Slika koja je proslavila Софонизба Ангвисола je Portret umetkineh sestara kako igraju šah (1555); nalazi se u muzeju Narodni muzej u Poznanju, Poznań. Three children with dog (1590) i Self-portrait aged 78 (1610) slede nakon njih u srcima kolekcionara i posetilaca muzeja. Od 46 dela umetnika Софонизба Ангвисола u našem katalogu, ovih 44 su najcenjenija, a svako je predstavljeno sa datumom nastanka, muzejom i onim što ga izdvaja.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.
Portret umetkineh sestara kako igraju šah je delo Sofonizbe Anguizole, datirano 1555. godine. Slika se fokusira na tri sestre umetkine: Luciju, Evropu i Minervu. One su ćerke gospodina Amilcarea Anguizole i gospođe Bijanke Ponconi.
Three children with dog is a portrait group by Sofonisba Anguissola. Dating to about 1590, the work functions as a family portrait. The composition centers on three children accompanied by a small dog, a common theme for Renaissance commissions intended to commemorate lineage.
In this formal self-portrait, titled Self-portrait aged 78, Sofonisba Anguissola presents herself in the twilight of her life. Completed in 1610, the work offers a quiet study of the artist at seventy-eight years of age. It is a Renaissance work of dignified reflection, capturing a moment of profound introspection.
This stunning reproduction captures the essence of Anguissola’s masterpiece, allowing viewers to appreciate its beauty and historical significance. Ideal for enhancing any interior space or serving as a cherished collectible.
In this intimate portrait, titled A Man with his Daughter, Sofonisba Anguissola captures a quiet moment of familial connection. The composition focuses on a man and his young daughter, presenting a study of a father and child in a close, vertical arrangement. There is a sense of stillness in the way the figures are positioned against a dark, indistinct background, which directs all attention to the subjects themselves.
In this 1565 portrait, Sofonisba Anguissola brings together two figures in a quiet, dignified moment. Titled Portrait of Diane d'Andouins and her daughter, the work captures a sense of familial connection through the presence of a mother and her child. The painting belongs to the portrait genre, focusing intently on the likeness and presence of these two individuals. It resides within the Basque Museum in Bayonne, France, where it remains…
In this monochrome portrait, Sofonisba Anguissola presents the "Virgin and Child" with a profound sense of intimacy. The composition is a close-up, centering the viewer's attention entirely on the two figures. Through an eye-level perspective, we are brought directly into the private, quiet space shared by the subjects. The religious subject matter is handled with a gentle touch, portraying the Virgin Mary as she looks down lovingly at the sleeping…
In this 1556 work, titled Portrait of a Monk, Sofonisba Anguissola presents a quiet study of devotion. The painting focuses on a single religious figure, captured in a moment of profound prayer or meditation. There is a stillness here that invites a closer look at the subject's internal state.
The Portrait of Joanna of Austria is a painting by the artist Sofonisba Anguissola. This work depicts Archduchess Joanna of Austria, who lived from 1535 to 1573. The subject held a significant position at the Spanish court as the wife of King Philip II of Spain and acted as the regent of Spain for her brother.
This Self-portrait by Sofonisba Anguissola offers a quiet, direct encounter with the artist herself. Painted in 1559, the work captures the subject in a moment of poised introspection. It is a significant example of how the artist used her own likeness to assert her presence and identity during the Renaissance.
