Eric Ravilious, 1903 – 1942

9 najpoznatijih slika umetnika Eric Ravilious

Slika koja je proslavila Eric Ravilious je Paddle steamer Britannie - Bristol Quay (1938). De-Icing Aircraft (1942) i Coastal defences (1940) slede nakon njih u srcima kolekcionara i posetilaca muzeja. Od 9 dela umetnika Eric Ravilious u našem katalogu, ovih 9 su najcenjenija, a svako je predstavljeno sa datumom nastanka, muzejom i onim što ga izdvaja.

Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.

Portret Eric Ravilious
Eric Ravilious · 1903 – 1942
Rođen · umro
1903 – 1942, London
Pokret
Magic realism
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9
Najpoznatije dela
Paddle steamer Britannie - Bristol Quay (1938)
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Imperial War Museums

Eric Ravilious: deset remek-delo

Paddle steamer Britannie - Bristol Quay (1938) čiji je autor Eric Ravilious
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Paddle steamer Britannie - Bristol Quay

1938 · Watercolor

In this watercolor, titled Paddle steamer Britannie - Bristol Quay, we encounter a quiet moment from 1938. The artist, Eric Ravilious, captures the paddle steamer 'Britannia' as it rests docked at Bristol Quay. It is a work that reflects the artist's specific way of seeing the English landscape and its industrial elements during the interwar period.

Rukom oslikana uljana reprodukcija od $181 35 × 29 cm
De-Icing Aircraft (1942) čiji je autor Eric Ravilious
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De-Icing Aircraft

1942 · Acrylic On Canvas · Imperial War Museums, London

De-icing Aircraft – A Study in Texture and Isolation Eric Ravilious’s “De-icing Aircraft” (1942) isn't merely a depiction of a snowy airfield; it’s a masterful distillation of the anxieties and aspirations inherent in wartime Britain. Painted during Ravilious’s stint at RAF Clifton near York – a location chosen partly for its stark, wintry landscapes – this watercolour transcends simple observation to become a poignant meditation on resilience and the precarious…

Rukom oslikana uljana reprodukcija od $206 37 × 27 cm Isti veličine kao original $263 62 × 46 cm Naručite u originalnim dimenzijama →
Coastal defences (1940) čiji je autor Eric Ravilious
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Coastal defences

1940 · Watercolor · Te Papa, Velinton

Eric Ravilious’s Coastal defences, painted in 1940, transports the viewer directly to a moment of profound national tension. This is not merely a depiction of stone and sea; it is an artifact imbued with the palpable anxiety and stoic resilience of Britain during the shadow of invasion. The scene centers on a hillside fortification, its geometry starkly contrasted against the organic sweep of the English landscape. Ravilious masterfully captures the…

Rukom oslikana uljana reprodukcija od $181 36 × 28 cm
RNAS Sick Bay, Dundee (1941) čiji je autor Eric Ravilious
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RNAS Sick Bay, Dundee

1941 · Watercolor · Imperial War Museums, London

A Moment Frozen in Time: Ravilious’s Reflection of Resilience Eric William Ravilious (1903-1942), a British painter whose distinctive style blended modernist principles with an unwavering fascination for English landscape and traditional art forms, captured the essence of wartime Britain in “RNAS Sick Bay, Dundee,” completed in 1941. This watercolor isn’t merely a depiction of a hospital room; it's a carefully orchestrated tableau that speaks volumes about hope amidst adversity—a testament…

Rukom oslikana uljana reprodukcija od $181 33 × 30 cm Isti veličine kao original $230 54 × 48 cm Naručite u originalnim dimenzijama →

Gde videti slike umetnika Eric Ravilious

4 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzeji Grad Radovi umetnika Eric Ravilious Slike iz ovog spiska
Imperial War Museums, LondonImperial War Museums London 2 De-Icing Aircraft, RNAS Sick Bay, Dundee
Te Papa, VelintonTe Papa Velinton 1 Coastal defences
Tate Britain, LondonTate Britain London 1 Submarines in Dry Dock
Tate Modern, LondonTate Modern London 1 Tiger Moth

