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Forest Landscape with Bathing Children
Rukom oslikana uljana reprodukcija od $181 35 × 29 cm
Isti veličine kao original $202 45 × 37 cm Naručite u originalnim dimenzijama →
Najpoznatije delo umetnika Carl Ebert je Forest Landscape with Bathing Children (1867), koje se nalazi u muzeju Bavarske državne slikopisne kolekcije, Minhen. Uz Evening Landscape (1875) i Landscape society in a park, to su tri dela koja svi prepoznaju. Naš katalog sadrži 5 dela umetnika Carl Ebert; ovih 5 ispod su dela koja svet najčešće posmatra, svako sa navedenom godinom nastanka, muzejom u kojem se čuva i razlogom zašto je značajno.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Carl Ebert | Slike iz ovog spiska |
|---|---|---|---|
 Bavarske državne slikopisne kolekcije |
Minhen | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
Minhen | 1 | Isar Landscape |
Carl Ebert je stvarao jedva 9 godina, od 1867 do 1875: pratite svaku deceniju godinu po godinu, kroz dela koja su mu donela slavu.
Forest Landscape with Bathing Children (1867), Bavarske državne slikopisne kolekcije, Minhen. Sledeći su Evening Landscape (1875) i Landscape society in a park.
46 godina: Forest Landscape with Bathing Children datira iz 1867, a Carl Ebert je rođen/a 1821.
Naš katalog sadrži 5 dela umetnika Carl Ebert, datiranih od 1867 do 1875.
Većina njih se nalazi u Bavarske državne slikopisne kolekcije (Minhen) i Lenbachhaus (Minhen). U tabeli iznad su muzeji navedeni jedan po jedan.
Najstarije delo na ovoj stranici je iz Forest Landscape with Bathing Children (1867), a najnovije iz Evening Landscape (1875).
Forest Landscape with Bathing Children i Evening Landscape su među 2 dela na ovoj stranici koja se nalaze u Bavarske državne slikopisne kolekcije, Minhen.
Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.