Slika koja je proslavila Adam Pendleton je History (Lab 1964 Grey) (2005); nalazi se u muzeju Carnegie Museum of Art, Pitsburg. Od 1 dela umetnika Adam Pendleton u našem katalogu, ovih 1 su najcenjenija, a svako je predstavljeno sa datumom nastanka, muzejom i onim što ga izdvaja.
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1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Adam Pendleton | Slike iz ovog spiska |
|---|---|---|---|
 Carnegie Museum of Art |
Pitsburg | 1 | History (Lab 1964 Grey) |
Svako datirano remek-delo umetnika Adam Pendleton na ovoj stranici pripada godini 2005: evo ih.
History (Lab 1964 Grey) (2005)
21 godina: History (Lab 1964 Grey) datira iz 2005, a Adam Pendleton je rođen/a 1984.
Naš katalog sadrži 1 dela umetnika Adam Pendleton.
Većina njih se nalazi u Carnegie Museum of Art (Pitsburg). U tabeli iznad su muzeji navedeni jedan po jedan.
Adam Pendleton is an American conceptual artist whose diverse practice encompasses painting, silkscreen, collage, video, performance, and word art. Born in Richmond, United States, he began writing poetry at an early age and later transitioned into painting. His academic journey included studying at the Artspace Independent Study Program in Peitrasanta, Italy, before moving to New York in 2002. Currently, he divides his time between New York City and Germantown, New York.
His work often involves the investigation of language and the recontextualization of history through appropriated imagery. Pendleton's artistic output has been featured in various international exhibitions, including shows at the Museum of Modern Art, the Whitney, the New Museum, and La Triennale at the Palais de Tokyo in Paris. In 2024, he was honored with the Rosenthal Family Foundation Award for Painting from the American Academy of Arts and Letters.
A central concept in Pendleton's work is "Black Dada," a term he uses to discuss the present moment by addressing both the future and the past. This concept is exemplified in his Black Dada series of paintings, which feature partial views of Sol LeWitt's cube sculptures alongside letters derived from the phrase "Black Dada." This phrase itself originates from the 1964 poem "Black Dada Nihilismus" by Amiri Baraka.
His various series and installations explore different visual and linguistic systems: