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Armchair

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Thomas Chippendale, Armchair (1773), Leeds Museums - Galleries. Domen javnog dobra.

Osnovne informacije

Umetnik
Thomas Chippendale wahooart.com/sr/artists/thomas-chippendale/
Podaci o umetniku
1718 – 1779
Slikano
1773
Originalne dimenzije
10 x 60 cm
Pokret
Neoclassical A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art.
Mesto održavanja
Leeds Museums - Galleries wahooart.com/sr/museums/leeds-museums-galleries-leeds_sr/

U kontekstu

Armchair — Thomas Chippendale

Koliko je veliko?

Originalne dimenzije su 10 × 60 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Godina nastanka

  1. 1710
  2. 1720
  3. 1730
  4. 1740
  5. 1750
  6. 1760
  7. 1770

Osenčeno: životni vek umetnika Thomas Chippendale (1718–1779) ▲ ovo delo, 1773

Slična dela

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Paleta boja

Izmereno na osnovu slike

    Glavna boja

    White #e5e7e3

    Katalogizovana paleta

    • #E5E7E3
    • #2C201A
    • #B8B9B2
    • #6F5F54
    Paleta
    Neutrals Dominantna grupa boja na slici.
    Naziv glavne boje
    White
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Discordant Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Brilliant Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    O ovom umetničkom delu

    Armchair — Thomas Chippendale

    This is one of a set of six chairs made for the library at Brocket Hall about 1773. Compared with the library chairs at Nostell, the Brocket Hall example, made six years later, is considerably simpler. Only the two front legs are decorated, compared with all four at Nostell: the Brocket example has simple, reeded tapering legs with a blocked toe and capital. At Nostell the legs of the library chairs have ambitious fluted and leaf clad columnar legs rising to blocks with oval paterae while the seat rails have elaborate running guilloche bands. This compares with the simple stuffed-over upholstery at Brocket. The backs, however, are identical, and the arms of each terminate in a Greek key – a motif which was to become something of a Chippendale trademark in later years. Early photographs of the chairs show them to have been originally upholstered in tufted red leather with a double row of beaded brass nails, later replaced with gimp.This item is owned by The Chippendale Society. Explore the Society’s website and collections by clicking the external link below.

    Umetnik i muzej

    Umetnik

    Thomas Chippendale

    Rođen/a u United Kingdom

    Thomas Chippendale: A Life in Furniture

    Thomas Chippendale (June 5, 1718 – November 13, 1779) was an English cabinet-maker and furniture designer who revolutionized the world of interior design during the Georgian era. His innovative designs and exceptional craftsmanship cemented his place as one of the most influential figures in British decorative arts.

    Early Life and Career

    Born in Otley, Yorkshire, England, Chippendale’s early life remains somewhat shrouded in mystery. He began his career as an apprentice cabinet-maker, honing his skills in traditional woodworking techniques. By 1754, he had established his own workshop in St. Martin's Lane, London, quickly gaining a reputation for quality and originality.

    The Gentleman and Cabinet Maker’s Director

    Chippendale’s most significant contribution to the field was undoubtedly The Gentleman and Cabinet Maker’s Director, published in 1754. This pattern book, comprising over 160 engraved plates, showcased a diverse range of furniture designs – from elegant Rococo pieces to more restrained Neoclassical forms. It became an instant success and served as a crucial resource for cabinet-makers across England, Europe, and America.

    Artistic Development & Influences

    Chippendale’s style wasn't born in isolation; it was a synthesis of various influences:

    Rococo: He embraced the asymmetrical curves, shell motifs, and playful ornamentation characteristic of the Rococo movement.

    Chinese Design: The growing interest in chinoiserie – European interpretations of Chinese art and design – heavily influenced his work, particularly evident in fretwork and lacquered finishes.

    Gothic Revival: Chippendale also explored Gothic forms, incorporating pointed arches, trefoils, and other medieval elements into his furniture designs.

    Notable Works & Commissions

    While many original pieces attributed to Chippendale’s workshop are difficult to definitively identify, several notable examples survive:

    Drawing for a Girandole Bracket: A stunning example of his design skills, showcasing intricate carving and elegant proportions.

    Harewood House Commissions: He undertook extensive commissions for Harewood House in Yorkshire, creating elaborate furniture for the state rooms.

    Hampton Court Palace Commissions: Chippendale also received prestigious commissions from Hampton Court Palace.

    Legacy & Historical Significance

    Chippendale’s impact on furniture design is immeasurable. He didn't just create beautiful objects; he established a distinct style that defined the Georgian era. His designs continue to inspire contemporary furniture makers and designers today.

    Standard of Excellence: Chippendale set a new standard for quality and craftsmanship in British furniture making.

    Dissemination of Style: The Gentleman and Cabinet Maker’s Director democratized design, allowing cabinet-makers across the country to replicate his innovative forms.

    Enduring Influence: His designs remain highly sought after by collectors and continue to be reproduced and adapted in modern furniture production.

    Thomas Chippendale’s legacy extends far beyond the 18th century, solidifying his position as a true master of design and a pivotal figure in the history of decorative arts.

