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Forest

Ime Razred Datum

Simon Jacobsz De Vlieger, Forest. Javno dobro. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Simon Jacobsz De Vlieger wahooart.com/sr/artists/simon-jacobsz-de-vlieger/
Datumi umetnika
1601 – 1653

U kontekstu

Forest — Simon Jacobsz De Vlieger

Kada je ovo možda naslikano?

  1. 1600
  2. 1610
  3. 1620
  4. 1630
  5. 1640
  6. 1650

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 52 u smrti.

Osenčeno: životni vek umetnika Simon Jacobsz De Vlieger (1601–1653) svaka datirana slika, deceniju po deceniju

Prva dela: do 1637 Glavne radne godine: 1637–1645 Kasna dela: od 1645

Ova tri segmenta dele dela koja u ovom katalogu imaju navedenu datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Za ovaj zapis nema tačno navedene godine — na osnovu životnog veka umetnika i stila dela, na koju deceniju biste pretpostavili?

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: wahooart.com/sr/art/similar/simon-jacobsz-de-vlieger-forest-AQQTHL-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Phthalo Green #20211b

    Katalogizovana paleta

    • #20211B
    • #373321
    • #594B27
    • #8C6E34

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Naziv primarne boje
    Phthalo Green
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Serene Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Deep_shadow Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Simon Jacobsz De Vlieger tokom poslednjih dvanaest meseci — ukupno u 3 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Тајван 50,0%500 poseta
    2. 2 Кина 40,0%400 poseta
    3. 3 Ujedinjeno Kraljevstvo 10,0%100 poseta

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    7 najposećenijih dela umetnika Simon Jacobsz De Vlieger

    1. 1 A Battle between Dutch Ships (the 'Texel', 'Domburch' and 'Arnemude') and Chinese Junks, 1650 54,5%600 poseta
    2. 2 Low Tide, 1652 9,1%100 poseta
    3. 3 Visit of Frederick Hendriks II to Dordrecht in 1646, 1649 9,1%100 poseta
    4. 4 Fishing Boats off a Jetty 9,1%100 poseta
    5. 5 Dutch Fishing Boats Shooting their Nets 9,1%100 poseta
    6. 6 Dutch Men of War at Anchor, 1650 9,1%100 poseta
    7. — Forest ova slika 0,0%0 poseta

    Zajedno, ova dela zauzimaju 100,0% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 36 dela ovog umetnika, od kojih je 6 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Simon Jacobsz De Vlieger

    Simon de Vlieger: Master of the Dutch Marine

    Born in Rotterdam around 1601, Simon Jacobsz. de Vlieger emerged as a pivotal figure in the burgeoning world of Dutch maritime painting during the 17th century. His life was marked by a constant relocation – initially residing in his birthplace, then moving to Delft and finally settling in Amsterdam and Weesp – reflecting the dynamic shifts within the artistic landscape of the Netherlands. De Vlieger’s career spanned nearly half a century, culminating in his death in Weesp in 1653, leaving behind a legacy profoundly influencing subsequent generations of maritime artists.

    Early influences on de Vlieger's work were deeply rooted in the style of Jan Porcellis, a contemporary known for his monochrome depictions of ships at sea. However, unlike Porcellis’s restrained palette and simplified forms, de Vlieger embraced a more vibrant and realistic approach to color. He meticulously rendered the intricate details of ship rigging, hull construction, and the tumultuous conditions of the ocean – elements that would become hallmarks of his distinctive style. This shift represented a significant departure from the prevailing artistic trends, paving the way for a new era in Dutch marine painting.

    A Painter of Storms and Serenity

    De Vlieger’s oeuvre encompassed a remarkably diverse range of subjects. He skillfully captured both dramatic scenes of storms and shipwrecks – often rendered with an almost violent energy – and more tranquil depictions of ships in harbor or engaged in everyday activities. His ability to convey the power of nature, combined with his meticulous attention to detail, resulted in paintings that were not only visually stunning but also imbued with a sense of realism and immediacy. He wasn’t simply painting ships; he was capturing the essence of maritime life, the challenges faced by sailors, and the beauty of the open sea.

