Basawan, 1560 – 1600

Slike autora Basawan: 13 najpoznatijih dela, rangiranih

Najpoznatije delo umetnika Basawan je Mihrdukht aims her arrow at the ring (1570), koje se nalazi u muzeju Metropoliten музеј у Њујорку, Њујорк. Uz The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) i The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560), to su tri dela koja svi prepoznaju. Naš katalog sadrži 13 dela umetnika Basawan; ovih 13 ispod su dela koja svet najčešće posmatra, svako sa navedenom godinom nastanka, muzejom u kojem se čuva i razlogom zašto je značajno.

Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.

Portret Basawan
Basawan · 1560 – 1600
Rođen · umro
1560 – 1600, Uttar Pradesh
Radovi u našem katalogu
13
Najpoznatije
Mihrdukht aims her arrow at the ring (1570)
Najviše dela u
Cleveland Museum of Art

10 najpoznatijih slika umetnika Basawan

Mihrdukht aims her arrow at the ring (1570) čiji je Basawan
1

Mihrdukht aims her arrow at the ring

1570 · Tempera · Metropoliten музеј у Њујорку, Њујорк

The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture that freezes the very pulse of the court. Below her, the world unfolds in layers of architectural precision and organic life. Attendants and observers gather in the shadows of the structure, their eyes drawn upward to the woman and her task. The…

Rukom oslikana uljana reprodukcija od $406 28 × 36 cm Isti veličine kao original $484 52 × 68 cm Naručite u originalnim dimenzijama →

Basawan, slike od 11 do 13

Gde videti slike umetnika Basawan

6 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Basawan Slike iz ovog spiska
Cleveland Museum of Art, KlivlendCleveland Museum of Art Klivlend 8 The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night
Metropoliten музеј у Њујорку, ЊујоркMetropoliten музеј у Њујорку Њујорк 1 Mihrdukht aims her arrow at the ring
Victoria and Albert Museum, LondonVictoria and Albert Museum London 1 Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer
Art Institute of Chicago, ČikagoArt Institute of Chicago Čikago 1 The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama
San Diego Museum of Art, San DiegoSan Diego Museum of Art San Diego 1 The Virgin and Child
Harvard Art Museums, KembriđHarvard Art Museums Kembriđ 1 A Mughal and a Rajput Converse at Dusk

Najpoznatije delo umetnika Basawan u svakom deceniji

  1. 1570s
    Mihrdukht aims her arrow at the ring (1570) čiji je Basawan
    1 od 13

    Mihrdukht aims her arrow at the ring

    Godine 10 – 19 · Metropoliten музеј у Њујорку

    The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture…

  2. 1580s
  3. 1590s

Pitanja o slikama umetnika Basawan

Koje je najpoznatije delo umetnika Basawan?Prikaži odgovor

Mihrdukht aims her arrow at the ring (1570), Metropoliten музеј у Њујорку, Њујорк. Sledeći su The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) i The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560).

Koliko je godina imao/la Basawan kada je slika Mihrdukht aims her arrow at the ring nastala?Prikaži odgovor

10 godina: Mihrdukht aims her arrow at the ring datira iz 1570, a Basawan je rođen/a 1560.

Koja su 10 najboljih slika umetnika Basawan?Prikaži odgovor

Mihrdukht aims her arrow at the ring, The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night, A feast for Babur hosted by his half-brother Jahangir Mirza in Ghazni in May 1505, from a Babur-nama (Memoirs of Babur), Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer, The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama, The Virgin and Child, The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) i Page from Tales of a Parrot (Tuti-nama): text page. Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je slika stvorio/la Basawan?Prikaži odgovor

Naš katalog sadrži 13 dela umetnika Basawan, datiranih od 1570 do 1596.

Gde se nalaze najpoznatija dela umetnika Basawan?Prikaži odgovor

Većina njih se nalazi u Cleveland Museum of Art (Klivlend), Metropoliten музеј у Њујорку (Њујорк) i Victoria and Albert Museum (London). U tabeli iznad su muzeji navedeni jedan po jedan.

