Bernardo Strozzi, 1581 – 1644

100 najpoznatijih slika umetnika Bernardo Strozzi

Slika koja je proslavila Bernardo Strozzi je Spavajuće dete; nalazi se u muzeju Residenzgalerie, Salzburg. Banquet at the House of Simon (detail) (1630) i David with the Head of Goliath (1635) slede nakon njih u srcima kolekcionara i posetilaca muzeja. Od 118 dela umetnika Bernardo Strozzi u našem katalogu, ovih 100 su najcenjenija, a svako je predstavljeno sa datumom nastanka, muzejom i onim što ga izdvaja.

Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.

Portret Bernardo Strozzi
Bernardo Strozzi · 1581 – 1644
Rođen · umro
1581 – 1644, Campo Ligure
Pokret
Baroque realism
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118
Najpoznatije
Spavajuće dete
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Gallerie dell'Accademia di Venezia

Bernardo Strozzi: deset remek-delo

Spavajuće dete čiji je Bernardo Strozzi
1

Spavajuće dete

Ulje na platnu · Residenzgalerie, Salzburg

Umireno remek-delo: Carvanje nevinosti u delu „Spavajuće dete” Tema: Trenutak čiste spokojnosti Bernardov Strozijino „Spavajuće dete” predstavlja dirljiv prikaz novorođenčeta u mirnom snu. Ovo umetničko delo uspešno hvata samu suštinu nevinosti i ranjivosti, pružajući posmatračima trenutak tihe refleksije. Detetov spokojni izraz lica i opušten položaj tela izazivaju osećaj smirenosti, čineći ovo delo vanvremenskim prikazom dečje čistote. Stil i tehnika: Barokni realizam Strozzi, istaknuti italijanski barokni slikar, koristi realističan stil koji…

Rukom oslikana uljana reprodukcija od $181 38 × 27 cm Isti veličine kao original $202 48 × 35 cm Naručite u originalnim dimenzijama →
Banquet at the House of Simon (detail) (1630) čiji je Bernardo Strozzi
2

Banquet at the House of Simon (detail)

1630 · Oil On Canvas · Gallerie dell'Accademia di Venezia, Venecija

To gaze upon Bernardo Strozzi's Banquet at the House of Simon is to be instantly transported into the vibrant, intoxicating heart of the seventeenth century. This monumental canvas does more than merely depict a meal; it captures an entire atmosphere—a moment suspended in rich color and human connection. The air seems thick with the scent of exotic spices, spilled wine, and lively conversation. Strozzi masterfully orchestrates a scene of pure…

Rukom oslikana uljana reprodukcija od $181 38 × 26 cm
David with the Head of Goliath (1635) čiji je Bernardo Strozzi
3

David with the Head of Goliath

1635 · Oil On Canvas · Ermitaž, Sankt Peterburg

To stand before Bernardo Strozzi's depiction of David with the Head of Goliath is to confront a moment suspended between brutal conflict and sublime victory. This painting, executed in 1635, does more than merely record a biblical episode; it captures the very essence of human courage pitted against overwhelming odds. The composition immediately draws the eye to the central figure—David—whose bearing suggests not just physical prowess, but an unshakeable moral…

Rukom oslikana uljana reprodukcija od $181 27 × 37 cm Isti veličine kao original $550 100 × 132 cm Naručite u originalnim dimenzijama →
Allegory of Arts (1640) čiji je Bernardo Strozzi
4

Allegory of Arts

1640 · Oil On Canvas · Ermitaž, Sankt Peterburg

To stand before Bernardo Strozzi’s Allegory of Arts is to step directly into the vibrant, intellectual heart of the Baroque era. This magnificent oil painting from 1640 captures more than just three figures; it encapsulates a profound celebration of human creativity and the enduring power of female genius. The composition draws the eye immediately to the interplay between the three elegantly draped women, their poses suggesting a moment suspended in…

Rukom oslikana uljana reprodukcija od $181 28 × 35 cm Isti veličine kao original $792 140 × 152 cm Naručite u originalnim dimenzijama →
Saint Catherine of Alexandria (1615) čiji je Bernardo Strozzi
5

Saint Catherine of Alexandria

1615 · Oil On Canvas · Los Angeles County Museum of Art, Los Anđeles

The light descends from the upper left, cutting through a heavy, dark void to illuminate a figure of profound grace. Saint Catherine of Alexandria sits in a pyramidal arrangement, her presence commanding the space with a quiet, regal strength. She does not look at the viewer; instead, her eyes are turned upward, caught in a moment of spiritual ecstasy or perhaps a silent communion with the divine. Her skin possesses…