    Beyond his contributions to marine art, de Vlieger demonstrated versatility as a designer. He created tapestries depicting historical events, designed intricate etchings, and even contributed to the decoration of sacred spaces, including stained glass windows for the Nieuwe Kerk in Amsterdam and an organ screen for the St. Laurenskerk in Rotterdam. This multifaceted talent underscores his position as a respected artist within the broader artistic community.

    Influence and Legacy

    De Vlieger’s impact on the development of Dutch maritime painting is undeniable. He moved away from the monochrome style favored by earlier artists like Jan Porcellis and Willem van de Velde the Elder, introducing a more nuanced use of color and a heightened level of realism. His detailed depictions of rigging and ship construction served as a model for subsequent generations of painters, including his own pupils: Willem van de Velde the Younger, Adriaen van de Velde, and Jan van de Cappelle. Jan van der Cappelle, in fact, amassed an impressive collection of over 1300 prints by de Vlieger, highlighting the artist’s considerable popularity during his lifetime.

    One particularly noteworthy example of de Vlieger's work is a painting depicting a fisherman dragging nets to shore, which was later acquired by Joanna Six, wife of Simon van der Stel, and eventually found its way to Groot Constantia in the Cape of Good Hope. This journey across continents demonstrates the far-reaching influence of his art and its appreciation even in distant lands. His work wasn’t merely admired; it was actively sought after and displayed as a testament to Dutch artistic excellence.

    Notable Works

    Estuary at Day's End (c. 1640/1645): A captivating depiction of a coastal scene, showcasing de Vlieger’s masterful use of light and color to capture the atmosphere of the sea.

    In the Hague Woods (date unknown):

    A landscape painting demonstrating his ability to integrate maritime elements into broader compositions.

    River Landscape (1640s): A serene depiction of a river scene, highlighting de Vlieger’s skill in portraying the tranquility of nature.

    Simon de Vlieger's legacy endures as one of the most important and influential figures in Dutch maritime art. His innovative approach to color, his meticulous attention to detail, and his ability to capture both the drama and serenity of the sea continue to inspire artists today.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Forest

    wahooart.com/sr/art/download/simon-jacobsz-de-vlieger-forest-AQQTHL-en/

    Citiranje ovog umetničkog dela

    MLA
    Vlieger, Simon Jacobsz De. Forest. n.d., https://wahooart.com/sr/art/simon-jacobsz-de-vlieger-forest-AQQTHL-en/
    APA
    Vlieger, Simon Jacobsz De (n.d.). Forest [Painting]. https://wahooart.com/sr/art/simon-jacobsz-de-vlieger-forest-AQQTHL-en/
    Chicago
    Simon Jacobsz De Vlieger. Forest. n.d. https://wahooart.com/sr/art/simon-jacobsz-de-vlieger-forest-AQQTHL-en/
    Harvard
    Vlieger, Simon Jacobsz De (n.d.) Forest. Available at: https://wahooart.com/sr/art/simon-jacobsz-de-vlieger-forest-AQQTHL-en/

    Pogledajte pažljivije

    Forest — Simon Jacobsz De Vlieger

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. U našem katalogu ovo delo je klasifikovano pod: forests. Da li se slažete? Šta biste dodali ili uklonili?
    4. Vratite se na Low Tide (1652), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    5. Šta je umetnik možda želeo da osetite?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Ko je umetnik koji stoji iza dela "Forest"?

    Delo "Forest" pripisuje se umetniku Simon Jacobsz De Vlieger.

    Da li je „Forest”, autor Simon Jacobsz De Vlieger svetlo ili tamno umetničko delo?

    „Forest“ ima ukupnu osvetljenost od deep_shadow, dok je luminansa Dark.

    Da li je moguće pogledati "Forest" u proširenoj stvarnosti?

    Stranica AR prikaz za delo „Forest”, autor Simon Jacobsz De Vlieger koristi proširenu stvarnost kako bi vam prikazala umetničko delo u vašem sopstvenom prostoru, pomoću kompatibilnog uređaja.