Frederic Yates, 1854 – 1919

Frederic Yates: 16 najpoznatijih slika

Charlotte Mason (1842–1923) (1902) je najpoznatije delo umetnika Frederic Yates. Path on Nab Scar (1900) i At Dent, August 1904 (1904) su sledeća dva dela koja svet najbolje poznaje. Od 16 dela umetnika Frederic Yates u našem katalogu, izdvajamo ovih 16 koja kolekcionari i posetioci muzeja najčešće posmatraju, uz navođenje godine, muzeja i priče o svakom od njih.

Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.

Portret Frederic Yates
Frederic Yates · 1854 – 1919
Rođen · umro
1854 – 1919, Southampton
Radovi u našem katalogu
16
Najpoznatije dela
Charlotte Mason (1842–1923) (1902)
Najviše dela u
Abbot Hall Art Gallery

Top 10: najpoznatija dela umetnika Frederic Yates

Charlotte Mason (1842–1923) (1902) čiji je autor Frederic Yates
1

Charlotte Mason (1842–1923)

1902 · Oil On Canvas

The room holds a stillness that feels heavy with thought. A woman sits, her gray hair catching the light, her hands pressed gently against her chin in a gesture of deep reflection. She wears a dark, somber dress and a scarf that wraps around her neck, grounding her presence against the warmth of the red table before her. Nearby, a book rests, its presence suggesting the source of her meditation…

Rukom oslikana uljana reprodukcija od $181 27 × 37 cm Isti veličine kao original $214 40 × 52 cm Naručite u originalnim dimenzijama →

Ostatak rang liste Frederic Yates, od 11 do 16

Gde videti slike umetnika Frederic Yates

5 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzeji Grad Radovi umetnika Frederic Yates Slike iz ovog spiska
Abbot Hall Art Gallery, KendalAbbot Hall Art Gallery Kendal 5 Path on Nab Scar, Rydal Valley, View near Rydal
Kendal Town Hall, KendalKendal Town Hall Kendal 3 Frederick Punchard, John Holme (1830–1905), Chairman of the Board of Guardians (1851–1905), William Dilworth Crewdson (c.1838–1908), High Sheriff of Westmorland (1888) and Chairman of Westmorland County Council (1906–1907)
Cumbria Archive And Local Studies Centre, Barrow-in-FurnessCumbria Archive And Local Studies Centre Barrow-in-Furness 1 At Dent, August 1904
University of Birmingham, BirminghamUniversity of Birmingham Birmingham 1 Ernest de Sélincourt (1870–1943), Professor of English
Laing Art Gallery, Njukl na TajnuLaing Art Gallery Njukl na Tajnu 1 Japanese Shrine

Frederic Yates kroz godine: remek-dela svake godine

15 godina umetničkog stvaralaštva Frederic Yates, od 1900 do 1914, prikazanih godinu po godinu kroz njena najpoznatija dela.

  1. 1900
  2. 1901
    Girl with a Pigeon (1901) čiji je autor Frederic Yates
    #16 od 16

    Girl with a Pigeon

    Godine: 47 · Abbot Hall Art Gallery

    The painting "Girl with a Pigeon" by Frederic Yates is a stunning example of early 20th-century art. Created in 1901, this oil on canvas piece measures 32 x…

  3. 1902
    Charlotte Mason (1842–1923) (1902) čiji je autor Frederic Yates
    Rang 1 od 16

    Charlotte Mason (1842–1923)

    Godine: 48

    The room holds a stillness that feels heavy with thought. A woman sits, her gray hair catching the light, her hands pressed gently against her chin in a…

  4. 1904
  5. 1904
  6. 1907
  7. 1914

Slike umetnika Frederic Yates: često postavljana pitanja

Koja je najpoznatija slika umetnika Frederic Yates?Prikaži odgovor

Charlotte Mason (1842–1923) (1902). Sledeći su Path on Nab Scar (1900) i At Dent, August 1904 (1904).

U kojoj je godini Frederic Yates naslikao Charlotte Mason (1842–1923)?Prikaži odgovor

48 godina: Charlotte Mason (1842–1923) datira iz 1902, a Frederic Yates je rođen/a 1854.

Koja su 10 najpoznatijih slika umetnika Frederic Yates?Prikaži odgovor

Charlotte Mason (1842–1923), Path on Nab Scar, At Dent, August 1904, John Henry Bridges (1832–1906), Ernest de Sélincourt (1870–1943), Professor of English, Rydal Water, Rydal Valley, View near Rydal, Frederick Punchard i John Holme (1830–1905), Chairman of the Board of Guardians (1851–1905). Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko ima slika umetnika Frederic Yates?Prikaži odgovor

Naš katalog sadrži 16 dela umetnika Frederic Yates, datiranih od 1900 do 1914.

