Najpoznatije delo umetnika Jan Ensing je Groningen Citizen, (1855), koje se nalazi u muzeju Groninger Museum, Groningen. Uz Portrait of Agatha Geertruida Ensing (1845-1912) (1863) i Portrait of Paulus Kikkert (1839-1909) (1863), to su tri dela koja svi prepoznaju. Naš katalog sadrži 7 dela umetnika Jan Ensing; ovih 7 ispod su dela koja svet najčešće posmatra, svako sa navedenom godinom nastanka, muzejom u kojem se čuva i razlogom zašto je značajno.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Jan Ensing | Slike iz ovog spiska |
|---|---|---|---|
 Groninger Museum |
Groningen | 7 | Groningen Citizen,, Portrait of Agatha Geertruida Ensing (1845-1912), Portrait of Paulus Kikkert (1839-1909) |
Groningen Citizen, (1855), Groninger Museum, Groningen. Sledeći su Portrait of Agatha Geertruida Ensing (1845-1912) (1863) i Portrait of Paulus Kikkert (1839-1909) (1863).
36 godina: Groningen Citizen, datira iz 1855, a Jan Ensing je rođen/a 1819.
Naš katalog sadrži 7 dela umetnika Jan Ensing, datiranih od 1837 do 1863.
Većina njih se nalazi u Groninger Museum (Groningen). U tabeli iznad su muzeji navedeni jedan po jedan.
U periodima 1860s: 3 od ukupno 7 dela na ovoj stranici datiraju iz tog vremena, od čega je Portrait of Agatha Geertruida Ensing (1845-1912).
Najstarije delo na ovoj stranici je iz Gothic Porch and the Bread and Butter House on the southwest side of the Martinikerk in Groningen, Porch Martinikerk and the Butter and Bread House, (1837), a najnovije iz Portrait of Agatha Geertruida Ensing (1845-1912) (1863).
Groningen Citizen,, Portrait of Agatha Geertruida Ensing (1845-1912) i Portrait of Paulus Kikkert (1839-1909) su među 7 dela na ovoj stranici koja se nalaze u Groninger Museum, Groningen.
Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.
Groningen, 1819. A child is born to Jan Ensing, a local merchant, and Geertje Kuipers. The boy enters the Academie Minerva under the guidance of Jacob Bruggink, absorbing the fundamentals of line and light. By 1840, the art society Pictura recognizes his talent with an award for a painting depicting a taproom at a village inn. Two years later, another prize follows for his depiction of horses in a duck pond.
Life moves toward stability and structure. In 1842, he marries Catharina Jager. His professional identity expands beyond the canvas; he becomes a teacher, shaping minds at the Academie Minerva starting in 1850, and later instructing at various schools for women and elementary teachers throughout Groningen. He is a man of the academy and the classroom.
A significant shift occurs in 1854. The University of Groningen issues a commission: capture the likenesses of nineteen professors to celebrate the opening of their new Academy Building. This task anchors his reputation in the halls of Dutch academia. His brush records the faces of the university's intellectual elite, creating a gallery that remains housed in the Senate Chamber of the current Academy Building.
His technical reach extends into graphic arts and lithography. While his portraits command formal spaces, his sketches capture more fleeting, local realities. During visits to Vlaardingen to see his daughter Paula, he observes the lives of fishermen and their wives, leaving behind drawings that now reside in the Atlas Van Stolk.
The later years find him moving between roles as artist, lithographer, and educator. His work spans various subjects:
He retires from teaching in 1891, settling in Vlaardingen with his daughter's family. He dies on 19 December 1894. His traces remain in the Groninger Museum and the Noordelijk Scheepvaartmuseum, marking a life spent documenting both the prestigious and the everyday.