Papir

Vodič za studentska umetnička dela

A Deserted Home

Ime Razred Datum

Thomas Danby, A Deserted Home (1881), Reading Museum - Town Hall. Javno dobro. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Thomas Danby wahooart.com/sr/artists/thomas-danby/
Datumi umetnika
1818 – 1886
Slikano
1881
Prvobitne dimenzije
102 x 131 cm
Održano na
Reading Museum - Town Hall wahooart.com/sr/museums/reading-museum-town-hall-reading/

U kontekstu

A Deserted Home — Thomas Danby

Koje su dimenzije?

Originalne dimenzije su 102 × 131 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Kada je ovo naslikano?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 68 u smrti.

Naslikano kada je umetnik imao 63 godina. Umetnik je doživeo 68. 8 od ukupno 9 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Thomas Danby (1818–1886) ▲ ovo delo, 1881 svaka datirana slika, deceniju po deceniju

Prva dela: do 1856 Glavne radne godine: 1856–1864 Kasna dela: od 1864

Ova tri segmenta dele dela koja u ovom katalogu imaju navedenu datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: wahooart.com/sr/art/similar/thomas-danby-a-deserted-home-AQSLWB-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Rosy Brown #dbb394

    Katalogizovana paleta

    • #DBB394
    • #453819
    • #665533
    • #927340

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv primarne boje
    Rosy Brown
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Bold Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Unified Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Balanced Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Balanced Soft Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Thomas Danby tokom poslednjih dvanaest meseci — ukupno u 3 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 55,6%500 poseta
    2. 2 Сједињене Америчке Државе 33,3%300 poseta
    3. 3 Хонг Конг 11,1%100 poseta

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    9 najposećenijih dela umetnika Thomas Danby

    1. 1 River Scene with Weir and Mill, 1823 20,0%200 poseta
    2. 2 A Deserted Home, 1881 ova slika 10,0%100 poseta
    3. 3 A New Bride for the Sea, 1865 10,0%100 poseta
    4. 4 Mountain Scene 10,0%100 poseta
    5. 5 Lake Scene with a Fishing Boat 10,0%100 poseta
    6. 6 Llyn Cynwch, Dolgellau, 1853 10,0%100 poseta
    7. 7 The Lake of Lucerne, 1856 10,0%100 poseta
    8. 8 Moel Siabod, Welsh Landscape 10,0%100 poseta
    9. 9 Lake and Mountain Scene with a Boy Fishing 10,0%100 poseta

    Zajedno, ova dela zauzimaju 100,0% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 25 dela ovog umetnika, od kojih je 9 pregledano barem jednom. Ova slika zauzima 2 mesto na listi, sa 10,0% te pažnje (100 poseta). Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    O ovom umetničkom delu

    A Deserted Home — Thomas Danby

    The painting A Deserted Home by Thomas Danby is a captivating piece that showcases the artist's ability to evoke emotions through his depiction of a serene and idyllic landscape. Created in 1881, this oil on canvas masterpiece is housed at the Reading Museum - Town Hall in Reading, United Kingdom.

    Artistic Composition

    The painting features a picturesque village nestled in the mountains, surrounded by lush green fields and hills. The composition is harmonious, with several houses scattered throughout the area, some closer to the foreground while others are further away. The presence of numerous trees provides a natural backdrop to the scene, adding depth and texture to the painting. Light and color play a crucial role in creating the serene atmosphere of the painting. The soft, warm light casts a gentle glow on the village, highlighting the beauty of the landscape. The color palette is muted, with earthy tones dominating the scene, which adds to the sense of tranquility.

    Similar Works

    The style and composition of A Deserted Home are reminiscent of other notable works, such as Gustave Courbet's The Ornans Paper Mill, which can be found on AllPaintingsStore.com. This painting, created in 1865, is a seminal work in the Realist movement and captures the essence of rural life.

    Other notable works by Camille Pissarro, such as The Shepherdess (Young Peasant Girl with a Stick), can be found on AllPaintingsStore.com.

    The Musee Courbet in France is also home to many notable works, including those by Gustave Courbet.

    Handmade oil painting reproductions of A Deserted Home can be found on AllPaintingsStore.com, allowing art lovers to own a piece of history.

    The beauty and serenity of Thomas Danby's A Deserted Home make it a captivating piece that continues to inspire and delight art enthusiasts today.