Rukom oslikana uljana reprodukcija od $181 26 × 38 cm Isti veličine kao original $767 122 × 168 cm Naručite u originalnim dimenzijama →
St Maurice and the Angel (1640) čiji je Bernardo Strozzi
6

St Maurice and the Angel

1640 · Oil On Canvas · Ermitaž, Sankt Peterburg

In this oil on canvas work from 1640, two figures occupy the central space against a solid, architectural backdrop. A man, identified as Saint Maurice, is depicted in a suit of armor, complete with a helmet and a sword at his side. He holds a book in one hand and a bow and arrow in the other. Beside him stands a female figure with wings extending from her back, signifying…

Rukom oslikana uljana reprodukcija od $181 35 × 29 cm Isti veličine kao original $402 101 × 82 cm Naručite u originalnim dimenzijama →
St Francis of Assisi adoring the Crucifix (1615) čiji je Bernardo Strozzi
7

St Francis of Assisi adoring the Crucifix

1615 · Oil On Canvas · Art Gallery of South Australia, Adelaide

The air in the room feels heavy, thick with the scent of old wood and the weight of silent devotion. St. Francis of Assisi leans upward, his body a vessel for a sudden, overwhelming surge of religious ecstasy. His gaze is fixed upon the figure of Christ on the cross, eyes wide and upturned as if searching for a connection that transcends the physical realm. The light does not merely…

Rukom oslikana uljana reprodukcija od $206 27 × 37 cm
St. Gerardo Sagredo, Bishop of Csanád (1630) čiji je Bernardo Strozzi
8

St. Gerardo Sagredo, Bishop of Csanád

1630 · Oil On Canvas · Art Institute of Chicago, Čikago

To stand before this portrait is to encounter a figure emerging from an immense, dark void. The Bishop of Csanád does not demand attention through movement, but rather through a quiet, heavy stillness. There is a profound sense of weight here, found in the way the light catches the textured folds of his white alb and the stiff, embroidered edges of his liturgical vestments. The background remains indeterminate, a deep…

Rukom oslikana uljana reprodukcija od $181 27 × 37 cm Isti veličine kao original $545 100 × 130 cm Naručite u originalnim dimenzijama →
Portrait of a Genoese Nobleman (1612) čiji je Bernardo Strozzi
9

Portrait of a Genoese Nobleman

1612 · Oil On Canvas · Birmingham Museum and Art Gallery, Birmingem

The artwork titled Portrait of a Genoese Nobleman is an oil on canvas painting executed by the artist Bernardo Strozzi. This portrait depicts an elderly gentleman, presented in a three-quarter length composition. The subject is positioned slightly off-center, seated within a dark chair against a background of deep tones.

Rukom oslikana uljana reprodukcija od $181 29 × 34 cm Isti veličine kao original $541 102 × 127 cm Naručite u originalnim dimenzijama →
Portrait of Nikola Kuchi (1637) čiji je Bernardo Strozzi
10

Portrait of Nikola Kuchi

1637 · Oil On Canvas · Nacionalna galerija Armenije, Jerevan

An elderly man gazes toward the viewer's right, his eyes meeting the observer with a steady, dignified presence. He is rendered in three-quarter length, positioned slightly off-center against an atmospheric background of deep browns and blacks. A strong light source strikes the side of his face and the front of his heavy red cloak, leaving the remainder of his figure to recede into deep shadow. This dramatic use of light…

Rukom oslikana uljana reprodukcija od $181 28 × 36 cm Isti veličine kao original $529 100 × 126 cm Naručite u originalnim dimenzijama →

Još Bernardo Strozzi remek-delo, od 11 do 100

Bishop Alvise Grimani (1633) čiji je Bernardo Strozzi
#14

Bishop Alvise Grimani

1633 · National Gallery of Art

The portrait presents a three-quarter length view of Bishop Alvise Grimani, positioned against a dark, indeterminate background. Directional light enters from the upper left, carving the subject's features…

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Saint Francis (1612) čiji je Bernardo Strozzi
#17

Saint Francis

1612 · Museum Boijmans Van Beuningen

The oil on canvas before us presents Saint Francis, a figure caught in a moment of profound spiritual weight. This portrait of the saint emerges from the shadows,…

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St Cecilia (1620) čiji je Bernardo Strozzi
#19

St Cecilia

1620 · Nelson-Atkins Museum of Art

In the heart of the Baroque era, few works capture the intersection of earthly texture and divine grace as poignantly as Bernardo Strozzi’s St Cecilia. Painted around 1620,…