Gde mogu da vidim najpoznatija dela umetnika Frederic Yates?Prikaži odgovor

Većina njih se nalazi u Abbot Hall Art Gallery (Kendal), Kendal Town Hall (Kendal) i Cumbria Archive And Local Studies Centre (Barrow-in-Furness). U tabeli iznad su muzeji navedeni jedan po jedan.

U kom periodu je Frederic Yates naslikao/la svoje najpoznatije radove?Prikaži odgovor

U periodima 1904: 2 od ukupno 16 dela na ovoj stranici datiraju iz tog vremena, od čega je At Dent, August 1904.

Ko je najranije i najnovije poznato delo umetnika Frederic Yates?Prikaži odgovor

Najstarije delo na ovoj stranici je iz Path on Nab Scar (1900), a najnovije iz Rydal Water (1914).

Koje slike umetnika Frederic Yates se nalaze u kolekciji Abbot Hall Art Gallery?Prikaži odgovor

Path on Nab Scar, Rydal Valley i View near Rydal su među 5 dela na ovoj stranici koja se nalaze u Abbot Hall Art Gallery, Kendal.

Gde mogu da kupim reprodukciju Frederic Yates?Prikaži odgovor

Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.

Frederic Yates: biografija

A Life Painted in Light: The Story of Frederic Yates

Frederic Yates, born Frederick Keeping in 1854 and passing in 1919, remains a compelling figure within the landscape tradition of Victorian Britain. Though perhaps not a household name today, his evocative paintings – often signed simply as “F. Yates” – capture a particular mood of romantic contemplation that resonates deeply with viewers even now. His life story is one woven into the fabric of artistic shifts and societal changes, a journey from early promise to a dedicated practice focused on capturing the beauty of the English countryside and the dignity of portraiture. While biographical details are somewhat scarce, piecing together his exhibition history and stylistic development reveals an artist deeply attuned to both the technical demands of his craft and the emotional power of light and atmosphere.

Early Years and Artistic Training

The early life of Frederick Keeping is shrouded in some mystery. Records suggest a formal artistic education, though the specifics remain elusive. It’s believed he studied at the prestigious South Kensington Art Schools – later to become the Royal College of Art – during a period when academic realism was dominant. This foundation undoubtedly instilled in him a mastery of technique and an understanding of composition. However, Yates quickly moved beyond strict imitation, developing a style that embraced a more subjective interpretation of nature. The adoption of “Frederic Yates” as his professional name suggests a deliberate forging of a new artistic identity, perhaps distancing himself from the constraints of earlier training or seeking to establish a unique presence in the crowded art market. His early works demonstrate a clear influence of the Barbizon school and artists like John Constable, evident in their naturalistic depictions of rural scenes and subtle handling of light.

The Alluring Landscapes: A Romantic Vision

Yates’s most celebrated work centers around his landscapes. These are not merely topographical representations; they are imbued with a sense of quiet drama and emotional depth. He favored idyllic settings – rolling hills, tranquil woodlands, shimmering rivers – often bathed in the soft glow of dawn or dusk. His paintings evoke a feeling of nostalgia for a vanishing rural England, a sentiment that resonated strongly with Victorian audiences undergoing rapid industrialization. Yates’s technique is characterized by delicate brushwork and a masterful use of color to create atmospheric effects. He wasn't interested in grand, sweeping vistas but rather in intimate scenes that invited contemplation. The influence of the Pre-Raphaelites can be seen in his attention to detail and his desire to capture the beauty of the natural world with almost photographic accuracy, yet he infused these details with a romantic sensibility. He skillfully balanced realism with an emotional response to the landscape, creating works that are both visually stunning and deeply moving.

Portraiture: Capturing Character and Dignity

Alongside his landscapes, Yates also produced a significant body of portrait work. These portraits, often depicting members of the middle class, reveal a sensitivity to character and an ability to capture the inner life of his sitters. Unlike the flamboyant poses and elaborate costumes favored by some Victorian portraitists, Yates’s portraits are characterized by their simplicity and directness. He focused on conveying the personality and dignity of his subjects through subtle nuances of expression and gesture.
  • His use of light is particularly effective in portraiture,
  • softening features and creating a sense of intimacy.
  • He often employed a muted color palette,
  • allowing the sitter’s character to take center stage.

Legacy and Historical Significance

While Frederic Yates may not be as widely recognized as some of his contemporaries, his work offers a valuable insight into the artistic sensibilities of Victorian Britain. His landscapes represent a continuation of the romantic tradition, while his portraits reflect a growing interest in psychological realism. He successfully navigated the demands of the art market, producing works that were both commercially viable and artistically satisfying. Today, his paintings are increasingly sought after by collectors who appreciate their quiet beauty and emotional depth. Yates’s legacy lies not in groundbreaking innovation but in his ability to capture a particular moment in time – a fleeting glimpse of rural England and the enduring dignity of the human spirit. His work serves as a reminder of the power of art to evoke emotion, preserve memory, and connect us to the past.