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Night Scene of Indian Tipi
Rukom oslikana uljana reprodukcija od $181 35 × 29 cm
Isti veličine kao original $269 69 × 56 cm Naručite u originalnim dimenzijama →
Night Scene of Indian Tipi (1895) je najpoznatije delo umetnika Benjamin Raborg, koje se nalazi u muzeju Smithsonian American Art Museum u gradu Vašington, D.C.. Od 1 dela umetnika Benjamin Raborg u našem katalogu, izdvajamo ovih 1 koja kolekcionari i posetioci muzeja najčešće posmatraju, uz navođenje godine, muzeja i priče o svakom od njih.
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1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Benjamin Raborg | Slike iz ovog spiska |
|---|---|---|---|
 Smithsonian American Art Museum |
Vašington, D.C. | 1 | Night Scene of Indian Tipi |
1895 je godina svakog datiranog remek-dela umetnika Benjamin Raborg na ovoj stranici: evo ih, poređanih prema popularnosti.
Night Scene of Indian Tipi (1895)
24 godina: Night Scene of Indian Tipi datira iz 1895, a Benjamin Raborg je rođen/a 1871.
Naš katalog sadrži 1 dela umetnika Benjamin Raborg.
Većina njih se nalazi u Smithsonian American Art Museum (Vašington, D.C.). U tabeli iznad su muzeji navedeni jedan po jedan.
Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.
Benjamin O'Fallan Raborg lived a life shaped by the landscapes of the American West. Born in Sulphur Springs, Missouri, he carried the influence of his family into his work, including his uncle, the artist Astley David Middleton Cooper. His brush found its way to the textures of the frontier, focusing on the quiet dignity of landscapes and the presence of portraits. He often turned his attention to American Indians, capturing them within the scenes he composed on canvas.
His work was not about grand gestures, but about the specific details of a place. In pieces like Night Scene of Indian Tipi, there is a focus on how light and shadow settle over a camp. This particular work resides in the Smithsonian American Art Museum, a quiet piece of his legacy that remains after his passing.
The path of his life took him from the plains of Missouri to the coast of California. He spent his final years in San Francisco, where his life came to an abrupt end in 1918. A cable car accident took his life, leaving behind a body of work that reflects the era of his existence. He is buried in Oak Hill Memorial Park in San Jose, California.
His paintings remain as physical traces of his time. They are objects that hold the light of a different century, specifically through his use of oil on canvas. His subjects—the landscapes and the people of the West—remain fixed in the way he chose to see them.