In this medium close-up from about 1570, Sofonisba Anguissola presents a quiet, intimate study of two figures in "Portrait of a Couple". The woman occupies the foreground, her…
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This portrait, titled Infantin Isabella Clara Eugenia, was executed by the artist Sofonisba Anguissola. The work depicts the young Infanta Isabella Clara Eugenia, who was the daughter of…
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This painting, titled Young Man, is a work by Sofonisba Anguissola. It is an oil on panel portrait that captures a single male subject in a moment of…
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The artwork is titled Portrait of a Young Lady, executed by the artist Sofonisba Anguissola. This oil painting, dated 1580, presents a single noblewoman as the central subject.…
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The gaze of the viewer meets the steady, dignified presence of Portrait of Giuliano II Cesarini aged 14. Painted in 1586, this work captures a specific moment in…
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The intimate scene of Madonna Suckling the Infant Christ unfolds through the brushstrokes of Sofonisba Anguissola. This oil painting captures a quiet, maternal moment that feels deeply personal.…
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The room feels heavy with the weight of silent authority. Francesco Maria II della Rovere, the Duke of Urbino, occupies the space with a stillness that commands immediate…
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In the hallowed halls of the Museo del Prado, there exists a window into the opulent and disciplined world of the sixteenth-century Spanish court, captured through the masterful…
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Portrait of a Boy at the Spanish Court is a portrait by Sofonisba Anguissola, executed in 1570. The work identifies the subject as a young boy depicted as…
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A Renaissance Pioneer’s Intimate Gaze: Sofonisba Anguissola's "Self-Portrait" Sofonisba Anguissola’s “Self-Portrait” (1554), a miniature masterpiece housed within the confines of a delicate oval frame, isn’t merely a depiction…
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In the quiet intimacy of her 1556 self-portrait, Sofonisba Anguissola invites us into a moment of profound personal reflection. This is not merely a depiction of an artist…
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The Artist is a work by Sofonisba Anguissola, executed in 1564. The artist was born in 1532 in Cremona, Italy, to Amilcare Anguissola and Bianca Ponzoni. Her life…
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Sofonisba Anguissola's "Asdrubale Bitten by a Crawfish," painted around 1554, is far more than a simple depiction of childhood mischief. It’s a carefully constructed dialogue between artist and…
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Painted in 1559, this work exemplifies the artistic sensibilities of the late Italian Renaissance. Bernardino Campi, a contemporary of Titian and Veronese, was known for his meticulous attention…
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Sofonisba Anguissola's 1554 “Self-Portrait” is more than a simple depiction of an artist; it’s a carefully constructed statement about identity, ambition, and the burgeoning role of women in…
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A Portrait of Renaissance Femininity: Sofonisba Anguissola’s “Old Woman Studying the Alphabet with a Laughing Girl” Sofonisba Anguissola's "Old Woman Studying the Alphabet with a Laughing Girl," painted…
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The oil on canvas depicts a man positioned in the foreground, facing the viewer with a steady, unyielding gaze. He possesses a dark beard and a mustache that…
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Sofonisba Anguissola’s “Profile Portrait of a Young Woman,” painted circa 1556, is more than just a likeness; it's a pivotal moment in art history—a defiant assertion of female…
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In the intimate expanse of a miniature panel, Sofonisba Anguissola captures more than just her own likeness; she captures the very essence of a burgeoning female identity in…
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The scene unfolds in 1556, a moment frozen in time where Sofonisba Anguissola meets the viewer's gaze directly. In this work, titled Self-Portrait at the Easel, the artist…
