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A Dark Bay Racehorse held by a Trainer in a Landscape
Rukom oslikana uljana reprodukcija od $206 36 × 27 cm
Isti veličine kao original $439 107 × 81 cm Naručite u originalnim dimenzijama →
Najpoznatije delo umetnika Samuel Spode je A Dark Bay Racehorse held by a Trainer in a Landscape (1833), koje se nalazi u Florence Court. Naš katalog sadrži 2 dela umetnika Samuel Spode; ovih 2 ispod su dela koja svet najčešće posmatra, svako sa navedenom godinom nastanka, muzejom u kojem se čuva i razlogom zašto je značajno.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Samuel Spode | Slike iz ovog spiska |
|---|---|---|---|
 Florence Court |
1 | A Dark Bay Racehorse held by a Trainer in a Landscape |
Sva datirana dela umetnika Samuel Spode na ovoj stranici potiču iz 1833 godine: evo najpoznatijih od njih.
A Dark Bay Racehorse held by a Trainer in a Landscape (1833)
35 godina: A Dark Bay Racehorse held by a Trainer in a Landscape datira iz 1833, a Samuel Spode je rođen/a 1798.
Naš katalog sadrži 2 dela umetnika Samuel Spode.
Većina njih se nalazi u Florence Court. U tabeli iznad su muzeji navedeni jedan po jedan.
Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.
Samuel Spode was a British painter who specialized in equestrian sporting scenes, with a particular focus on the portraiture of military and sporting horses. His work often captured the essence of horse racing and fox hunting, frequently featuring prominent animals such as Birdcatcher, Caractacus, and Voltager. He also portrayed significant historical horses, including the Duke of Wellington's war horse, Copenhagen, and the charger Ronald, which was ridden by Lord Cardigan during the Charge of the Light Brigade.
Spode's career was marked by significant movement; he emigrated to Van Diemen's Land with his wife, Mary Crewe, and his brother Josiah, before returning to England in 1826. During his time in England, he stayed at Heron Cottage in the Staffordshire Potteries. His artistic output included works for various patrons, such as the Earl of Lonsdale and John Dawson Duckett, and some of his paintings were reproduced in The Sporting Magazine.
In the 1830s, Spode traveled frequently to Ireland to seek commissions, and he also spent time working as a horse trainer at the Curragh Racecourse. His dedication to his passion for animal painting meant that he worked solely on commissions, and as a result, he never exhibited at well-known exhibitions. Around 1845, he painted several works with Stonehenge in the background, suggesting a period of residence near Amesbury.
Spode's life was characterized by several marriages; he was widowed three times before eventually marrying a girl named Delia in Dublin. He died in Dublin, leaving behind a legacy defined by the many famous horses he depicted throughout his career.
