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A Spanish Soldier of the 16th Century
Rukom oslikana uljana reprodukcija od $181 30 × 34 cm
Isti veličine kao original $444 92 × 105 cm Naručite u originalnim dimenzijama →
Slika koja je proslavila Robert Atkinson je A Spanish Soldier of the 16th Century (1885); nalazi se u muzeju Auckland Art Gallery Toi o Tāmaki, Oklend. Portrait of Albin Martin (1886) i A Settler’s Kitchen, Opua Whanga, New Zealand 1886 (1886) slede nakon njih u srcima kolekcionara i posetilaca muzeja. Od 5 dela umetnika Robert Atkinson u našem katalogu, ovih 5 su najcenjenija, a svako je predstavljeno sa datumom nastanka, muzejom i onim što ga izdvaja.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Robert Atkinson | Slike iz ovog spiska |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Oklend | 5 | A Spanish Soldier of the 16th Century, Portrait of Albin Martin, A Settler’s Kitchen, Opua Whanga, New Zealand 1886 |
Datumski remek-delca umetnika Robert Atkinson obuhvataju period od svega 2 godina, od 1885 do 1886: evo najlepših dela iz svake godine.
A Spanish Soldier of the 16th Century (1885), Auckland Art Gallery Toi o Tāmaki, Oklend. Sledeći su Portrait of Albin Martin (1886) i A Settler’s Kitchen, Opua Whanga, New Zealand 1886 (1886).
22 godina: A Spanish Soldier of the 16th Century datira iz 1885, a Robert Atkinson je rođen/a 1863.
Naš katalog sadrži 5 dela umetnika Robert Atkinson, datiranih od 1885 do 1886.
Većina njih se nalazi u Auckland Art Gallery Toi o Tāmaki (Oklend). U tabeli iznad su muzeji navedeni jedan po jedan.
U periodima 1886: 2 od ukupno 5 dela na ovoj stranici datiraju iz tog vremena, od čega je Portrait of Albin Martin.
Najstarije delo na ovoj stranici je iz A Spanish Soldier of the 16th Century (1885), a najnovije iz Portrait of Albin Martin (1886).
A Spanish Soldier of the 16th Century, Portrait of Albin Martin i A Settler’s Kitchen, Opua Whanga, New Zealand 1886 su među 5 dela na ovoj stranici koja se nalaze u Auckland Art Gallery Toi o Tāmaki, Oklend.
Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.
Born in the industrial heart of Leeds, Robert Atkinson sought a different air, eventually finding himself in the studios of Antwerp. It was under the guidance of Verlat that his hand first learned the discipline of form and light. By 1885, driven by a need for better health, he turned his gaze toward the southern reaches of the globe, arriving in New Zealand. He established a studio in the Victoria Arcade in Auckland, a space where the quiet intensity of his studies began to take shape. His presence in the colonies was marked by a steady hand and a desire to capture the essence of his surroundings, from the intimate details of a settler's kitchen in Opua Whanga to the formal dignity of a portrait of Albin Martin.
His time in the colonies was a period of constant movement and connection. He moved between the art circles of Melbourne, Sydney, and Auckland, building friendships with fellow painters like Kate McCosh Clark. These years were defined by a search for subject matter that could bridge the gap between his European training and the raw reality of his new environment. Even when he returned to England in 1889 to work as an illustrator, the pull of the southern lands remained, drawing him back to New Zealand in 1895.
The works he left behind reveal a man deeply interested in the structure of life, whether through the study of the human form or the depiction of social scenes. His paintings often focused on the immediate and the tangible:
His death in Dunedin in 1896 cut short a career that was still finding its footing in the colonial landscape. Though his life was brief, the rarity of his New Zealand genre subjects ensures that his vision remains a distinct part of the historical record. He was a painter of specific moments, capturing the light of a new world through the lens of an old-world education.