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A heavy brown cloak rests upon the shoulders of Giovanni Battista Caselli, an elderly man from Cremona. He sits in a three-quarter view, his gaze directed toward the…
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Sofonisba Anguissola's “Portrait of Minerva Anguissola,” painted around 1564, is more than a simple likeness; it’s a carefully constructed tableau of identity, ambition, and the burgeoning role of…
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In the quiet, dignified halls of the Isabella Stewart Gardner Museum, there exists a window into the heart of the sixteenth-century Spanish court. Sofonisba Anguissola’s Portrait of Juana…
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In this three-quarter length portrait, we encounter Anna of Austria, a woman whose very posture commands a quiet, dignified space. She is positioned centrally against a dark, neutral…
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by Sofonisba Anguissola is a Renaissance-era oil on canvas. Dated about 1560, the work functions as a direct representation of the artist herself. The subject is Sofonisba Anguissola,…
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8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Софонизба Ангвисола | Slike iz ovog spiska |
|---|---|---|---|
 Музеј Прадо |
Мадрид | 3 | Elisabeth of Valois, Portrait of Giovanni Battista Caselli, Portrait of Anna of Austria (1549-1580) |
 Kunsthistorisches Museum |
Beč | 2 | Portrait of Queen Elisabeth of Spain, Self-Portrait |
 Museo di Capodimonte |
Napulj | 2 | Self-Portrait Playing the Spinet, Asdrubale Bitten by a Crawfish |
 Narodni muzej u Poznanju |
Poznań | 1 | Portret umetkineh sestara kako igraju šah |
 Corsham Court |
Corsham | 1 | Three children with dog |
 Gottfried Keller Foundation |
Vintertur | 1 | Self-portrait aged 78 |
 Nacionalni muzej u Varšavi |
Varšava | 1 | A Man with his Daughter |
 Basque Museum |
Bayonne | 1 | Portrait of Diane d'Andouins and her daughter |
Portret umetkineh sestara kako igraju šah je delo Sofonizbe Anguizole, datirano 1555. godine. Slika se fokusira na tri sestre umetkine: Luciju, Evropu i Minervu. One su ćerke gospodina…
In this 1565 portrait, Sofonisba Anguissola brings together two figures in a quiet, dignified moment. Titled Portrait of Diane d'Andouins and her daughter, the work captures a sense…
In this monochrome portrait, Sofonisba Anguissola presents the "Virgin and Child" with a profound sense of intimacy. The composition is a close-up, centering the viewer's attention entirely on…
In this intimate portrait, titled A Man with his Daughter, Sofonisba Anguissola captures a quiet moment of familial connection. The composition focuses on a man and his young…
Three children with dog is a portrait group by Sofonisba Anguissola. Dating to about 1590, the work functions as a family portrait. The composition centers on three children…
This painting, titled Young Man, is a work by Sofonisba Anguissola. It is an oil on panel portrait that captures a single male subject in a moment of…
In this formal self-portrait, titled Self-portrait aged 78, Sofonisba Anguissola presents herself in the twilight of her life. Completed in 1610, the work offers a quiet study of…
Portret umetkineh sestara kako igraju šah (1555), Narodni muzej u Poznanju, Poznań. Sledeći su Three children with dog (1590) i Self-portrait aged 78 (1610).
23 godina: Portret umetkineh sestara kako igraju šah datira iz 1555, a Софонизба Ангвисола je rođen/a 1532.
Portret umetkineh sestara kako igraju šah, Three children with dog, Self-portrait aged 78, Portrait of Queen Elisabeth of Spain, A Man with his Daughter, Portrait of Diane d'Andouins and her daughter, Virgin and Child, Portrait of a Monk, Portrait of Joanna of Austria i Self-portrait. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 46 dela umetnika Софонизба Ангвисола, datiranih od 1550 do 1610.
Većina njih se nalazi u Музеј Прадо (Мадрид), Kunsthistorisches Museum (Beč) i Museo di Capodimonte (Napulj). U tabeli iznad su muzeji navedeni jedan po jedan.
U periodima 1550s: 18 od ukupno 44 dela na ovoj stranici datiraju iz tog vremena, od čega je Portret umetkineh sestara kako igraju šah.
Najstarije delo na ovoj stranici je iz Self-Portrait (1550), a najnovije iz Self-portrait aged 78 (1610).
Woman (11), Renaissance (10) i Dark background (8), od ukupno 44 dela na ovoj stranici.
Oil On Canvas: 20 od ukupno 44 dela na ovoj stranici.
Renesansa i Mannerism, kao što pokazuju slike na ovoj stranici.
Elisabeth of Valois, Portrait of Giovanni Battista Caselli i Portrait of Anna of Austria (1549-1580) su među 3 dela na ovoj stranici koja se nalaze u Музеј Прадо, Мадрид.
Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.
