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Stags and Old Oak Near the Wallwitzburg near Dessau
Rukom oslikana uljana reprodukcija od $181 36 × 28 cm
Isti veličine kao original $224 56 × 43 cm Naručite u originalnim dimenzijama →
Najpoznatije delo umetnika August Becker je Stags and Old Oak Near the Wallwitzburg near Dessau (1836). Uz The Jungfrau (1853) i A view of Schloss Waldleiningen (1863), to su tri dela koja svi prepoznaju. Naš katalog sadrži 24 dela umetnika August Becker; ovih 24 ispod su dela koja svet najčešće posmatra, svako sa navedenom godinom nastanka, muzejom u kojem se čuva i razlogom zašto je značajno.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika August Becker | Slike iz ovog spiska |
|---|---|---|---|
 Royal Collection |
London | 23 | The Jungfrau, A view of Schloss Waldleiningen, The Valley of the Dee near Braemar |
Stags and Old Oak Near the Wallwitzburg near Dessau (1836). Sledeći su The Jungfrau (1853) i A view of Schloss Waldleiningen (1863).
15 godina: Stags and Old Oak Near the Wallwitzburg near Dessau datira iz 1836, a August Becker je rođen/a 1821.
Stags and Old Oak Near the Wallwitzburg near Dessau, The Jungfrau, A view of Schloss Waldleiningen, The Valley of the Dee near Braemar, Glen Gelder, The Valley of the Dee above Braemar, Caenlochan, Loch Avon, Balmoral i Loch Callater. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 24 dela umetnika August Becker, datiranih od 1836 do 1877.
Većina njih se nalazi u Royal Collection (London). U tabeli iznad su muzeji navedeni jedan po jedan.
U periodima 1860s: 16 od ukupno 24 dela na ovoj stranici datiraju iz tog vremena, od čega je A view of Schloss Waldleiningen.
Najstarije delo na ovoj stranici je iz Stags and Old Oak Near the Wallwitzburg near Dessau (1836), a najnovije iz The Villa Hohenlohe (1877).
The Jungfrau, A view of Schloss Waldleiningen i The Valley of the Dee near Braemar su među 23 dela na ovoj stranici koja se nalaze u Royal Collection, London.
Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.
August Becker did not merely paint scenery; he captured the specific, rugged geography of the nineteenth century. His work belongs to the Düsseldorfer Malerschule, a movement defined by a rigorous approach to landscape that favored structural accuracy over mere sentiment. He moved from the initial guidance of Johann Heinrich Schilbach to the specialized landscape training of Johann Wilhelm Schirmer at the Kunstakademie Düsseldorf. This technical foundation allowed him to transition from local German vistas to the dramatic, vertical compositions of the North.
His ability to translate geological scale onto canvas earned him a place in the most prestigious collections of his era. In 1854, while studying in London, his work caught the attention of the British monarchy. Prince Albert purchased his painting "The Jungfrau" as a gift for Queen Victoria. This was no minor social victory; it established Becker as a painter of international standing, leading to further acquisitions by the Queen and invitations to visit Scotland and the Isle of Wight.
Becker’s career was defined by his movement through significant European landscapes. He did not stay confined to the Rhine valley, instead seeking out the specific light and form of diverse regions. His travels were purposeful, often dictated by the specific demands of his patrons or the availability of new subject matter.
The sheer volume of his work—over 360 paintings—indicates a highly disciplined professional practice. He was a painter of precision, capable of shifting from the intimate details of the Nahe region to the vast, sweeping scales of Norwegian fjords. His later years saw him teaching, including lessons for Princess Antonia, proving his technical authority was recognized by the aristocracy. While much of his work remains in private or royal hands, with about 80 paintings located in England, his presence in the Kunst Archiv Darmstadt ensures his place in the historical record of German landscape painting.
