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Portrait of Mathea Strøm, the Artist's Mother
Rukom oslikana uljana reprodukcija od $181 27 × 36 cm
Isti veličine kao original $333 68 × 88 cm Naručite u originalnim dimenzijama →
Portrait of Mathea Strøm, the Artist's Mother (1885) je najpoznatije delo umetnika Halfdan Strøm, koje se nalazi u muzeju National Museum of Art, Architecture and Design u gradu Oslo. Dolce far niente. Interior with the Artist's Parents (1883) i Girl Friends (1888) su sledeća dva dela koja svet najbolje poznaje. Od 21 dela umetnika Halfdan Strøm u našem katalogu, izdvajamo ovih 21 koja kolekcionari i posetioci muzeja najčešće posmatraju, uz navođenje godine, muzeja i priče o svakom od njih.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzeji | Grad | Radovi umetnika Halfdan Strøm | Slike iz ovog spiska |
|---|---|---|---|
 National Museum of Art, Architecture and Design |
Oslo | 16 | Portrait of Mathea Strøm, the Artist's Mother, Dolce far niente. Interior with the Artist's Parents, Girl Friends |
 Oslo Museum |
Oslo | 5 | Portrait, Portrait, Self-portrait |
Portrait of Mathea Strøm, the Artist's Mother (1885), National Museum of Art, Architecture and Design, Oslo. Sledeći su Dolce far niente. Interior with the Artist's Parents (1883) i Girl Friends (1888).
22 godina: Portrait of Mathea Strøm, the Artist's Mother datira iz 1885, a Halfdan Strøm je rođen/a 1863.
Portrait of Mathea Strøm, the Artist's Mother, Dolce far niente. Interior with the Artist's Parents, Girl Friends, From the Restaurant in the Labour Society in Torvgaten, The Violin Player, Farm Interior, Portrait of a Woman, Portrait of Emilie Gulowsen, b. Gabrielsen, Portrait of Museum Director Emil Hannover i Scene from the Vegetable Market. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 21 dela umetnika Halfdan Strøm, datiranih od 1883 do 1920.
Većina njih se nalazi u National Museum of Art, Architecture and Design (Oslo) i Oslo Museum (Oslo). U tabeli iznad su muzeji navedeni jedan po jedan.
U periodima 1880s: 6 od ukupno 21 dela na ovoj stranici datiraju iz tog vremena, od čega je Portrait of Mathea Strøm, the Artist's Mother.
Najstarije delo na ovoj stranici je iz Dolce far niente. Interior with the Artist's Parents (1883), a najnovije iz Self-portrait (1920).
Portrait of Mathea Strøm, the Artist's Mother, Dolce far niente. Interior with the Artist's Parents i Girl Friends su među 16 dela na ovoj stranici koja se nalaze u National Museum of Art, Architecture and Design, Oslo.
Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.
Norway, 1883. The Industrial and Art Exhibition at Tullinløkka provides the stage for a debut. Halfdan Strøm, fresh from his studies at the Royal Drawing School in Kristiania, presents his vision to an audience in Oslo. He moves quickly from the local scene toward the broader European landscape. Munich becomes his classroom during 1883 and 1884, a period of intense technical absorption. The light changes as he joins Frits Thaulow in the outdoor academy at Modum. Here, the focus shifts to the immediate, tangible world.
The year 1889 marks a significant shift in international recognition. In Paris, at the World Exhibition, his work Skomakerverksted earns an honorable mention. This moment anchors his place within the early movement of realism in Norwegian painting. He does not merely observe; he captures the weight of everyday life through oil on canvas and board.
The trajectory moves from student to leader. Strøm occupies a central position in the Norwegian art establishment, serving as a professor at the Norwegian National Academy of Fine Arts from 1909 until 1935. By 1924, he assumes the role of Director at the same institution. His influence is codified through honors: Knight, First Class of the Royal Norwegian Order of St. Olav in 1910 and Commander of the Danish Order of the Dannebrog.
Gold medals follow his travels across the globe. The halls of the World Exhibition in Paris in 1900, the galleries of Munich in 1901, and the exhibition in San Francisco in 1915 all witness his technical precision. His work remains grounded in a specific reality, often utilizing an interplay of light and shadow to define form.
His oeuvre contains a deep connection to personal and social subjects. Some works focus on the intimate, such as the 1885 Portrait of Mathea Strøm, the Artist's Mother, while others capture the pulse of public life. The following pieces represent his varied gaze:
His legacy is held within the permanent collections of the National Gallery of Norway and the National Museum of Art, Architecture and Design. Through these works, the realism he helped establish remains visible in the textures of Norwegian life.