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David (1606) čiji je Bernardo Strozzi
#22

David

1606

The painting titled David is a religious work by the Italian Baroque artist Bernardo Strozzi. This canvas captures a specific biblical scene, focusing on the aftermath of the…

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S. Cecilia (1606) čiji je Bernardo Strozzi
#24

S. Cecilia

1606

This work, titled S. Cecilia, is a significant oil on canvas by the Italian Baroque painter Bernardo Strozzi. Born in 1581 in Campo Ligure, Italy, Strozzi developed a…

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St John the Baptist (1615) čiji je Bernardo Strozzi
#31

St John the Baptist

1615 · Accademia Ligustica di Belle Arti

This religious art piece, titled St John the Baptist, was executed by the artist Bernardo Strozzi. The composition focuses on the figure of John the Baptist, a central…

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Christ at Emmaus (1630) čiji je Bernardo Strozzi
#34

Christ at Emmaus

1630 · Musée de Grenoble

In Christ at Emmaus, Bernardo Strozzi captures a moment of sudden spiritual recognition. The scene is a tight, intimate grouping of three male figures seated around a table,…

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The Concert (1635) čiji je Bernardo Strozzi
#36

The Concert

1635 · Royal Collection

In this oil painting from 1635, two musicians are positioned in a tight, intimate composition that pushes their figures toward the viewer. The scene is defined by a…

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Berenice (1640) čiji je Bernardo Strozzi
#42

Berenice

1640

A young woman gazes upward, her expression caught between sudden surprise and deep contemplation. She is draped in ornate armor and fine jewelry, suggesting the status of a…

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Berenice (1640) čiji je Bernardo Strozzi
#44

Berenice

1640 · El Paso Museum of Art

In this intimate portrait of Berenice by Bernardo Strozzi, the composition is tightly framed, focusing our attention on the subject’s face and upper body. The artist employs a…

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Gamba Player (1635) čiji je Bernardo Strozzi
#49

Gamba Player

1635 · Gemäldegalerie

Bernardo Strozzi’s captivating portrait, *Gamba Player*, transports us directly into the vibrant, emotionally charged atmosphere of 17th-century Italian life. At its heart stands a woman, poised with an…

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The Annunciation (1643) čiji je Bernardo Strozzi
#54

The Annunciation

1643 · Szépművészeti Múzeum

To stand before this depiction of The Annunciation is to step across the threshold into a moment suspended between the earthly and the divine. Bernardo Strozzi, master of…

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The Cook (1640) čiji je Bernardo Strozzi
#55

The Cook

1640 · Scottish National Gallery

In the soft, amber glow of a domestic afternoon, Bernardo Strozzi captures a scene of profound, unassuming stillness. The Cook is not merely a portrait of a woman…

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St Cecilia (1623) čiji je Bernardo Strozzi
#57

St Cecilia

1623 · Музеј Тисен-Борнемиза

In the heart of the Baroque era, few works capture the intersection of earthly texture and divine grace as poignantly as Bernardo Strozzi’s St Cecilia. Painted between 1623…

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Concert (1631) čiji je Bernardo Strozzi
#65

Concert

1631 · Detroit Institute of Arts

In this intimate oil painting from 1635, we find ourselves drawn into a private, dimly lit room where music acts as the primary connection between the figures. The…

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Tribute Money (1630) čiji je Bernardo Strozzi
#67

Tribute Money

1630 · Szépművészeti Múzeum

The painting titled Tribute Money is a work by the Italian artist Bernardo Strozzi. Born in 1581 in Campo Ligure, Italy, Strozzi lived until 1644. This specific canvas…

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St Roch (1640) čiji je Bernardo Strozzi
#72

St Roch

1640 · Scuola Grande di San Rocco

In this 1640 portrait, we encounter a man who carries the weight of his mission in his very posture. He is a figure of quiet strength, bearded and…

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Lute Player (1630) čiji je Bernardo Strozzi
#75

Lute Player

1630 · Kunsthistorisches Museum

In the heart of the Venetian Baroque era, amidst the vibrant textures and dramatic light of Italy, Bernardo Strozzi captured a moment that transcends the mere act of…

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Salome (1630) čiji je Bernardo Strozzi
#76

Salome

1630 · Gemäldegalerie

The oil on canvas painting titled Salome was executed by the Italian Baroque painter Bernardo Strozzi. This work dates to 1630. The composition depicts a biblical scene involving…

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Berenice čiji je Bernardo Strozzi
#78

