Daniel Saint, 1778 – 1847

Daniel Saint: 6 najpoznatijih slika

Portrait de Mme Savary, duchesse de Rovigo (1840) je najpoznatije delo umetnika Daniel Saint. Portrait of Lodewijk Napoleon Bonaparte (1810) i Portrait of the duchess of berry su sledeća dva dela koja svet najbolje poznaje. Od 7 dela umetnika Daniel Saint u našem katalogu, izdvajamo ovih 6 koja kolekcionari i posetioci muzeja najčešće posmatraju, uz navođenje godine, muzeja i priče o svakom od njih.

Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.

Portret Daniel Saint
Daniel Saint · 1778 – 1847
Rođen · umro
1778 – 1847, Saint-Lô
Radovi u našem katalogu
7
Najpoznatije
Portrait de Mme Savary, duchesse de Rovigo (1840)
Najviše dela u
Nationalmuseum

Top 10: najpoznatija dela umetnika Daniel Saint

Portrait of Lodewijk Napoleon Bonaparte (1810) čiji je Daniel Saint
2

Portrait of Lodewijk Napoleon Bonaparte

1810 · Wallace Collection, London

Portrait of Lodewijk Napoleon Bonaparte emerges from the shadows, a singular presence that commands the eye through the sheer intensity of its subject. This miniature portrait captures the likeness of the King of Holland, rendered with the precision required for such a small scale. The figure is presented with a sense of quiet dignity, emerging from a dark, atmospheric background that focuses all attention on the sitter. Every detail of…

Rukom oslikana uljana reprodukcija od $181 32 × 32 cm
Lady with a Greyhound (1842) čiji je Daniel Saint
6

Lady with a Greyhound

1842

Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early works are soft and vaporous in style, the mature works are more precisely painted with a pure, vibrant palette.Saint’s

Rukom oslikana uljana reprodukcija od $181 24 × 41 cm

Gde videti slike umetnika Daniel Saint

3 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Daniel Saint Slike iz ovog spiska
Nationalmuseum, СтокхолмNationalmuseum Стокхолм 2 Unknown Man, Charles X, King of France and Navarre
Wallace Collection, LondonWallace Collection London 1 Portrait of Lodewijk Napoleon Bonaparte
Château de Chambord, ŠambordChâteau de Chambord Šambord 1 Portrait of the duchess of berry

Daniel Saint kroz godine: remek-dela svake godine

Daniel Saint je stvarao 33 godina, od 1810 do 1842: evo pregleda te dugog karijere godinu po godinu, kroz njegove najpoznatije slike.

  1. 1810
    Portrait of Lodewijk Napoleon Bonaparte (1810) čiji je Daniel Saint
    2 od 6

    Portrait of Lodewijk Napoleon Bonaparte

    Godine: 32 · Wallace Collection

    Portrait of Lodewijk Napoleon Bonaparte emerges from the shadows, a singular presence that commands the eye through the sheer intensity of its subject. This miniature portrait captures the…

  2. 1840
  3. 1842
    Lady with a Greyhound (1842) čiji je Daniel Saint
    Rang 6 od 6

    Lady with a Greyhound

    Godine: 64

    Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early…

Slike umetnika Daniel Saint: često postavljana pitanja

Koja je najpoznatija slika umetnika Daniel Saint?Prikaži odgovor

Portrait de Mme Savary, duchesse de Rovigo (1840). Sledeći su Portrait of Lodewijk Napoleon Bonaparte (1810) i Portrait of the duchess of berry.

U kojoj je godini Daniel Saint naslikao Portrait de Mme Savary, duchesse de Rovigo?Prikaži odgovor

62 godina: Portrait de Mme Savary, duchesse de Rovigo datira iz 1840, a Daniel Saint je rođen/a 1778.

Koliko ima slika umetnika Daniel Saint?Prikaži odgovor

Naš katalog sadrži 7 dela umetnika Daniel Saint, datiranih od 1810 do 1842.

Gde mogu da vidim najpoznatija dela umetnika Daniel Saint?Prikaži odgovor

Većina njih se nalazi u Nationalmuseum (Стокхолм), Wallace Collection (London) i Château de Chambord (Šambord). U tabeli iznad su muzeji navedeni jedan po jedan.