Eric Ravilious, deceniju po deceniju: kultno delo svake od njih

  1. 1920s
  2. 1930s
    Paddle steamer Britannie - Bristol Quay (1938) čiji je autor Eric Ravilious
    1 od 9

    Paddle steamer Britannie - Bristol Quay

    Godine 27 – 36

    In this watercolor, titled Paddle steamer Britannie - Bristol Quay, we encounter a quiet moment from 1938. The artist, Eric Ravilious, captures the paddle steamer 'Britannia' as it…

  3. 1940s
    De-Icing Aircraft (1942) čiji je autor Eric Ravilious
    Rang 2 od 9

    De-Icing Aircraft

    Godine 37 – 39 · Imperial War Museums

    De-icing Aircraft – A Study in Texture and Isolation Eric Ravilious’s “De-icing Aircraft” (1942) isn't merely a depiction of a snowy airfield; it’s a masterful distillation of the…

Remedela Eric Ravilious: pitanja i odgovori

Po kojoj je slici Eric Ravilious najpoznatiji/a?Prikaži odgovor

Paddle steamer Britannie - Bristol Quay (1938). Sledeći su De-Icing Aircraft (1942) i Coastal defences (1940).

Koliko je godina imao/la Eric Ravilious kada je slikao/la Paddle steamer Britannie - Bristol Quay?Prikaži odgovor

35 godina: Paddle steamer Britannie - Bristol Quay datira iz 1938, a Eric Ravilious je rođen/a 1903.

Koliko je dela naslikao Eric Ravilious?Prikaži odgovor

Naš katalog sadrži 9 dela umetnika Eric Ravilious, datiranih od 1925 do 1942.

U kojim muzejima mogu videti remek-dela umetnika Eric Ravilious?Prikaži odgovor

Većina njih se nalazi u Imperial War Museums (London), Te Papa (Velinton) i Tate Britain (London). U tabeli iznad su muzeji navedeni jedan po jedan.

Kada je Eric Ravilious naslikao svoja remek-dela?Prikaži odgovor

U periodima 1940s: 7 od ukupno 9 dela na ovoj stranici datiraju iz tog vremena, od čega je De-Icing Aircraft.

Koja su prva i poslednja poznata dela Eric Ravilious?Prikaži odgovor

Najstarije delo na ovoj stranici je iz May, woodcut of the Long Man of Wilmington (1925), a najnovije iz De-Icing Aircraft (1942).

Koju je tehniku preferirao/la Eric Ravilious?Prikaži odgovor

Watercolor: 3 od ukupno 9 dela na ovoj stranici.

Koji umetnički pravac zastupa Eric Ravilious?Prikaži odgovor

Magic realism, kao što pokazuju slike na ovoj stranici.

Koja remek-dela Eric Ravilious se nalaze u Imperial War Museums?Prikaži odgovor

De-Icing Aircraft i RNAS Sick Bay, Dundee su među 2 dela na ovoj stranici koja se nalaze u Imperial War Museums, London.

Mogu li da posedujem reprodukciju remek-dela umetnika Eric Ravilious?Prikaži odgovor

Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.

Život umetnika Eric Ravilious

A Vision of England: The Life and Art of Eric Ravilious

Eric Ravilious, born in 1903 in Eastbourne, Sussex, was an artist whose work became inextricably linked with a romanticized yet deeply felt vision of interwar Britain. His life, though tragically cut short, produced a body of paintings, watercolors, wood engravings and designs that continue to resonate today as powerful evocations of landscape, place, and the English temperament. Ravilious wasn’t a product of formal artistic lineage; his early training was at Eastbourne School of Art followed by the Royal College of Art in London, where he studied under Paul Nash and K.R. Henderson. This period proved pivotal, exposing him to both the modernist currents sweeping Europe and the enduring traditions of British landscape painting. However, Ravilious quickly forged his own path, rejecting outright abstraction for a style that was uniquely personal – a blend of meticulous observation, subtle color palettes, and a quiet, almost melancholic lyricism. He wasn’t interested in grand statements or dramatic compositions; instead, he found beauty in the everyday, the overlooked corners of the English countryside, the functional elegance of industrial architecture, and the intimate details of domestic life.

