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Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal'
Rukom oslikana uljana reprodukcija od $181 28 × 36 cm
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Slika koja je proslavila Robert Mannix je Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal' (1873); nalazi se u muzeju National Gallery of Ireland, Dublin. Od 1 dela umetnika Robert Mannix u našem katalogu, ovih 1 su najcenjenija, a svako je predstavljeno sa datumom nastanka, muzejom i onim što ga izdvaja.
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| Muzej | Grad | Radovi umetnika Robert Mannix | Slike iz ovog spiska |
|---|---|---|---|
 National Gallery of Ireland |
Dublin | 1 | Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal' |
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Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal' (1873)
32 godina: Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal' datira iz 1873, a Robert Mannix je rođen/a 1841.
Naš katalog sadrži 1 dela umetnika Robert Mannix.
Većina njih se nalazi u National Gallery of Ireland (Dublin). U tabeli iznad su muzeji navedeni jedan po jedan.
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Robert Mannix operated within the specific demands of late nineteenth-century portraiture, a period where the ability to capture a subject's social standing and theatrical presence was paramount. His work reflects the technical rigor required to translate human likeness into a permanent visual record. Looking at his output, one sees a focus on the intersection of identity and performance, particularly in how he handled the nuances of costume and facial expression.
His most significant contribution to the historical record is found in his ability to render specific personas. In 1873, he produced Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal', a work that resides in the National Gallery of Ireland, Dublin City. This piece demonstrates his capacity to navigate the complexities of theatrical characterization, moving beyond simple likeness to capture the essence of a dramatic role.
Mannix's output is most concentrated between 1880 and 1898, though his documented work dates back to 1873. He did not attempt to reinvent the medium; he focused on mastering the established visual language of his era. His technical approach relied on several specific elements:
The significance of Mannix lies in his role as a visual documentarian of his time. He captured the likenesses of individuals that would otherwise be lost to history, providing a tangible link to the social and theatrical landscapes of the late 1800s. His presence in the collections of the National Gallery of Ireland, Dublin City, confirms his standing as a professional of consequence during his active years. He was a visual artist who understood the weight of a sitter's gaze and the importance of accuracy in a changing world.