Najpoznatije delo umetnika Edvard Stejken je Le Tournesol (The Sunflower) (1920), koje se nalazi u muzeju National Gallery of Art, Washington. Uz Behind-the-scenes photograph, Paying the Piper (1921) i Portrait, Osgood Perkins (1923), to su tri dela koja svi prepoznaju. Naš katalog sadrži 47 dela umetnika Edvard Stejken; ovih 47 ispod su dela koja svet najčešće posmatra, svako sa navedenom godinom nastanka, muzejom u kojem se čuva i razlogom zašto je značajno.
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The eye meets a sudden, bright collision of color where a stylized sunflower rests against a fractured sky. A large, yellow disk dominates the center, its hue shifting from a pale canary to a deep, warm goldenrod as it moves toward a dark honey outline. At the very heart of this bloom, a pine-green circle sits nestled within a ring of celery green. The flower head appears propped over the…
To stand before this monochromatic document from 1921 is to step directly onto the dusty, exhilarating threshold of cinematic history. This photograph, capturing a behind-the-scenes moment from the production of 'Paying the Piper,' is far more than a mere record; it is an artifact imbued with the palpable energy of creation. One can almost hear the clatter of equipment and the hushed direction calls echoing across the makeshift set. The…
Edward Steichen’s 1923 photograph, "Portrait, Osgood Perkins," is not merely a picture; it is an immersion into the velvet depths of theatrical fantasy. This striking black and white studio portrait captures a moment suspended between life and myth. The subject, dramatically costumed as a vampire, stands in profile, his posture radiating an almost predatory elegance. Steichen masterfully uses the stark contrast inherent to early 20th-century photography to sculpt this figure…
To stand before Edward Steichen's Portrait of Clarence White is to step into a hushed moment suspended in time. This photograph is far more than a mere likeness; it is an immersion into the delicate landscape of introspection. The composition draws the viewer immediately into the intimate space shared between the artist and his subject. Clad in the soft, enveloping tones of monochrome, the portrait captures a man whose gaze…
Овај плакат за филм „Деца“ Чарлија Чаплина и Јакија Коогана представља динамичну рекламну кампању из раних дана кинематографа. Плакат се фокусира на два централна лика – Чаплина и Коогана – постављена су пред великим белим појединачним бојом, уз које су додате декоративне елементе и архитектурске детаљи који се истичу у употреби линија. Композиција је прожета осећањем енергије и оптимизма, типично за период тишине кинематографа.
In this captivating artifact from July 1915, we are transported back to the dawn of the silver screen, an era where the magic of motion pictures began to weave itself into the very fabric of global culture. The cover of Motion Picture Magazine, volume 9, number 6, serves as more than just a periodical; it is a vibrant time capsule of early twentieth-century celebrity worship and artistic caricature. At its…
This evocative piece captures not merely an event, but a monumental moment in human mythology—the parting of the Red Sea. The composition immediately plunges the viewer into a scene of overwhelming drama and divine intervention. One can almost hear the roar of the receding waters and feel the tension gripping the figures on the shore. It is a visual narrative rendered with epic scope, designed to transport the observer across…
This evocative lobby card for "Blood and Sand," dating back to 1922, transports the viewer directly into the passionate, sun-drenched melodrama of early cinema. It is more than just a promotional piece; it is a carefully constructed tableau vivant, capturing the very essence of cinematic yearning. The composition immediately draws the eye to the central figure—a man embodying the romantic archetype, dressed in attire suggestive of Spanish passion and drama.…
To gaze upon this lobby card for "Blood and Sand" is to step directly onto the vibrant, dramatic set of early cinema history. This piece is not merely a promotional artifact; it is a carefully constructed tableau vivant, capturing the raw energy and intoxicating allure that defined the silent film era. The composition immediately arrests the viewer with its bold chromatic choices—the passionate reds, the electric yellows, and the deep,…
In the realm of vintage visual culture, few images capture the whimsical essence of early cinema as effectively as this Preview slide for The Immigrant. This evocative piece serves as a window into a bygone era, presenting a delightful caricature of the legendary Charlie Chaplin in his most iconic role as the Tramp. The central figure is rendered with a charmingly exaggerated physicality; his oversized shoes, hat, and suit create…