Berenice

Bavarske državne slikopisne kolekcije

Bernardo Strozzi's Berenice represents a significant subject from the first half of the 17th century. The work identifies the figure as Queen Berenice, the daughter of the King…

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Portrait of a Knight (1640) čiji je Bernardo Strozzi
#93

Portrait of a Knight

1640 · Gallerie dell'Accademia di Venezia

Bernardo Strozzi's “Portrait of the Knight Giovanni Grimani,” painted circa 1640, stands as a testament to the Venetian Baroque’s fascination with aristocratic grandeur and psychological depth. Executed in…

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Slike umetnika Bernardo Strozzi po periodima

Motivi koje je Bernardo Strozzi najčešće slikao

Četiri teme koje se najčešće pojavljuju među ovim remek-delima, sa najboljim primerom za svaku od njih.

Gde videti slike umetnika Bernardo Strozzi

8 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Bernardo Strozzi Slike iz ovog spiska
Gallerie dell'Accademia di Venezia, VenecijaGallerie dell'Accademia di Venezia Venecija 5 Banquet at the House of Simon (detail), Banquet at the House of Simon, Portrait of a Knight (detail)
Kunsthistorisches Museum, BečKunsthistorisches Museum Beč 5 Salome with the head of St John the Baptist, The Sermon of St. John the Baptist, Doge Francesco Erizzo (1566-1646)
Ermitaž, Sankt PeterburgErmitaž Sankt Peterburg 5 David with the Head of Goliath, Allegory of Arts, St Maurice and the Angel
Bavarske državne slikopisne kolekcije, MinhenBavarske državne slikopisne kolekcije Minhen 3 Joseph as Interpreter of Dreams (Fragment), Berenice, The Parable of the Widow's Mite
Accademia Ligustica di Belle Arti, GenovaAccademia Ligustica di Belle Arti Genova 3 St John the Baptist, Lamentation over the Dead Christ, St Augustine Washing the Feet of Christ
Art Gallery of South Australia, AdelaideArt Gallery of South Australia Adelaide 2 St Francis of Assisi adoring the Crucifix, Study for St Francis of Assisi adoring the cross
National Gallery of Art, WashingtonNational Gallery of Art Washington 2 Bishop Alvise Grimani, Saint Francis in Prayer
Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 2 Saint Francis, David with Goliaths Head

Bernardo Strozzi, deceniju po deceniju: kultno delo svake od njih

  1. 1600s
    Old Man with a Pupil (1600) čiji je Bernardo Strozzi
    Rang 21 od 100

    Old Man with a Pupil

    Godine 19 – 28 · Slovačka nacionalna galerija

    The oil painting titled Old Man with a Pupil was executed by the artist Bernardo Strozzi. This work is dated about 1600. The composition focuses on an intimate,…

  2. 1610s
    Saint Catherine of Alexandria (1615) čiji je Bernardo Strozzi
    Rang 5 od 100

    Saint Catherine of Alexandria

    Godine 29 – 38 · Los Angeles County Museum of Art

    The light descends from the upper left, cutting through a heavy, dark void to illuminate a figure of profound grace. Saint Catherine of Alexandria sits in a pyramidal…

  3. 1620s
    Old Coquette (1625) čiji je Bernardo Strozzi
    Rang 12 od 100

    Old Coquette

    Godine 39 – 48

    A woman sits centered in a white dress, her hair gathered into a tight bun. She leans toward a mirror held aloft by a servant, seeking a glimpse…

  4. 1630s
    Banquet at the House of Simon (detail) (1630) čiji je Bernardo Strozzi
    #2 od 100

    Banquet at the House of Simon (detail)

    Godine 49 – 58 · Gallerie dell'Accademia di Venezia

    To gaze upon Bernardo Strozzi's Banquet at the House of Simon is to be instantly transported into the vibrant, intoxicating heart of the seventeenth century. This monumental canvas…

  5. 1640s
    Allegory of Arts (1640) čiji je Bernardo Strozzi
    #4 od 100

    Allegory of Arts

    Godine 59 – 63 · Ermitaž

    To stand before Bernardo Strozzi’s Allegory of Arts is to step directly into the vibrant, intellectual heart of the Baroque era. This magnificent oil painting from 1640 captures…

Remedela Bernardo Strozzi: pitanja i odgovori

Po kojoj je slici Bernardo Strozzi najpoznatiji/a?Prikaži odgovor

Spavajuće dete, Residenzgalerie, Salzburg. Sledeći su Banquet at the House of Simon (detail) (1630) i David with the Head of Goliath (1635).

