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          Adèle Romany, 1769 – 1846

          37 najpoznatijih slika umetnika Adèle Romany

          Slika koja je proslavila Adèle Romany je Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795); nalazi se u muzeju National Museum of Women in the Arts, Vašington, D.C.. Madame Coury, Duhamel Widow (1811) i Portrait of a Young Woman (1804) slede nakon njih u srcima kolekcionara i posetilaca muzeja. Od 39 dela umetnika Adèle Romany u našem katalogu, ovih 37 su najcenjenija, a svako je predstavljeno sa datumom nastanka, muzejom i onim što ga izdvaja.

          Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.

          Portret Adèle Romany
          Adèle Romany · 1769 – 1846
          Rođen · umro
          1769 – 1846, Paris
          Pokret
          Neoclassicism
          Radovi u našem katalogu
          39
          Najpoznatije
          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)
          Najviše dela u
          Library-museum of the Comédie-Française

          Adèle Romany: deset remek-delo

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) čiji je Adèle Romany
          1

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

          1795 · Oil · National Museum of Women in the Arts, Vašington, D.C.

          The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

          Rukom oslikana uljana reprodukcija od $181 27 × 36 cm Isti veličine kao original $525 97 × 128 cm Naručite u originalnim dimenzijama →
          Unesite ga u svoj dom Otkrijte ovo remek-delo
          Madame Coury, Duhamel Widow (1811) čiji je Adèle Romany
          2

          Madame Coury, Duhamel Widow

          1811 · Oil On Canvas · Nationalmuseum, Стокхолм

          In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

          Rukom oslikana uljana reprodukcija od $181 28 × 36 cm Isti veličine kao original $470 90 × 117 cm Naručite u originalnim dimenzijama →
          Naručite reprodukciju O ovoj slici
          Portrait of a Young Woman (1804) čiji je Adèle Romany
          3

          Portrait of a Young Woman

          1804 · Oil On Canvas · Musée Marmottan Monet, Pariz

          The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

          Rukom oslikana uljana reprodukcija od $181 29 × 35 cm Isti veličine kao original $245 51 × 61 cm Naručite u originalnim dimenzijama →
          Naručite reprodukciju O ovoj slici

          Još Adèle Romany remek-delo, od 11 do 37

          Motivi koje je Adèle Romany najčešće slikao

          Četiri teme koje se najčešće pojavljuju među ovim remek-delima, sa najboljim primerom za svaku od njih.

          Woman 3 dela

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · Nationalmuseum Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet

          Gde videti slike umetnika Adèle Romany

          8 muzeja u kojima se nalazi najviše slika sa ove stranice.

          Muzej Grad Radovi umetnika Adèle Romany Slike iz ovog spiska
          Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
          Château de Versailles, VersajChâteau de Versailles Versaj 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
          Muzej finih umetnosti u Bostonu, BostonMuzej finih umetnosti u Bostonu Boston 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
          National Museum of Women in the Arts, Vašington, D.C.National Museum of Women in the Arts Vašington, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
          Nationalmuseum, СтокхолмNationalmuseum Стокхолм 1 Madame Coury, Duhamel Widow
          Musée Marmottan Monet, ParizMusée Marmottan Monet Pariz 1 Portrait of a Young Woman
          Palais des Beaux-Arts de Lille, LilePalais des Beaux-Arts de Lille Lile 1 Portrait of a Young Harpist
          Musée Jacquemart-André, ParizMusée Jacquemart-André Pariz 1 Portrait of a woman

          Adèle Romany, deceniju po deceniju: kultno delo svake od njih

          1. 1790s
          2. 1800s
            Portrait of a Young Woman (1804) čiji je Adèle Romany
            #3 od 37

            Portrait of a Young Woman

            Godine 31 – 40 · Musée Marmottan Monet

            The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…

          3. 1810s
            Madame Coury, Duhamel Widow (1811) čiji je Adèle Romany
            #2 od 37

            Madame Coury, Duhamel Widow

            Godine 41 – 50 · Nationalmuseum

            In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…

          4. 1830s

          Remedela Adèle Romany: pitanja i odgovori

          Po kojoj je slici Adèle Romany najpoznatiji/a?Prikaži odgovor

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Vašington, D.C.. Sledeći su Madame Coury, Duhamel Widow (1811) i Portrait of a Young Woman (1804).

          Koliko je godina imao/la Adèle Romany kada je slikao/la Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou?Prikaži odgovor

          26 godina: Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou datira iz 1795, a Adèle Romany je rođen/a 1769.

          Koja su deset najznačajnijih dela umetnika Adèle Romany?Prikaži odgovor

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois i A young person hesitating to play the piano in front of her family. Gornji rang prikazuje godinu i muzej za svako od njih.

          Koliko je dela naslikao Adèle Romany?Prikaži odgovor

          Naš katalog sadrži 39 dela umetnika Adèle Romany, datiranih od 1791 do 1836.

          U kojim muzejima mogu videti remek-dela umetnika Adèle Romany?Prikaži odgovor

          Većina njih se nalazi u Library-museum of the Comédie-Française (Paris), Château de Versailles (Versaj) i Muzej finih umetnosti u Bostonu (Boston). U tabeli iznad su muzeji navedeni jedan po jedan.

          Kada je Adèle Romany naslikao svoja remek-dela?Prikaži odgovor

          U periodima 1800s: 13 od ukupno 37 dela na ovoj stranici datiraju iz tog vremena, od čega je Portrait of a Young Woman.

          Koja su prva i poslednja poznata dela Adèle Romany?Prikaži odgovor

          Najstarije delo na ovoj stranici je iz Portrait of Julie Candeille (1791), a najnovije iz Portrait of Voltaire (1836).

          Koju je tehniku preferirao/la Adèle Romany?Prikaži odgovor

          Oil On Canvas: 2 od ukupno 37 dela na ovoj stranici.

          Koji umetnički pravac zastupa Adèle Romany?Prikaži odgovor

          Neoclassicism, kao što pokazuju slike na ovoj stranici.

          Koja remek-dela Adèle Romany se nalaze u Library-museum of the Comédie-Française?Prikaži odgovor

          Portrait of Emilie Leverd, Mlle Raucourt as Agrippine i Portrait of Fleury su među 5 dela na ovoj stranici koja se nalaze u Library-museum of the Comédie-Française, Paris.

          Mogu li da posedujem reprodukciju remek-dela umetnika Adèle Romany?Prikaži odgovor

          Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.

          Život umetnika Adèle Romany

          Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

          Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

          Early Life and Artistic Training

          • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
          • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
          • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

          Artistic Style and Notable Works

          • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
          • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
          • Notable Works:
            • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
            • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
            • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
          • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

          Recognition and Historical Significance

          • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
          • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
          • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
          • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

          Legacy and Rediscovery

          Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.

          Sva 39 dela umetnika Adèle Romany → Adèle Romany reprodukcije slika, sa cenama →