In the quiet, silvered depths of Edward Steichen’s 1933 masterpiece, Paul Robeson as “The Emperor Jones”, we encounter more than a mere photographic record; we witness a profound…
Edward Jean Steichen stands as a monumental figure in the annals of modern art, bridging the gap between European artistic traditions and American innovation. Born in Luxembourg in…
In the quietude of Edward Steichen’s “In Memoriam,” one does not merely observe a photograph; one enters a sanctuary of shared sorrow. Created in 1906, this profound work…
Lobby Card, The Heart of the North – A Visionary Snapshot of Early Cinema Edward Steichen’s “Lobby card, The Heart of the North” transcends mere photographic documentation; it…
Studio Site Photograph, Famous Players-Lasky, Hollywood, CA – A Window Into Cinematic Glamour This striking black and white photograph captures a pivotal moment in the formative years of…
Edward Steichen’s 1920 painting, "Sunflower," isn’t merely a depiction of a flower; it's a poignant distillation of memory, displacement, and the enduring search for belonging. Born in the…
Preview Slide, Hunting Big Game in Africa – A Cinematic Echo of Pictorialism The image presented before you isn't merely a film poster; it’s a meticulously crafted artifact…
Isadora Duncan in the Parthenon, Athens is a photograph by Edward Steichen. Captured in 1921, the work features the dancer Isadora Duncan positioned against the architectural ruins of…
This evocative lobby card for "The Green Temptation" transports us directly into the vibrant, dramatic atmosphere of early 20th-century cinema. It is more than a mere advertisement; it…
Edward Steichen’s “Film Still, Footlights,” created in 1921, transcends mere documentation; it's a poignant snapshot of an era grappling with shifting artistic sensibilities and burgeoning cinematic influence. Captured…
This evocative lobby card for "Java Head," dating back to 1923, transports us directly into the vibrant, dramatic heart of early cinema. It is more than just a…
To gaze upon the Advertising slide, Paramount Pictures is to step through a temporal portal, transported back to the vibrant, flickering dawn of the motion picture era. This…
The poster presents Harold Lloyd seated upon a metal bucket, his legs crossed with a quiet stillness. He wears glasses and a red shirt that pulls the eye…
Lobby card, The Blue Fox, Episode 10 is a photographic work by Edward Steichen. This piece dates to 1921. It captures a frozen moment of cinematic tension, a…
Visual Composition and Physicality Special message slide, is a vintage slide dating from 1915. The image presents a dark background that provides a high-contrast setting for the central…
In the delicate, sepia-toned realm of early twentieth-century cinema, few artifacts capture the evocative essence of storytelling quite like this lobby card for The Man from Lost River.…
In the quiet, amber-hued depths of Edward Steichen’s The Lotus Screen, S.S.S, we encounter a moment frozen in time, where the boundaries between painting and photography begin to…
In this evocative black and white photograph from 1922, we are transported back to the industrial heart of early Hollywood. The image captures a profound moment within the…
The image presents a central figure of a man positioned in the foreground, looking directly forward. He wears a dark suit and a tie, topped with a wide-brimmed…
In this mesmerizing black and white portrait from 1920, the legendary photographer Edward Steichen captures more than just a face; he captures the very essence of an era.…
In this mesmerizing preview slide for the 1917 production of Cleopatra, we are transported not merely to an ancient era, but to the dawn of cinematic spectacle. The…
In this evocative film still from 1914, titled Behind the Scenes, we are transported into the golden, flickering era of early cinema. Captured through the lens of the…
Program, Orpheum Theatre, Philadelphia, PA – A Window into Early Cinema and Artistic Vision Philadelphia’s Orpheum Theatre in 1915 witnessed a spectacle not only of entertainment but also…
In the hauntingly silent expanse of Edward Steichen’s Aerial View of Trenches (37), the viewer is transported back to the visceral landscape of 1918. This profound photographic composition…
Lobby Card za Film „Rosita“ – Jedinstveni Pogled u Svet Glamura i Romansa Edward Steichen, umetnik koji je spojio svetove umetnosti i fotografije, ostavio je nezaboravno nasleđe koje…
Studio Fotografija Lokacije Studija Toma H. Инце, Купер Сити, Калифорния Фотографија представља утицајан момент из времена филмске индустрије раног 20. века – снимак локације студија Тома Х. Инцеа…
Četiri teme koje se najčešće pojavljuju među ovim remek-delima, sa najboljim primerom za svaku od njih.