Koja su deset najznačajnijih dela umetnika Bernardo Strozzi?Prikaži odgovor

Spavajuće dete, Banquet at the House of Simon (detail), David with the Head of Goliath, Allegory of Arts, Saint Catherine of Alexandria, St Maurice and the Angel, St Francis of Assisi adoring the Crucifix, St. Gerardo Sagredo, Bishop of Csanád, Portrait of a Genoese Nobleman i Portrait of Nikola Kuchi. Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je dela naslikao Bernardo Strozzi?Prikaži odgovor

Naš katalog sadrži 118 dela umetnika Bernardo Strozzi, datiranih od 1600 do 1644.

U kojim muzejima mogu videti remek-dela umetnika Bernardo Strozzi?Prikaži odgovor

Većina njih se nalazi u Gallerie dell'Accademia di Venezia (Venecija), Kunsthistorisches Museum (Beč) i Ermitaž (Sankt Peterburg). U tabeli iznad su muzeji navedeni jedan po jedan.

Kada je Bernardo Strozzi naslikao svoja remek-dela?Prikaži odgovor

U periodima 1630s: 34 od ukupno 100 dela na ovoj stranici datiraju iz tog vremena, od čega je Banquet at the House of Simon (detail).

Koja su prva i poslednja poznata dela Bernardo Strozzi?Prikaži odgovor

Najstarije delo na ovoj stranici je iz Old Man with a Pupil (1600), a najnovije iz The Sermon of St. John the Baptist (1644).

Koji su bili omiljeni motivi Bernardo Strozzi?Prikaži odgovor

Man (36), Woman (19) i People (18), od ukupno 100 dela na ovoj stranici.

Koju je tehniku preferirao/la Bernardo Strozzi?Prikaži odgovor

Oil On Canvas: 63 od ukupno 100 dela na ovoj stranici.

Koji umetnički pravac zastupa Bernardo Strozzi?Prikaži odgovor

Baroque realism, kao što pokazuju slike na ovoj stranici.

Koja remek-dela Bernardo Strozzi se nalaze u Gallerie dell'Accademia di Venezia?Prikaži odgovor

Banquet at the House of Simon (detail), Banquet at the House of Simon i Portrait of a Knight (detail) su među 5 dela na ovoj stranici koja se nalaze u Gallerie dell'Accademia di Venezia, Venecija.

Mogu li da posedujem reprodukciju remek-dela umetnika Bernardo Strozzi?Prikaži odgovor

Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.

Život umetnika Bernardo Strozzi

Rano detinjstvo i obuka

Bernardo Strozzi, poznat i pod imenima il cappuccino i il prete genovese, bio je istaknuti italijanski barokni slikar i gravir koji je rođen 1581. godine u Đenovi, u Italiji. Njegovo rano umetničko obrazovanje oblikovalo se u radionici Cesare Corte, manje poznatog slikara iz Đenove, pod čijim je mentorstvom Strozzi razvijao svoje veštine sve do 1596. godine. Nakon toga, pridružio se radionici Pietro Sorri, inovativnog slikara iz Sijene, koji je Strozzija usmerio ka prirodističnijem i senzualnijem stilu.

Umetnička karijera

Strozzijeva karijera se može podeliti na dva ključna perioda: njegove rane godine u Đenovi i kasniji rad u Veneciji. Dok je boravio u Đenovi, posvetio se raznovrsnim projektima, uključujući freske u horu crkve San Domenico, koje su naručili članovi moćne porodice Doria.

Uticaj i nasleđe

Strozzijeva moćna umetnost, koju odlikuju bogatstvo boja i široki, ekspresivni potezi četkicom, ostavila je dubok trag na umetnički razvoj kako Đenove, tako i Venecije. On se smatra jednim od glavnih utemeljitelja venecijanskog baroknog stila.
  • Značajni pokrovitelji:
  • Dož Francesco Erizzo
  • Katolički kardinal i patrijarh Venecije, Federico Baldissera
  • Istaknuti venecijanski umetnici, uključujući Claudio Monteverdija i Barbaru Strozzi

Kasni život i smrt

Strozzijeve poznije godine obeležio je njegov rad kao inženjer. Preminuo je u Veneciji 1mla 1644. godine, ostavivši za sobom neprevaziđeno nasleđe svestranog i plodnog umetnika.

Pogledajte više dela Bernarda Strozzija na WahooArt: https://WahooArt.com/@/bernardo-strozzi

Istražite Pinacoteku di Vicenza, Italija, koja prikazuje dela iz različitih perioda i stilova: /sr/art/show/art-d3afpd-sr/