Slika koja je proslavila John Amory Codman je Horses and Hunters by the Sea; nalazi se u muzeju Muzej finih umetnosti u Bostonu, Boston. View of a Bay i Harbor Overlooked by a Mansion slede nakon njih u srcima kolekcionara i posetilaca muzeja. Od 6 dela umetnika John Amory Codman u našem katalogu, ovih 6 su najcenjenija, a svako je predstavljeno sa datumom nastanka, muzejom i onim što ga izdvaja.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzeji | Grad | Radovi umetnika John Amory Codman | Slike iz ovog spiska |
|---|---|---|---|
 Muzej finih umetnosti u Bostonu |
Boston | 6 | Horses and Hunters by the Sea, View of a Bay, Harbor Overlooked by a Mansion |
Horses and Hunters by the Sea, Muzej finih umetnosti u Bostonu, Boston. Sledeći su View of a Bay i Harbor Overlooked by a Mansion.
Naš katalog sadrži 6 dela umetnika John Amory Codman.
Većina njih se nalazi u Muzej finih umetnosti u Bostonu (Boston). U tabeli iznad su muzeji navedeni jedan po jedan.
Horses and Hunters by the Sea, View of a Bay i Harbor Overlooked by a Mansion su među 6 dela na ovoj stranici koja se nalaze u Muzej finih umetnosti u Bostonu, Boston.
Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.
Born in 1824, John Amory Codman lived a life shaped by the shifting tides of 19th-century commerce and the quiet rhythms of coastal Massachusetts. While he is remembered for his brushwork, his personal stability was tied to the lucrative Russian and China clipper trade, which provided the wealth necessary to support his lifestyle and his creative pursuits. He spent much of his time in Boston, establishing himself within the city's social and artistic circles during a period of significant growth.
His domestic life was centered around his marriage to Martha Pickman Rogers, who lived until 1905. Together, they had one surviving child, Martha Codman Karolik. The family's connection to the arts would continue through her, as she became a major benefactor to the arts, ensuring that the cultural landscape of her time remained supported. The legacy of the family was marked by both significant social standing and the complexities of private life, including legal disputes regarding his will and the distribution of his estate after his death in 1886.
Codman’s professional life was deeply rooted in the creative circles of Boston. He resided and worked in the city from 1849 through the 1860s, establishing himself within the local art community. During the 1850s, he maintained a studio in Amory Hall, a space that likely served as a central hub for his daily practice. His presence in the city was officially recognized in the Boston City Directory, which listed him as an artist from 1849 to 1855. He was also affiliated with the New England Art Union, connecting him to the broader artistic movements of the time.
His exhibitions began early in his career. In 1839, he showed his work with the Apollo Association, and by 1849, he was exhibiting with the American Art-Union. As his reputation grew, he became a regular participant in significant local venues. He exhibited with the Boston Athenaeum in 1856, contributing to the cultural life of the city during a period of significant growth. Later in his life, in 1873, he displayed two oil paintings at the Boston Art Club, continuing to share his vision with the public.