Bush landscape with rocks (1952) je najpoznatije delo umetnika Jean Appleton, koje se nalazi u muzeju Art Gallery of New South Wales u gradu Sidnej. Landscape i Red house, Cowan (1945) su sledeća dva dela koja svet najbolje poznaje. Od 7 dela umetnika Jean Appleton u našem katalogu, izdvajamo ovih 6 koja kolekcionari i posetioci muzeja najčešće posmatraju, uz navođenje godine, muzeja i priče o svakom od njih.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026.
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Jean Appleton | Slike iz ovog spiska |
|---|---|---|---|
 Art Gallery of New South Wales |
Sidnej | 6 | Bush landscape with rocks, Landscape, Red house, Cowan |
Oko deset godina, od 1945 do 1953, obuhvata sva datirana remek-dela umetnika Jean Appleton: evo ih, godinu po godinu.
Bush landscape with rocks (1952), Art Gallery of New South Wales, Sidnej. Sledeći su Landscape i Red house, Cowan (1945).
41 godina: Bush landscape with rocks datira iz 1952, a Jean Appleton je rođen/a 1911.
Naš katalog sadrži 7 dela umetnika Jean Appleton, datiranih od 1945 do 1953.
Većina njih se nalazi u Art Gallery of New South Wales (Sidnej). U tabeli iznad su muzeji navedeni jedan po jedan.
Najstarije delo na ovoj stranici je iz Red house, Cowan (1945), a najnovije iz Hillside (1953).
Bush landscape with rocks, Landscape i Red house, Cowan su među 6 dela na ovoj stranici koja se nalaze u Art Gallery of New South Wales, Sidnej.
Born in the Sydney suburb of Ashfield, Jean Appleton was a painter, art teacher, and printmaker who demonstrated a lifelong passion for the arts. After earning an intermediate certificate in arts in 1928, she enrolled in a five-year diploma course in drawing and illustration at the East Sydney Technical College. Her formal education continued in England at the Westminster School of Art, where she studied under Bernard Meninsky and Mark Gertler. During her time in London, she produced Australia's two earliest cubist paintings, titled Still Life 1937 and Painting IX 1937.
Appleton's technical repertoire was diverse, as she worked with a variety of media including:
Throughout her career, Appleton's work evolved from the rounded geometric forms she learned in London toward an increasingly decorative and schematic cubist style characterized by a lighter colour scheme. She often found inspiration in subjects such as bottles, describing painting as a "love affair." Her professional achievements were marked by several prestigious accolades, including:
In addition to her painting, she became interested in printmaking, which she practiced until 1980. Her life and work were celebrated through various solo exhibitions and a retrospective held at the Campbelltown City Bicentennial Art Gallery.