    Muzej

    Leeds Museums - Galleries

    Izloženo u Lids, Ujedinjeno Kraljevstvo

    Tapestrija Jorkšira: Duša muzeja i galerija u Lidsu

    Zakoračiti u mrežu muzeja i galerija u Lidsu znači upustiti se u duboko putovanje kroz samu suštinu identiteta Jorkšira. Mnogo više od obične kolekcije tihih artefakata, ove institucije služe kao živopisna, živa hronika u kojoj se odjeci industrijskih inovacija susreću sa delikatnim šapatima umetničkog umeća. Priča o ovom kulturnom pejzažu počela je 1819. godine skromnim ambicijama Filozofsko-književnog društva u Lidsu, malim semenom radoznalosti koje je od tada izraslo u ekspandističku, višestruku odiseju. Za ljubitelje umetnosti ili izbirljive kolekcionare, ove galerije nude retku priliku da prisustvuju dijalogu između prošlosti i sadašnjosti, gde svaki predmet—od izgorelog dela mašinerije do delikatnog poteza četkicom na platnu—doprinosi širem narativu ljudske otpornosti i kreativnosti.

    Arhitektonsko putovanje kroz Lids je podjednako važan deo iskustva kao i blago koje se unutra čuva. Gradski muzej u Lidsu (Leeds City Museum) stoji kao veličanstven svedok viktorijanske raskoši, smešten u nekadašnjem Mehaničkom institutu koji je projektovao čuveni Cuthbert Brodrick. Ovde sama arhitektura izvodi ples istorijskog značaja, spajajući dostojanstvene proporcije sa modernim senzibilitetima koji pozivaju na savremeno promišljanje. U oštrom kontrastu s tim, Industrijski muzej u Armley Mills nudi direktniji i taktilniji susret sa istorijom. Smešten unutar jedne od najvećih preživelih vodenihćulavnica za vunu na svetu, teški, ritmični prisustvo kolosalnih mašina priziva pulsirajuće srce Industrijske revolucije. Za dizajnera enterijera ili istoričara, ovi prostori pružaju neprevaziđenu studiju o tome kako funkcionalni dizajn i industrijska estetika mogu oblikovati karakter jednog pejzaža.

    Za one čije strasti leže u sferi lepih umetnosti i globalnog nasleđa, kolekcija nudi zapanjujuću raznolikost. Umjetnička galerija u Lidsu (Leeds Art Gallery) stoji kao svetionik kreativne izvrsnosti, ponoseći kolekciju od nacionalnog značaja koja obuhvata sve od nijansiranih britanskih dela 19. veka do hrabrih, provokativnih pokreta savremene ere. To je prostor u kojem supostexistiraju priznati majstori i novi glasovi, negujući okruženje neprestanog umetničkog razvoja. Ovo estetsko bogatstvo dopunjeno je globalnim blagima koja se nalaze u Gradskom muzeju u Lidsu, gde posetioci mogu naići na zamršenu lepotu rimskih mozaika ili impresivno, veličanstveno prisustvo „Tigra iz Lidsa“. Od čuda prirodne istorije u galeriji „Život na Zemlji“ do arheoloških ostataka drevnih civilizacija, kolekcija poziva na osećaj čuda koji prevazilazi vreme i geografiju.

    Ono što istinski izdvaja muzeje i galerije u Lidsu jeste njihova duboka posvećenost imerzivnom pripovedanju i povezivanosti sa zajednicom. U mestima kao što je Muzej Abbey House, istorija se ne samo posmatra, već se živi; kroz pedantno rekonstruisane viktorijanske ulice i prodavnice autentične za to doba, posetioci su prebačeni u čulni svet života 19. veka, gde atmosfera prošle ere deluje opipljivo stvarno. Ova posvećenost pristupačnosti—često uz besplatan ulaz kako bi se osiguralo da kultura ostane univerzalno pravo—osigurava da ovi muzeji ostanu vitalni, živi delovi društvene strukture grada. Bilo da vas privlači ratna veličina Kraljevske artilerije (Royal Armouries) ili industrijski odjeci Armley Mills-a, mreža muzeja u Lidsu nudi evokativno, višesensorno iskustvo koje nastavlja da inspiriše, edukuje i povezuje nas sa našim zajedničkim ljudskim nasleđem.

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    QR kod koji vodi na stranicu za preuzimanje Armchair

    wahooart.com/sr/art/download/thomas-chippendale-armchair-D7GMGM-en/

    Citiranje ovog umetničkog dela

    MLA
    Chippendale, Thomas. Armchair. 1773, Leeds Museums - Galleries. https://wahooart.com/sr/art/thomas-chippendale-armchair-D7GMGM-en/
    APA
    Chippendale, Thomas (1773). Armchair [Painting]. Leeds Museums - Galleries. https://wahooart.com/sr/art/thomas-chippendale-armchair-D7GMGM-en/
    Chicago
    Thomas Chippendale. Armchair. 1773. Leeds Museums - Galleries. https://wahooart.com/sr/art/thomas-chippendale-armchair-D7GMGM-en/
    Harvard
    Chippendale, Thomas (1773) Armchair. Leeds Museums - Galleries. Available at: https://wahooart.com/sr/art/thomas-chippendale-armchair-D7GMGM-en/

    Pogledajte pažljivije

    Armchair — Thomas Chippendale

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog klasifikuje ovo delo pod: armchair, chippendale, mahogany. Da li se slažete? Šta biste dodali ili uklonili?
    4. Pogledajte ponovo Индија Пицере (1771), ranije u ovom vodiču. Navedite dve stvari koje to delo deli sa ovim radom, i jednu koja je drugačija.
    5. Neoclassical: A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art. Gde se to može uočiti u ovom delu?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i vaše odgovore iznad.