Najpoznatije delo umetnika John Bogle je Självporträtt (1775), koje se nalazi u muzeju Nationalmuseum, Стокхолм. Uz Okänd man, James Bogle (1775) i A Woman with the Initials MCC (1773), to su tri dela koja svi prepoznaju. Naš katalog sadrži 6 dela umetnika John Bogle; ovih 6 ispod su dela koja svet najčešće posmatra, svako sa navedenom godinom nastanka, muzejom u kojem se čuva i razlogom zašto je značajno.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.
3 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika John Bogle | Slike iz ovog spiska |
|---|---|---|---|
 Nationalmuseum |
Стокхолм | 2 | Självporträtt, Okänd man, James Bogle |
 Metropoliten музеј у Њујорку |
Њујорк | 2 | A Woman with the Initials MCC, A Man with the Initials AC |
 Yale Center for British Art |
New Haven | 2 | Portrait of a Gentleman, Portrait of a Gentleman |
20 godina rada umetnika John Bogle, od 1773 do 1792, godinu po godinu: najpoznatija dela svake godine, po hronološkom redu.
Självporträtt (1775), Nationalmuseum, Стокхолм. Sledeći su Okänd man, James Bogle (1775) i A Woman with the Initials MCC (1773).
29 godina: Självporträtt datira iz 1775, a John Bogle je rođen/a 1746.
Naš katalog sadrži 6 dela umetnika John Bogle, datiranih od 1773 do 1792.
Većina njih se nalazi u Nationalmuseum (Стокхолм), Metropoliten музеј у Њујорку (Њујорк) i Yale Center for British Art (New Haven). U tabeli iznad su muzeji navedeni jedan po jedan.
U periodima 1775: 2 od ukupno 6 dela na ovoj stranici datiraju iz tog vremena, od čega je Självporträtt.
Najstarije delo na ovoj stranici je iz A Woman with the Initials MCC (1773), a najnovije iz Portrait of a Gentleman (1792).
Självporträtt i Okänd man, James Bogle su među 2 dela na ovoj stranici koja se nalaze u Nationalmuseum, Стокхолм.
Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.
In the intimate, luminous world of eighteenth-century portraiture, few artists captured the fleeting essence of a human gaze as tenderly as John Bogle. A master of the miniature, Bogle’s life and work represent a bridge between the rugged traditions of Scotland and the refined elegance of the London art scene. Born around 1746 in Glasgow, the son of an excise officer, Bogle’s journey began in the hallowed halls of the Foulis Academy. Under the tutelage of Robert and Andrew Foulis, he immersed himself in the disciplined study of drawing, a foundation that would later allow him to execute works of extraordinary delicacy on the most unforgiving of surfaces: ivory.
Bogle’s early career was marked by a burgeoning reputation that transcended borders. By the late 1760s, he was already exhibiting his miniatures at the Society of Artists in London, though his heart and roots remained tethered to Edinburgh. His talent possessed a unique duality; while his technique was rooted in the rigorous Scottish tradition, his move to London allowed him to engage with the burgeoning sophistication of the English school. This period of his life saw him establishing himself at 1, Panton Square, a prestigious address that placed him at the very center of the British art world.
The true magic of Bogle’s artistry lies in his ability to breathe life into tiny, precious objects. Working primarily with gouache and watercolor on ivory, he mastered the art of layering translucent washes to create a sense of depth and warmth that belied the miniature scale of his subjects. His portraits were not merely likenesses but emotional windows; whether depicting a noble gentleman or a delicate young lady, Bogle possessed an uncanny ability to capture the subtle nuances of character and the soft glow of skin through meticulous brushwork.
His contributions to the Royal Academy, where he exhibited regularly from 1772 until 1794, solidified his status among the elite painters of his era. Some of his most notable achievements include:
As the eighteenth century drew to a close, Bogle’s life came full circle. In 1800, he returned to Scotland with his wife, seeking the familiarity of his homeland. This final chapter of his life was spent in Edinburgh, the city where his artistic journey had been shaped by the Foulis Academy. His death in 1803 marked the end of a career that had navigated the shifting tides of British art history, leaving behind a collection of works that continue to enchant collectors and historians alike.
Today, the historical significance of John Bogle resides in his role as a stylistic conduit. His work epitomizes the subtle tension between the austere, disciplined Scottish style and the more decorative English approach. Through his miniatures, we are invited to witness a vanished world of elegance and poise, preserved forever in the tiny, radiant portraits that remain some of the most cherished treasures of the late Georgian period.