    Umetnik i muzej

    Umetnik

    Thomas Danby

    A Romantic Vision of the Welsh Landscape

    Thomas Danby (1818–1886) stands as a luminous figure in the pantheon of Victorian landscape painting, a master who sought to bridge the gap between the physical reality of nature and the profound depths of human emotion. Born in Bristol into an artistic lineage that commanded respect, Danby was the son of the celebrated painter Francis Danby. This early immersion in a world of dramatic, emotionally charged canvases provided him with a foundational understanding of the power of atmosphere. However, where his father often leaned toward the theatrical and the imaginative, Thomas carved a distinct path, focusing his gaze upon the rugged, serene beauty of the natural world, particularly the evocative terrains of Wales.

    His artistic journey was significantly shaped by his formative years in Paris during the 1820s and 30s. It was within the hallowed halls of the Louvre that Danby honed his technical prowess, earning a living by meticulously copying the masters. This period of intense study brought him into a deep, lifelong dialogue with the work of Claude Lorrain. From the French master, Danby adopted a devotion to atmospheric perspective and the use of light to create a sense of sublime grandeur. He did not merely seek to replicate the scenery he encountered; rather, he sought to capture what his contemporaries described as the "inner heart's feeling" of a view, prioritizing the spiritual resonance of a landscape over the mere recording of local facts.

    The Spirit of Romanticism and Technical Mastery

    As Danby’s career progressed, his work became a testament to the enduring spirit of Romanticism. His compositions often featured the sweeping vistas of the Welsh mountains, such as the majestic Moel Siabod or the tranquil reaches of Llyn Cynwch. In these works, one finds a masterful command of light and tone, whether rendered in the rich, textured layers of oil on canvas or the delicate, translucent washes of his later watercolor mastery. His ability to manipulate light—creating the soft glow of dusk or the diffused, misty atmosphere of a mountain morning—allowed him to imbue even the most pastoral scenes with a sense of quiet contemplation and awe.

    The evolution of his technique is particularly evident in his transition toward watercolor painting in his later years. Having achieved significant recognition through exhibitions at the Royal Academy and the British Institution, Danby became an esteemed member of the Society of Painters in Watercolours. This shift allowed him to explore even more subtle gradations of color and light, further refining his ability to evoke the ephemeral qualities of nature. His friendship with Paul Falconer Poole also played a vital role in this development, as the two shared a deep-seated passion for the natural world that informed their respective approaches to landscape.

    Legacy and Artistic Significance

    The significance of Thomas Danby lies in his ability to transform the landscape into a vessel for emotional truth. He moved away from the purely idealized compositions of the past, instead finding the sublime within the actual, tangible beauty of the British Isles. His legacy is defined by several key contributions to 19th-century art:

    The Synthesis of Influence: Successfully blending the classical atmospheric techniques of Claude Lorrain with a uniquely British Romantic sensibility.

    Emotional Depth: Moving beyond mere topographical representation to capture the psychological and spiritual essence of the landscape.

    Mastery of Medium: Demonstrating exceptional versatility and skill in both the grand scale of oil painting and the intimate precision of watercolor.

    Cultural Connection: Elevating the Welsh landscape to a subject of profound artistic importance within the Victorian era.

    Though he never attained the specific Academy honors he sought, Danby’s impact on the British landscape tradition remains undeniable. His works continue to resonate with viewers, offering a window into a period when art was deeply concerned with the intersection of the natural world and the human soul. Through his eyes, the mountains of Wales are not just geological formations, but enduring monuments to the beauty and mystery of existence.

    Muzej

    Reading Museum - Town Hall

    Izložbeno mesto Reading, United Kingdom

    A Tapestry of Time: The Architectural Grandeur of Reading Museum

    Nestled within the stately, Italianate splendor of the Reading Town Hall, the Reading Museum serves as a profound testament to the enduring spirit of Berkshire’s heritage. To step through its doors is to enter a world where Victorian grandeur meets the pulse of modern discovery. The building itself, a masterpiece of architectural evolution, was shaped by the legendary Alfred Waterhouse, whose vision for the principal facade in 1875 bestowed upon the structure a sense of permanence and civic pride. As one wanders beneath its soaring ceilings and observes the ornate detailing that exemplifies the late 19th-century aesthetic, the museum reveals itself not merely as a repository of objects, but as a living monument to the aspirations of a town striving for prominence.

    The history of this institution is a narrative of transformation, mirroring the very evolution of Reading itself. Established in 1883 by Horatio Bland, the museum has expanded through decades of growth, with significant additions in 1906 and 1927, eventually undergoing a meticulous refurbishment at the turn of the millennium. This careful stewardship ensures that the architectural bones of the Town Hall—a Grade II* listed treasure—continue to provide a breathtaking stage for the treasures held within its galleries.