6 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Edvard Stejken | Slike iz ovog spiska |
|---|---|---|---|
 Museum of the Moving Image |
Astoria | 32 | Behind-the-scenes photograph, Paying the Piper, Portrait, Osgood Perkins, Преглед слике, Дечак |
 Denver Art Museum |
Denver | 2 | Portrait of Clarence White, In Memoriam |
 George Eastman Museum |
Ročester | 2 | Paul Robeson, Sunflower |
 New Orleans Museum of Art |
New Orleans | 2 | Aerial View of Trenches, Aerial View of Trenches (37) |
 National Gallery of Art |
Washington | 1 | Le Tournesol (The Sunflower) |
 Toledo Museum of Art |
Toledo | 1 | Isadora Duncan in the Parthenon, Athens |
In the quiet, amber-hued depths of Edward Steichen’s The Lotus Screen, S.S.S, we encounter a moment frozen in time, where the boundaries between painting and photography begin to…
In this captivating artifact from July 1915, we are transported back to the dawn of the silver screen, an era where the magic of motion pictures began to…
The eye meets a sudden, bright collision of color where a stylized sunflower rests against a fractured sky. A large, yellow disk dominates the center, its hue shifting…
Le Tournesol (The Sunflower) (1920), National Gallery of Art, Washington. Sledeći su Behind-the-scenes photograph, Paying the Piper (1921) i Portrait, Osgood Perkins (1923).
20 godina: Le Tournesol (The Sunflower) datira iz 1920, a Edvard Stejken je rođen/a 1900.
Le Tournesol (The Sunflower), Behind-the-scenes photograph, Paying the Piper, Portrait, Osgood Perkins, Portrait of Clarence White, Преглед слике, Дечак, Fan magazine, Motion Picture Magazine, vol. 9, no. 6, Herald, The Ten Commandments, Lobby card, Blood and Sand, Lobby card, Blood and Sand i Preview slide, The Immigrant. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 47 dela umetnika Edvard Stejken, datiranih od 1909 do 1927.
Većina njih se nalazi u Museum of the Moving Image (Astoria), Denver Art Museum (Denver) i George Eastman Museum (Ročester). U tabeli iznad su muzeji navedeni jedan po jedan.
U periodima 1920s: 29 od ukupno 47 dela na ovoj stranici datiraju iz tog vremena, od čega je Le Tournesol (The Sunflower).
Najstarije delo na ovoj stranici je iz The Lotus Screen, S.S.S (1909), a najnovije iz Herald, The Kid Brother (1927).
Black and white (9), Edward steichen (8) i Portrait (6), od ukupno 47 dela na ovoj stranici.
Black and White Photography: 8 od ukupno 47 dela na ovoj stranici.
Pictorialism, kao što pokazuju slike na ovoj stranici.
Behind-the-scenes photograph, Paying the Piper, Portrait, Osgood Perkins i Преглед слике, Дечак su među 32 dela na ovoj stranici koja se nalaze u Museum of the Moving Image, Astoria.
