Najpoznatije delo umetnika Everett Warner je Along the River Front, New York (1912), koje se nalazi u muzeju Toledo Museum of Art, Toledo. Naš katalog sadrži 5 dela umetnika Everett Warner; ovih 2 ispod su dela koja svet najčešće posmatra, svako sa navedenom godinom nastanka, muzejom u kojem se čuva i razlogom zašto je značajno.
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2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzeji | Grad | Radovi umetnika Everett Warner | Slike iz ovog spiska |
|---|---|---|---|
 Toledo Museum of Art |
Toledo | 1 | Along the River Front, New York |
 New York Historical Society |
New York City | 1 | "Manhattan Contrasts," New York City |
Everett Warner je stvarao samo 6 godina, od 1912 do 1917. Evo tog kratkog perioda godina po godinu, kroz njegova najpoznatija dela.
Along the River Front, New York (1912)
35 godina: Along the River Front, New York datira iz 1912, a Everett Warner je rođen/a 1877.
Naš katalog sadrži 5 dela umetnika Everett Warner, datiranih od 1912 do 1917.
Većina njih se nalazi u Toledo Museum of Art (Toledo) i New York Historical Society (New York City). U tabeli iznad su muzeji navedeni jedan po jedan.
Najstarije delo na ovoj stranici je iz Along the River Front, New York (1912), a najnovije iz "Manhattan Contrasts," New York City (1917).
Born in Vinton, United States, Everett Warner was an American Impressionist painter and printmaker. His early education included studies at the Corcoran Museum and the Washington Art Students League, followed by training at the Art Students League in New York under George Bridgman and Walter Clark. Warner's work gained recognition through selection for prestigious competitions at the Art Institute of Chicago, the Pennsylvania Academy of the Fine Arts, and the National Academy of Design. He also served as an art critic for the Evening Star in Washington, D.C.
Warner's career was marked by significant contributions to maritime history. During World War I, he developed the Warner System, a ship camouflage method designed to break up a vessel's silhouette to make it difficult for enemies to obtain a range. He served as a lieutenant in the US Naval Reserves, managing a design-based subdivision in Washington, D.C. He later returned to serve as Chief Civilian Aid to Commander Charles Bittinger during World War II to assist in the design of ship camouflage.
Beyond his maritime work, Warner explored unique perspectives through aerial painting. Following the end of World War I, he utilized military seaplanes to observe New York City and the Eastern seaboard from above, becoming one of the first artists to sketch and paint from an aerial view. He even experimented with anamorphosis, displaying his large-scale paintings flat on the floor to be viewed from an oblique angle to enhance the sense of depth.
In his later professional life, Warner held a position as an associate professor of painting and design at the Carnegie Institute of Technology in Pittsburgh, Pennsylvania, for eighteen years. After retiring from teaching, he settled in Westmoreland, New Hampshire. He eventually transitioned from painting to writing articles for publication before his death in 1963.