Kada je Basawan naslikao svoja najpoznatija dela?Prikaži odgovor

U periodima 1590s: 4 od ukupno 13 dela na ovoj stranici datiraju iz tog vremena, od čega je Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer.

Koja su najranija i najnovija poznata dela Basawan?Prikaži odgovor

Najstarije delo na ovoj stranici je iz Mihrdukht aims her arrow at the ring (1570), a najnovije iz The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) (1596).

Koje slike umetnika Basawan mogu videti u muzeju Cleveland Museum of Art?Prikaži odgovor

The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night i The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night su među 8 dela na ovoj stranici koja se nalaze u Cleveland Museum of Art, Klivlend.

Mogu li da kupim reprodukciju slike od Basawan?Prikaži odgovor

Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.

O Basawan

Basawan: The Pioneer of Mughal Portraiture

Basawan (flourished 1580–1600), a name whispered with reverence in Indian art history, stands as one of the foremost figures of the Mughal miniature tradition. Though shrouded in obscurity—details about his life remain scant—his legacy endures through his breathtaking depictions of human subjects within the monumental Akbarnama, cementing his place as an innovator who elevated portraiture to unprecedented heights. Born in New Delhi during a period of significant cultural exchange between Persia and India, Basawan’s artistic journey began amidst the opulent courts of Akbar the Great. His formative years were spent under the tutelage of Abd al-Samad, a renowned artist whose influence profoundly shaped Basawan's stylistic sensibilities. This mentorship instilled within him a meticulous observation of human anatomy and expression—a hallmark that distinguishes his work from contemporaries.
  • Akbarnama Influence: Basawan’s contribution to the Akbarnama is arguably his most celebrated achievement. Unlike previous chronicles, Akbar commissioned a series of portraits capturing not merely royal figures but also individuals representing diverse social strata – scholars, musicians, and artisans. This bold decision signaled a departure from conventional artistic practices and established Basawan as a trailblazer in portraying human character with remarkable realism.
  • Color Palette & Technique: Basawan’s mastery lay primarily in his exceptional color palette and technique. Utilizing opaque watercolor pigments combined with gold leaf—a practice considered revolutionary at the time—he achieved luminous hues and textural depth that captivated viewers. His meticulous layering of colors created an illusionistic effect, mirroring the subtleties of light and shadow and conveying a profound sense of atmosphere.
  • Family Legacy: Basawan’s artistic lineage continued through his son Manohar Das, who carried on the family tradition as a court painter. Today, the Das family maintains a thriving manufacturing business specializing in handcrafted carpets—a tangible connection to their ancestral heritage and a testament to the enduring influence of Basawan's artistic vision.

Exploring His Artistic Output: Beyond Akbarnama Illustrations

While the Akbarnama undoubtedly represents Basawan’s magnum opus, evidence suggests he engaged in diverse artistic endeavors extending beyond royal commissions. Fragments of manuscripts depicting scenes from Hindu mythology—particularly those featuring Tara Kalan—offer glimpses into his versatility and willingness to explore different thematic concerns. These works demonstrate a keen understanding of symbolism and narrative complexity, reflecting the broader intellectual currents of the Mughal era.
  • Notable Works: Among Basawan’s surviving paintings are depictions of angels (Peri) riding composite camels—a striking visual representation of Islamic cosmology—and portraits capturing the dignity and solemnity of royal figures.

Connections to Western Artistic Traditions

Basawan's artistic development coincided with the arrival of Jesuit missionaries in India, bringing with them European paintings that profoundly impacted Mughal artists. This exposure fostered a dialogue between Eastern and Western aesthetics—a pivotal moment in Indian art history—and Basawan’s oeuvre bears subtle traces of this influence. His meticulous attention to detail and his masterful use of perspective foreshadowed developments occurring across the ocean, marking him as an artist attuned to global artistic trends.

Historical Significance: A Reflection of Mughal Patronage

Basawan's success is inextricably linked to Akbar’s enlightened patronage—a royal commitment to fostering artistic excellence and promoting cultural enrichment. Akbar recognized Basawan’s talent and entrusted him with monumental commissions, securing his place as one of the most influential artists of his time. His work serves as a poignant reminder of the transformative power of royal support in shaping artistic innovation and preserving cultural heritage for posterity.