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Peonies

Ime Razred Datum

yamaguchi kayō, Peonies (1977). Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava.

Osnovne informacije

Umetnik
yamaguchi kayō wahooart.com/sr/artists/yamaguchi-kayo/
Podaci o umetniku
1899 – 1984
Slikano
1977
Originalne dimenzije
54 x 66 cm

U kontekstu

Peonies — yamaguchi kayō

Koliko je veliko?

Originalne dimenzije su 54 × 66 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Godina nastanka

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980

Osenčeno: životni vek umetnika yamaguchi kayō (1899–1984) ▲ ovo delo, 1977

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Rosy Brown #93a59b

    Katalogizovana paleta

    • #93A59B
    • #A8A074
    • #D7D3CD
    • #872E3B
    Paleta
    Neutrals Dominantna grupa boja na slici.
    Naziv glavne boje
    Rosy Brown
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Serene Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Discordant Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Brilliant Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Umetnik i muzej

    Umetnik

    yamaguchi kayō

    Rođen/a u Kyoto, Japan

    A Life Immersed in Nature: The World of Yamaguchi Kayō

    Yamaguchi Kayō, born Yonejiro Yamaguchi on October 3rd, 1899, in the historic Nakagyo ward of Kyoto, Japan, dedicated his life to capturing the delicate beauty and harmonious essence of the natural world through the refined art of Nihonga. His journey began not with formal instruction but with a childhood fascination for animals—a passion that would become the defining characteristic of his artistic career. Growing up in Kyoto, a city steeped in tradition and aesthetic sensibility, Kayō was surrounded by an environment that profoundly shaped his artistic vision. The temples, gardens, and seasonal festivals instilled within him a deep appreciation for classical Japanese aesthetics, laying the foundation for his future exploration of Nihonga painting.

    Apprenticeship and Early Development

    In 1912, at the young age of thirteen, Kayō embarked on his formal artistic training as a pupil of Goun Nishimura, a respected master of traditional Japanese painting techniques. This apprenticeship proved pivotal in shaping Kayō’s understanding of Nihonga—a style that emphasizes native Japanese materials and methods, often incorporating elements of Western realism while maintaining a distinctly Japanese sensibility. He entered the Kyoto City Specialist School of Painting in 1916, further honing his skills and developing his unique approach to representation. Kayō quickly distinguished himself, earning first prize at the prestigious Bunten Exhibition that same year—a testament to his burgeoning talent. In 1919, he joined Takeuchi Seho’s study group, a move facilitated by Nishimura's recommendation, broadening his artistic horizons and exposing him to diverse perspectives within the Nihonga tradition. His early works already hinted at the meticulous detail and evocative quality that would come to define his mature style.

    Forging a Harmonious Style

    Yamaguchi Kayō’s art is characterized by its harmonious blend of traditional Japanese techniques and a keen observational eye for nature. He specialized in portraying animals, imbuing them with a sense of life and personality rarely seen in contemporary painting. His approach wasn't merely about accurate depiction; it was about capturing the spirit of his subjects—their grace, their energy, and their connection to the surrounding environment. After Nishimura’s death in 1938, Kayō took on the responsibility of reviving Shinchosha, a private painting school and research group founded by his mentor. This act underscored his commitment to preserving and propagating the traditions he held dear while simultaneously fostering innovation within the Nihonga style. He also dedicated himself to teaching at various art schools in Kyoto, including Nagaoka Joshi Art School and Kyoto City Specialist School of Painting, nurturing the next generation of Japanese artists.

    Recognition and Legacy

    Throughout his six-decade career, Yamaguchi Kayō received numerous accolades for his contributions to the world of Japanese art. He won special awards at both the 8th and 9th Teiten Exhibitions in 1927 and 1928 respectively, solidifying his reputation as a rising star within the Nihonga community. In 1956, he was honored with the prestigious Japan Art Academy Prize, recognizing his exceptional artistic achievements. Further honors followed, including appointments to the Councilor of the Nitten in 1950 and membership in the Japan Art Academy in 1971. In 1981, Kayō received the highest honor bestowed upon an artist in Japan—the Order of Culture—a testament to his profound impact on the nation’s artistic landscape. His works, such as Clear Autumn Day (1977), Basking in the Sun (1949), and Illusion (1979), continue to captivate audiences with their delicate beauty and evocative power. Yamaguchi Kayō passed away on March 16th, 1984, leaving behind a rich legacy of paintings that celebrate the wonders of nature and embody the enduring spirit of Nihonga. His influence continues to be felt today, inspiring artists to embrace tradition while forging their own unique paths within the world of Japanese art.

    A Master of Space and Conception

    What truly sets Yamaguchi Kayō apart is his original conception of space and composition. He wasn’t simply painting animals in a landscape; he was creating an entire world around them, one that felt both realistic and dreamlike. His delicate hand and quality palette contributed to this effect, allowing him to create subtle gradations of color and texture that brought his subjects to life. He understood the importance of balance and harmony—elements deeply rooted in Japanese aesthetics—and used them to create paintings that were not only visually stunning but also emotionally resonant. His art is a testament to the power of observation, patience, and a deep reverence for the natural world. He was more than just a painter; he was a poet of nature, translating its beauty onto canvas with unparalleled skill and sensitivity. Yamaguchi Kayō’s work remains a vital part of Japan's artistic heritage, offering a timeless glimpse into the harmonious relationship between humanity and the natural world.

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    QR kod koji vodi na stranicu za preuzimanje Peonies

    wahooart.com/sr/art/download/yamaguchi-kayo-peonies-DD2AGB-en/

    Citiranje ovog umetničkog dela

    MLA
    kayō, yamaguchi. Peonies. 1977, https://wahooart.com/sr/art/yamaguchi-kayo-peonies-DD2AGB-en/
    APA
    kayō, yamaguchi (1977). Peonies [Painting]. https://wahooart.com/sr/art/yamaguchi-kayo-peonies-DD2AGB-en/
    Chicago
    yamaguchi kayō. Peonies. 1977. https://wahooart.com/sr/art/yamaguchi-kayo-peonies-DD2AGB-en/
    Harvard
    kayō, yamaguchi (1977) Peonies. Available at: https://wahooart.com/sr/art/yamaguchi-kayo-peonies-DD2AGB-en/

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    Peonies — yamaguchi kayō

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    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. yamaguchi kayō je imao oko 78 godina kada je ovo nastalo. Šta u ovom delu podseća na rad umetnika u toj životnoj fazi?
    4. Šta je umetnik možda želeo da osetite?
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