from the workshop of Jan van der Straet, known as Stradanus. This specific plate captures a moment of creation within a busy studio. It was brought into being in Antwerp, Netherlands, around 1596. The ink traces the vision of Stradanus, a Flemish artist who moved between the traditions of…
The painting titled Crucifixion was executed by Jan van der Straet, an artist also known as Stradanus or Giovanni Stradano. Created in 1569, this work originated in Firenze. The piece is located within the Basilica della Santissima Annunziata in Florence. Stradanus, who lived from 1523 to 1605, produced this oil on panel composition during his time in Italy.
In Stradanus's Lamentation of Christ, a crowded arrangement of elongated figures creates a sense of heavy, overlapping movement. The scene unfolds within a dark, nocturnal environment, illuminated by a pale moon and an unseen light source. This light strikes the musculature of Christ and the heavy folds of draped fabrics, carving deep shadows across the composition. A single ladder rises vertically in the background, providing a sharp structural contrast to…
The enlargement of the city of Florence by Stradanus presents a panoramic view of a sprawling urban landscape. The composition is split into two distinct realms. In the foreground, a crowded assembly of figures engages in various activities, their forms grounded in a detailed, immediate space. Beyond them, the scene opens into a vast, elevated background where the dense architecture of the city rises against a backdrop of rolling hills.…
A heavy, monochrome stillness settles over the scene. Inside a dim warehouse or cellar, the air feels thick with the scent of crushed fruit and damp earth. Figures move through a crowded landscape of wooden shelves and ladders, their bodies bent under the gravity of the season. It is a world of labor, where every hand is occupied. Women reach into the shadows of vines, while men empty heavy baskets…
The air within the frame feels heavy with the scent of damp earth and crushed leaves. In this monochromatic world, a greenhouse becomes a stage for the quiet labor of survival. Figures move through a crowded architecture of shelves and windows, their limbs elongated in the Mannerist style, stretching toward the light. Women bend over baskets, their hands busy with the delicate task of tending to plants, while a man…
The Discovery of America, plate 1 from the by Stradanus unfolds as a complex allegorical scene where history and symbolism collide. Created about 1590, this engraving captures a moment of profound encounter between European exploration and the landscapes of a new world. A central figure, presumably Christopher Columbus, stands upon a shore, his gaze fixed upon a reclining nude woman amidst lush, heavy vegetation. Nearby, a ship rests offshore, its…
In the quiet, dramatic shadows of the late sixteenth century, Johannes Stradanus captured a profound tension between the ephemeral beauty of life and the inevitable approach of the end. His masterpiece, “Vanity, Modesty and Death,” serves as a hauntingly beautiful allegory, inviting the viewer into a deeply personal contemplation of human nature. Created around 1569, this work is not merely a painting but a philosophical dialogue rendered in oil, where…
In the hauntingly beautiful engraving of Cavemen Chasing Elephants, we are transported back to a primordial era where the boundaries between humanity and the wild were thin and fraught with peril. This striking plate, part of the celebrated Venationes Ferarum, Avium, Piscium series by the Flemish master Jan van der Straet (also known as Giovanni Stradano), captures a moment of breathless intensity. The scene unfolds within a dense, jungle-like thicket,…
The scene captures a pivotal intersection of fate and authority within the biblical narrative. A figure kneels in a gesture of profound significance, receiving a crown from Ahasuerus.…
Naručite reprodukciju od $181 →
We are looking at Reeling of the Silk, an engraving produced by Stradanus. This work dates to about 1580, a period when the artist was deeply integrated into…
Naručite reprodukciju od $181 →
The room is a study in stillness and heavy air. Through a single window, light enters to define the edges of a quiet drama. Two men occupy the…
Naručite reprodukciju od $181 →
The ocean stretches out in a vast, monochromatic expanse, a restless void that swallows the horizon. Upon this liquid stage, a large vessel cuts through the swells, its…
Unesite ga u svoj dom od $181 →
This sketchbook page presents a complex, two-sided narrative through its recto and verso compositions. On the front, a vessel navigates turbulent waters, its sail catching the wind as…
Naručite ručno oslikani primerak od $181 →
Četiri teme koje se najčešće pojavljuju među ovim remek-delima, sa najboljim primerom za svaku od njih.
5 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Stradanus | Slike iz ovog spiska |
|---|---|---|---|
 Palazzo Vecchio |
Firenca | 4 | An Alchemist's Laboratory, The enlargement of the city of Florence, Esther Receiving the Crown from Ahasuerus |
 Royal Collection |
London | 3 | Silkworm Farm, Silkworm Farm, Reeling of the Silk |
 Santissima Annunziata |
Firenca | 1 | Crucifixion |
 Bavarske državne slikopisne kolekcije |
Minhen | 1 | Lamentation of Christ |
 Luvr |
Pariz | 1 | Vanity, Modesty and Death |
The painting titled Crucifixion was executed by Jan van der Straet, an artist also known as Stradanus or Giovanni Stradano. Created in 1569, this work originated in Firenze.…
An Alchemist's Laboratory is an oil on slate painting created by the artist Stradanus in 1570. The work depicts the laboratory of Francesco I de' Medici, who was…
A heavy, monochrome stillness settles over the scene. Inside a dim warehouse or cellar, the air feels thick with the scent of crushed fruit and damp earth. Figures…
The print titled Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times) emerges from the workshop of Jan van der…
An Alchemist's Laboratory (1570), Palazzo Vecchio, Firenca. Sledeći su Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times) (1596) i Crucifixion (1569).
47 godina: An Alchemist's Laboratory datira iz 1570, a Stradanus je rođen/a 1523.
An Alchemist's Laboratory, Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times), Crucifixion, Lamentation of Christ, The enlargement of the city of Florence, Silkworm Farm, Silkworm Farm, The Discovery of America, plate 1 from the, Vanity, Modesty and Death i Cavemen Chasing Elephants, plate 3 from the Venationes Ferarum, Avium, Piscium series. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 22 dela umetnika Stradanus, datiranih od 1561 do 1596.
Većina njih se nalazi u Palazzo Vecchio (Firenca), Royal Collection (London) i Santissima Annunziata (Firenca). U tabeli iznad su muzeji navedeni jedan po jedan.
U periodima 1560s: 5 od ukupno 19 dela na ovoj stranici datiraju iz tog vremena, od čega je Crucifixion.
Najstarije delo na ovoj stranici je iz Esther Receiving the Crown from Ahasuerus (1561), a najnovije iz Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times) (1596).
People (9), Figures (4) i Buildings (3), od ukupno 19 dela na ovoj stranici.
Engraving: 5 od ukupno 19 dela na ovoj stranici.
Mannerism, kao što pokazuju slike na ovoj stranici.
An Alchemist's Laboratory, The enlargement of the city of Florence i Esther Receiving the Crown from Ahasuerus su među 4 dela na ovoj stranici koja se nalaze u Palazzo Vecchio, Firenca.
Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.