From Modernism to National Identity

Ravilious's early work demonstrated a clear engagement with modernist principles, particularly Cubism and Futurism. He experimented with fractured forms and dynamic perspectives, but these explorations were always tempered by his inherent love for representational imagery. A turning point came in the 1930s when he became associated with the Unit One group, alongside artists like Nash, Henry Moore, and Barbara Hepworth. This association further solidified his position within the avant-garde, yet it also prompted a shift towards more explicitly British subject matter. He began to travel extensively throughout England, documenting its landscapes, buildings, and people with an almost archaeological precision. His paintings of chalk hills, coastal towns, and rural interiors are not merely depictions; they are imbued with a sense of history, memory, and the weight of tradition. This period saw him develop his signature style – smooth, precise watercolor washes, often combined with delicate pen and ink detailing. He wasn’t simply painting what he *saw*, but rather what he *felt* about England, its past glories and present anxieties. The looming threat of war subtly permeated his work, adding a layer of poignancy to his idyllic scenes.

War Artist and Lasting Legacy

With the outbreak of World War II, Ravilious was commissioned as an official war artist in 1939. Unlike many artists who focused on dramatic battle scenes, Ravilious’s wartime work remained true to his artistic sensibilities. He documented naval operations, aircraft production, and life on military bases with a quiet dignity and understated realism. His paintings of submarines interiors, for example, are remarkable for their claustrophobic intensity and the meticulous rendering of machinery and equipment. However, it was while stationed in Iceland, documenting meteorological work, that tragedy struck. In September 1942, his plane crashed in the North Atlantic, and Ravilious perished at the age of only 39. His death cut short a career that had barely begun to reach its full potential. Despite his premature demise, Ravilious left behind a substantial body of work that has continued to grow in recognition and appreciation since his death.

Influences and Artistic Techniques

Ravilious’s artistic influences were diverse, ranging from the early watercolorists like J.M.W. Turner and Samuel Palmer to the modernist painters Paul Nash and Edward Bawde. He admired the precision of Pieter Bruegel the Elder and the Japanese woodblock prints he encountered at the British Museum. However, he synthesized these influences into a style that was uniquely his own. His technique involved a meticulous process of observation, sketching, and watercolor washes. He often worked *en plein air*, capturing the light and atmosphere of a scene before refining it in the studio.
  • Watercolor Mastery: Ravilious’s watercolors are characterized by their smooth, translucent washes and delicate color palettes. He built up layers of color gradually, creating a sense of depth and luminosity.
  • Pen and Ink Detailing: He often combined his watercolors with precise pen and ink detailing, adding texture and definition to his compositions.
  • Wood Engraving: Ravilious was also a skilled wood engraver, producing numerous prints that shared the same aesthetic qualities as his paintings – meticulous observation, subtle color palettes, and a quiet lyricism.
  • Design Work: Beyond painting, Ravilious worked extensively in design, creating ceramics for Wedgwood, wallpaper patterns, and book illustrations. This diverse output demonstrates his versatility and commitment to integrating art into everyday life.

Historical Significance and Enduring Appeal

Eric Ravilious’s work occupies a unique place in British art history. He captured the spirit of interwar England at a time of profound social and political change, offering a vision that was both romanticized and deeply realistic. His paintings are not simply nostalgic depictions of a bygone era; they are imbued with a sense of melancholy, anxiety, and the weight of tradition. His work speaks to a longing for stability and continuity in a world increasingly fractured by conflict and uncertainty. In recent years, there has been a renewed appreciation for Ravilious’s art, fueled by a growing interest in British landscape painting and the rediscovery of overlooked artists. His paintings are now widely exhibited and collected, and his designs continue to inspire contemporary artists and designers. He remains a powerful symbol of English identity, reminding us of the beauty and fragility of our cultural heritage. The enduring appeal of Ravilious’s work lies in its quiet intimacy, its meticulous observation, and its profound sense of place – qualities that resonate deeply with audiences today.