    From Roman Echoes to Industrial Artistry

    The collection at Reading Museum is a captivating dialogue between the ancient and the industrial, offering a sensory journey through the layers of human civilization. For the lover of archaeology, the Silchester Gallery provides an intimate encounter with the grandeur of Roman Britannia. Here, the echoes of Calleva Atrebatum resonate through meticulously reconstructed mosaics, intricate jewelry fragments, and the iconic Silchester Eagle and Horse sculptures, transporting visitors to a time of imperial splendor. This archaeological depth is balanced by a poignant exploration of local identity, where oral histories and Saxon artifacts breathe life into the town's earliest settlements.

    Yet, the museum’s soul also resides in its celebration of Reading’s industrial legacy, most notably through the exquisite collection of Huntley & Palmers biscuit tins. These are far more than mere relics of commerce; they are miniature canvases of late Victorian and Edwardian artistry. Adorned with delicate floral designs and stylized depictions of local landmarks, these tins embody a unique intersection of utility and aesthetic sensibility, making them a particular delight for collectors and designers who appreciate the beauty found in everyday objects. This blend of high art and industrial craft creates a narrative where history is felt through both the monumental and the minute.

    A Sanctuary for Artistic Expression and Discovery

    What truly distinguishes Reading Museum from more traditional, scholarly institutions is its vibrant commitment to accessibility and emotional engagement. It is a space designed to ignite curiosity in all ages, where interactive exhibits invite the viewer to become an active participant in the historical narrative. The museum’s art collection further enriches this experience, featuring evocative works such as

    Molly in the Pantry

    by Mark Lancelot Symons and the atmospheric

    Stage Setting

    by Andreas Duncan Carse. These pieces, alongside the contributions of Julius Leblanc Stewart, demonstrate a dedication to preserving a diverse artistic heritage that speaks to both regional pride and universal beauty.

    For the interior designer or art enthusiast seeking inspiration, the museum offers a masterclass in curation and atmosphere. Whether exploring themes of British landscape painting or marveling at the intricate craftsmanship of Roman tools, one finds a constant interplay of light, texture, and story. Reading Museum remains a beacon of cultural enrichment, a place where the past is not merely studied but felt, ensuring that every visit is an unforgettable encounter with the artistry of human existence.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje A Deserted Home

    wahooart.com/sr/art/download/thomas-danby-a-deserted-home-AQSLWB-en/

    Citiranje ovog umetničkog dela

    MLA
    Danby, Thomas. A Deserted Home. 1881, Reading Museum - Town Hall. https://wahooart.com/sr/art/thomas-danby-a-deserted-home-AQSLWB-en/
    APA
    Danby, Thomas (1881). A Deserted Home [Painting]. Reading Museum - Town Hall. https://wahooart.com/sr/art/thomas-danby-a-deserted-home-AQSLWB-en/
    Chicago
    Thomas Danby. A Deserted Home. 1881. Reading Museum - Town Hall. https://wahooart.com/sr/art/thomas-danby-a-deserted-home-AQSLWB-en/
    Harvard
    Danby, Thomas (1881) A Deserted Home. Reading Museum - Town Hall. Available at: https://wahooart.com/sr/art/thomas-danby-a-deserted-home-AQSLWB-en/

    Pogledajte pažljivije

    A Deserted Home — Thomas Danby

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na River Scene with Weir and Mill (1823), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    4. Thomas Danby je imao oko 63 godina kada je ovo delo nastalo. Šta u njemu podseća na rad umetnika u toj životnoj fazi?
    5. Šta je umetnik možda želeo da osetite?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Koja osnovna nijansa prožima „A Deserted Home”, autor Thomas Danby?

    „A Deserted Home“ teži Ochre to Sepia tonu.

    Gde se danas može videti delo „A Deserted Home”, autor Thomas Danby?

    Originalno delo "A Deserted Home" možete videti u muzeju Reading Museum - Town Hall, Reading, United Kingdom.

    Gde se mogu kupiti ručno oslikane kopije dela „A Deserted Home”, autor Thomas Danby?

    „A Deserted Home“ je dostupan kao ručno oslikana uljana reprodukcija na lanenom platnu. Porudžbinu možete izvršiti na stranici Ručno oslikana reprodukcija ulja na platnu, uz mogućnost izbora veličine.