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The Mill Valley, Karekare Bay
Rukom oslikana uljana reprodukcija od $181 40 × 25 cm
Isti veličine kao original $453 126 × 80 cm Naručite u originalnim dimenzijama →
The Mill Valley, Karekare Bay (1899) je najpoznatije delo umetnika Frank Wright, koje se nalazi u muzeju Auckland Art Gallery Toi o Tāmaki u gradu Oklend. The Close of day (1909) i Morning after rain (1912) su sledeća dva dela koja svet najbolje poznaje. Od 5 dela umetnika Frank Wright u našem katalogu, izdvajamo ovih 5 koja kolekcionari i posetioci muzeja najčešće posmatraju, uz navođenje godine, muzeja i priče o svakom od njih.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Frank Wright | Slike iz ovog spiska |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Oklend | 4 | The Mill Valley, Karekare Bay, The Close of day, Morning after rain |
 Te Whare O Rehua Sarjeant Gallery |
1 | Waitakeres |
The Mill Valley, Karekare Bay (1899), Auckland Art Gallery Toi o Tāmaki, Oklend. Sledeći su The Close of day (1909) i Morning after rain (1912).
39 godina: The Mill Valley, Karekare Bay datira iz 1899, a Frank Wright je rođen/a 1860.
Naš katalog sadrži 5 dela umetnika Frank Wright, datiranih od 1899 do 1912.
Većina njih se nalazi u Auckland Art Gallery Toi o Tāmaki (Oklend) i Te Whare O Rehua Sarjeant Gallery. U tabeli iznad su muzeji navedeni jedan po jedan.
U periodima 1910s: 2 od ukupno 5 dela na ovoj stranici datiraju iz tog vremena, od čega je Morning after rain.
Najstarije delo na ovoj stranici je iz The Mill Valley, Karekare Bay (1899), a najnovije iz Morning after rain (1912).
The Mill Valley, Karekare Bay, The Close of day i Morning after rain su među 4 dela na ovoj stranici koja se nalaze u Auckland Art Gallery Toi o Tāmaki, Oklend.
Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.
Frank Wright remains a figure of significant interest for collectors tracking the turn-of-the-century landscape of New Zealand. While his reputation was long confined to the Auckland region, his technical proficiency distinguishes him from his contemporaries. He was a professional painter who operated with a level of discipline that set him apart from more popular, less structured artists of his era. His work provides a direct visual record of the New Zealand landscape and its inhabitants during a transformative period.
The market has recently begun to recognize the true value of his output. For years, his works lagged behind others in price, but recent auction results have corrected this oversight. His ability to capture specific locales, from the waters of Whangarei Harbour to the estuaries of Tamaki, demonstrates a focused commitment to the geography of his surroundings.
Wright’s practice was defined by a clear, observational approach to his subjects. He worked across various media, showing a particular aptitude for both oil on canvas and watercolour. His compositions often centered on the intersection of land and water, capturing the specific light and atmosphere of the New Zealand coast.
His repertoire includes several notable subjects and formats:
The significance of Wright’s work is cemented by his inclusion in major regional exhibitions. A joint exhibition arranged by the Auckland City Art Gallery in 1953 confirmed his place in the local canon. He was part of a final generation of painters who defined the aesthetic of the turn of the century in New Zealand. His paintings are no longer merely regional curiosities; they are essential components for understanding the development of New Zealand's early art market.