Landscape with Pond (1884) je najpoznatije delo umetnika John Bennett, koje se nalazi u muzeju Smithsonian American Art Museum u gradu Vašington, D.C.. Od 1 dela umetnika John Bennett u našem katalogu, izdvajamo ovih 1 koja kolekcionari i posetioci muzeja najčešće posmatraju, uz navođenje godine, muzeja i priče o svakom od njih.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika John Bennett | Slike iz ovog spiska |
|---|---|---|---|
| Vašington, D.C. | 1 | Landscape with Pond |
1884 je godina svakog datiranog remek-dela umetnika John Bennett na ovoj stranici: evo ih, poređanih prema popularnosti.
Landscape with Pond (1884)
19 godina: Landscape with Pond datira iz 1884, a John Bennett je rođen/a 1865.
Naš katalog sadrži 1 dela umetnika John Bennett.
Većina njih se nalazi u Smithsonian American Art Museum (Vašington, D.C.). U tabeli iznad su muzeji navedeni jedan po jedan.
Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.
John Bennett was an American author and illustrator who became a prominent figure of the Charleston Renaissance. Born in Chillicothe, United States, he began his creative journey by learning to draw as a child, developing a particular skill in the art of cutting silhouettes. After working for a newspaper, he pursued formal training at the Art Students' League in New York. His literary success arrived with the 1897 publication of Master Skylark, a story about a boy in Elizabethan England that became a bestseller and a classic of children's literature.
Bennett's work often drew from the rich oral traditions of the Gullah culture. He incorporated black folktales and the Gullah language into his lectures and stories, producing works such as The Treasure of Peyre Gaillard and The Doctor to the Dead: Grotesque Legends and Folk Tales of Old Charleston. In addition to his writing, he was a skilled illustrator, notably creating 200 vibrant silhouettes for his 1928 collection, The Pigtail of Ah Lee Ben Loo.