Francis Devlan, 1835 – 1870

Francis Devlan: 15 najpoznatijih slika

End of the Day (1857) je najpoznatije delo umetnika Francis Devlan, koje se nalazi u muzeju Reading Public Museum u gradu Reading. Study in Rocks (1861) i Gibraltar Furnace - Seyfert's Mill (1868) su sledeća dva dela koja svet najbolje poznaje. Od 15 dela umetnika Francis Devlan u našem katalogu, izdvajamo ovih 15 koja kolekcionari i posetioci muzeja najčešće posmatraju, uz navođenje godine, muzeja i priče o svakom od njih.

Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.

Portret Francis Devlan
Francis Devlan · 1835 – 1870
Rođen · umro
1835 – 1870, Paterson
Radovi u našem katalogu
15
Najpoznatije
End of the Day (1857)
Najviše dela u
Reading Public Museum

Top 10: najpoznatija dela umetnika Francis Devlan

Ostatak rang liste Francis Devlan, od 11 do 15

Gde videti slike umetnika Francis Devlan

1 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Francis Devlan Slike iz ovog spiska
Reading Public Museum, ReadingReading Public Museum Reading 15 End of the Day, Study in Rocks, Gibraltar Furnace - Seyfert's Mill

Francis Devlan kroz godine: remek-dela svake godine

12 godina umetničkog stvaralaštva Francis Devlan, od 1857 do 1868, prikazanih godinu po godinu kroz njena najpoznatija dela.

  1. 1857
  2. 1861
  3. 1864
  4. 1864
  5. 1864
    Landscape (1864) čiji je Francis Devlan
    8 od 15

    Landscape

    Godine: 29 · Reading Public Museum
  6. 1868
  7. 1868
  8. 1868
    Summer (1868) čiji je Francis Devlan
    5 od 15

    Summer

    Godine: 33 · Reading Public Museum

Slike umetnika Francis Devlan: često postavljana pitanja

Koja je najpoznatija slika umetnika Francis Devlan?Prikaži odgovor

End of the Day (1857), Reading Public Museum, Reading. Sledeći su Study in Rocks (1861) i Gibraltar Furnace - Seyfert's Mill (1868).

U kojoj je godini Francis Devlan naslikao End of the Day?Prikaži odgovor

22 godina: End of the Day datira iz 1857, a Francis Devlan je rođen/a 1835.

Koja su 10 najpoznatijih slika umetnika Francis Devlan?Prikaži odgovor

End of the Day, Study in Rocks, Gibraltar Furnace - Seyfert's Mill, Seyfert's Forge, Gibraltar, Summer, Landscape Study - Autumnal, Landscape Study, Landscape, Cattle (White Bull) i Cows in Pasture. Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko ima slika umetnika Francis Devlan?Prikaži odgovor

Naš katalog sadrži 15 dela umetnika Francis Devlan, datiranih od 1857 do 1868.

Gde mogu da vidim najpoznatija dela umetnika Francis Devlan?Prikaži odgovor

Većina njih se nalazi u Reading Public Museum (Reading). U tabeli iznad su muzeji navedeni jedan po jedan.

U kom periodu je Francis Devlan naslikao/la svoje najpoznatije radove?Prikaži odgovor

U periodima 1864: 3 od ukupno 15 dela na ovoj stranici datiraju iz tog vremena, od čega je Landscape Study - Autumnal.

Ko je najranije i najnovije poznato delo umetnika Francis Devlan?Prikaži odgovor

Najstarije delo na ovoj stranici je iz End of the Day (1857), a najnovije iz Gibraltar Furnace - Seyfert's Mill (1868).

Koje slike umetnika Francis Devlan se nalaze u kolekciji Reading Public Museum?Prikaži odgovor

End of the Day, Study in Rocks i Gibraltar Furnace - Seyfert's Mill su među 15 dela na ovoj stranici koja se nalaze u Reading Public Museum, Reading.

Gde mogu da kupim reprodukciju Francis Devlan?Prikaži odgovor

Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.

Francis Devlan: biografija

A Life in Landscape

Francis Devlan was an American painter who lived a relatively brief life, passing away in 1870. His work focused heavily on the natural world, capturing the quiet details of the land and the animals that inhabited it. Though his time was short, his presence in the mid-19th century art scene is felt through the surviving pieces that remain in public collections.

His hands were often busy with oil on canvas, a medium that allowed him to build texture and depth in his depictions of the earth. He had a particular interest in the ruggedness of the terrain, as seen in his 1855 work, a rocky landscape. This piece shows an early interest in the structural elements of nature, focusing on the physical presence of stone and earth.

The Quiet Subjects

Devlan’s brushwork often turned toward the living creatures that moved through these landscapes. He had a way of grounding his scenes with a sense of stillness. One of his notable subjects was a white bull, a piece titled Cattle (White Bull), which is held in the collection of the Reading Public Museum. This work, alongside his other landscape paintings, remains a part of the legacy associated with his style of painting.

His compositions often included:

  • The heavy, solid forms of livestock.
  • The textured surfaces of rocky terrain.
  • The expansive, open qualities of the American landscape.

His paintings are held in places like the Reading Public Museum, where they offer a glimpse into the visual language of the 1860s. These works provide a window into how the American landscape was perceived during his lifetime, focusing on the tangible reality of the environment rather than the abstract.