Ko je najranije i najnovije poznato delo umetnika Daniel Saint?Prikaži odgovor

Najstarije delo na ovoj stranici je iz Portrait of Lodewijk Napoleon Bonaparte (1810), a najnovije iz Lady with a Greyhound (1842).

Koje slike umetnika Daniel Saint se nalaze u kolekciji Nationalmuseum?Prikaži odgovor

Unknown Man i Charles X, King of France and Navarre su među 2 dela na ovoj stranici koja se nalaze u Nationalmuseum, Стокхолм.

Gde mogu da kupim reprodukciju Daniel Saint?Prikaži odgovor

Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.

Daniel Saint: biografija

The Delicate Touch of Parisian Miniature Painting

Daniel Saint (French, b.1778, d.1847) stands as a pivotal figure in the history of French miniature painting during the Romantic era. Born in the quiet town of Saint Lô, Normandy, he emerged from humble beginnings to become one of the most celebrated portraitists of his time, lauded for his unparalleled ability to capture emotion and nuance within exquisitely detailed canvases often no larger than six inches square. His distinctive style—characterized by a soft, vaporous technique—established him as an innovator who subtly departed from established conventions, marking a significant shift toward Impressionistic sensibilities long before the movement officially took hold.

Saint’s formative years were shaped by rigorous academic training under the esteemed Jean-Baptiste Regnault at the École Royale Supérieure des Beaux-Arts in Paris. Studying alongside talented contemporaries such as Augustine Aubry and François Auguste Clément, Saint absorbed the foundational principles of the School of David while simultaneously fostering a unique artistic imagination. This period of mentorship was crucial, as it provided him with the technical discipline required for precision, yet allowed him to explore the psychological depth that would become his hallmark. Interestingly, his early exposure to craftsmanship was likely influenced by his father, a printer, whose profession instilled in Saint a lifelong meticulous attention to detail and an appreciation for visual communication.

A Revolution of Light and Texture

What truly set Daniel Saint apart from the masters of his era was his pioneering approach to medium and method. While many of his contemporaries, such as Isabey, relied heavily on traditional glazing methods to achieve depth, Saint embraced a groundbreaking use of hatching. By drawing closely spaced parallel lines to create tonal shading, he achieved remarkable effects of light and shadow that conveyed texture with astonishing subtlety. This technique allowed him to move away from overly polished, porcelain-like surfaces in favor of a matte finish, lending his portraits an ethereal, atmospheric quality that mirrored the Romantic preoccupation with mood and psychological realism.

As his career progressed, Saint’s work underwent a fascinating evolution. His early compositions were celebrated for their soft, vaporous, and almost dreamlike qualities, capturing the fleeting elegance of the era. However, as he matured, his palette became more pure and vibrant, and his brushwork grew increasingly precise. This transition allowed him to navigate the shifting political landscapes of France with ease, moving from the delicate aesthetics of the late 18th century into a more robust and commanding style that suited the grandeur of the Napoleonic age.

Legacy and Imperial Recognition

The historical significance of Daniel Saint is inextricably linked to the heights of French political power. He rose to prominence as a worthy successor to the great portrait-miniaturist Jean-Baptiste-Jacques Augustin, eventually earning the prestigious opportunity to paint official portraits of Napoleon Bonaparte and members of his imperial court. His ability to capture the likenesses of figures such as Empress Josephine and Queen Hortense ensured his place in the annals of French history, as his miniatures served not just as art, but as intimate, portable icons of power and familial connection.

Beyond the imperial court, Saint's influence extended through his mastery of the miniature format, an art form that demanded extreme technical virtuosity. His works remain a testament to a period where the small-scale canvas could hold the weight of an entire era's emotions. Today, his legacy is preserved in collections worldwide, recognized for:

  • Technical Innovation: The pioneering use of hatching to create depth without traditional glazing.
  • Historical Connection: His role as a primary chronicler of the Bonaparte family and the Napoleonic court.
  • Stylistic Evolution: The transition from soft, vaporous Romanticism to a vibrant, precise maturity.
  • Artistic Mastery: An unparalleled ability to convey psychological depth within extremely small dimensions.
Through his delicate touch, Daniel Saint transformed the miniature portrait from a mere keepsake into a profound medium of light, shadow, and human soul.