1
Roosters on Horses
Rukom oslikana uljana reprodukcija od $206 42 × 24 cm
Isti veličine kao original $466 146 × 66 cm Naručite u originalnim dimenzijama →
Roosters on Horses (1880) je najpoznatije delo umetnika László Pataky, koje se nalazi u muzeju Slovačka nacionalna galerija u gradu Bratislava. Cavalry Battle (1890) i Kuruci (1903) su sledeća dva dela koja svet najbolje poznaje. Od 5 dela umetnika László Pataky u našem katalogu, izdvajamo ovih 3 koja kolekcionari i posetioci muzeja najčešće posmatraju, uz navođenje godine, muzeja i priče o svakom od njih.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika László Pataky | Slike iz ovog spiska |
|---|---|---|---|
 Slovačka nacionalna galerija |
Bratislava | 2 | Roosters on Horses, Cavalry Battle |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Kuruci |
Roosters on Horses (1880), Slovačka nacionalna galerija, Bratislava. Sledeći su Cavalry Battle (1890) i Kuruci (1903).
23 godina: Roosters on Horses datira iz 1880, a László Pataky je rođen/a 1857.
Naš katalog sadrži 5 dela umetnika László Pataky, datiranih od 1880 do 1903.
Većina njih se nalazi u Slovačka nacionalna galerija (Bratislava) i Ernest Zmeták Art Gallery (Nové Zámky). U tabeli iznad su muzeji navedeni jedan po jedan.
Najstarije delo na ovoj stranici je iz Roosters on Horses (1880), a najnovije iz Kuruci (1903).
Roosters on Horses i Cavalry Battle su među 2 dela na ovoj stranici koja se nalaze u Slovačka nacionalna galerija, Bratislava.
Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.