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Wedding Feast at Cana

Ime Razred Datum

Rutilio Manetti, Wedding Feast at Cana (1620). Domen javnog dobra.

Osnovne informacije

Umetnik
Rutilio Manetti wahooart.com/sr/artists/rutilio-manetti/
Podaci o umetniku
1571 – 1639
Slikano
1620
Originalne dimenzije
219 x 170 cm

U kontekstu

Wedding Feast at Cana — Rutilio Manetti

Koliko je veliko?

Originalne dimenzije su 219 × 170 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine. Preveliko je da bi se prikazalo u odgovarajućoj razmeri na ovoj stranici.

Godina nastanka

  1. 1570
  2. 1580
  3. 1590
  4. 1600
  5. 1610
  6. 1620
  7. 1630

Osenčeno: životni vek umetnika Rutilio Manetti (1571–1639) ▲ ovo delo, 1620

Slična dela

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Još dela koja se mogu postaviti pored ovog: wahooart.com/sr/art/similar/rutilio-manetti-wedding-feast-at-cana-8Y3DCZ-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Black #1a110f

    Katalogizovana paleta

    • #1A110F
    • #A47B5E
    • #D4C6B9
    • #5F352A
    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv glavne boje
    Black
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Deep_shadow Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Umetnik i muzej

    Umetnik

    Rutilio Manetti

    Rođen/a u Siena, Italy

    Rutilio di Lorenzo Manetti: Life and Legacy

    Early Life and Influences

    Rutilio di Lorenzo Manetti (born Siena, Italy, 1571 – died 1639) was an Italian painter active during the transition from late Mannerism to the early Baroque period. He spent his artistic career primarily in Siena, deeply influenced by the established Sienese painting tradition.

    Manetti received formative training and guidance from prominent local artists Francesco Vanni and Ventura Salimbeni, whose styles significantly shaped his early work.

    He also collaborated with Raffaello Vanni, Francesco’s son, further solidifying his connection to the leading artistic circles in Siena.

    Artistic Development and Style

    Manetti's early works demonstrate a clear adherence to the Mannerist aesthetic, characterized by elongated figures, elegant compositions, and refined detail. However, over time, his style underwent a notable transformation.

    Around the beginning of the 17th century, Manetti began incorporating elements of the emerging Baroque style, particularly the dramatic use of light and shadow (tenebrism) associated with Caravaggio.

    The exact source of this stylistic shift remains debated – it could have been influenced by other Sienese and Florentine painters or through direct exposure to Roman art.

    His work is marked by a blend of gracefulness inherited from Mannerism and the heightened emotional intensity characteristic of Baroque painting.

    Major Works and Achievements

    Manetti created numerous paintings for churches and public buildings in Siena and surrounding towns, establishing himself as a leading artist in the region. Some of his most significant works include:

    Story of St Catherine and Pope Gregory (1597; Palazzo Pubblico, Siena) – An early example showcasing his Mannerist training.

    Baptism of Christ (1600; Church of San Giovannino in Pantaneto) – Demonstrates a growing sophistication in composition and color.

    A fresco cycle depicting the Story of St Roch (1605–1610; San Rocco alla Lupa) – A large-scale project showcasing his narrative skills.

    Rest on the Flight to Egypt (San Pietro alle Scale, Siena) - Illustrates his evolving Baroque style with dramatic lighting and emotional depth.

    His contributions to the Casino Mediceo in Siena, alongside artists like Matteo Rosselli and Giovanni Lanfranco, represent a high point in his career.

    Historical Significance and Legacy

    Rutilio Manetti played an important role in the artistic transition occurring in Siena during the late 16th and early 17th centuries. He successfully navigated the shift from Mannerism to Baroque, adapting his style to meet changing aesthetic preferences.

    His work reflects the religious fervor of the Counter-Reformation, with many paintings depicting scenes from the lives of saints and biblical stories.

    Manetti’s influence extended to a younger generation of artists, including his pupil Stefano Volpi.

    While not as widely recognized internationally as some of his contemporaries, Manetti remains an important figure in the history of Sienese painting and a valuable example of artistic adaptation during a period of significant change.

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    QR kod koji vodi na stranicu za preuzimanje Wedding Feast at Cana

    wahooart.com/sr/art/download/rutilio-manetti-wedding-feast-at-cana-8Y3DCZ-en/

    Citiranje ovog umetničkog dela

    MLA
    Manetti, Rutilio. Wedding Feast at Cana. 1620, https://wahooart.com/sr/art/rutilio-manetti-wedding-feast-at-cana-8Y3DCZ-en/
    APA
    Manetti, Rutilio (1620). Wedding Feast at Cana [Painting]. https://wahooart.com/sr/art/rutilio-manetti-wedding-feast-at-cana-8Y3DCZ-en/
    Chicago
    Rutilio Manetti. Wedding Feast at Cana. 1620. https://wahooart.com/sr/art/rutilio-manetti-wedding-feast-at-cana-8Y3DCZ-en/
    Harvard
    Manetti, Rutilio (1620) Wedding Feast at Cana. Available at: https://wahooart.com/sr/art/rutilio-manetti-wedding-feast-at-cana-8Y3DCZ-en/

    Pogledajte pažljivije

    Wedding Feast at Cana — Rutilio Manetti

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    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog klasifikuje ovo delo pod: marriage, food. Da li se slažete? Šta biste dodali ili uklonili?
    4. Pogledajte ponovo na The Rest on the Flight into Egypt, ranije u ovom vodiču. Navedite dve stvari koje to delo deli sa ovim radom, i jednu koja je drugačija.
    5. Rutilio Manetti je imao oko 49 godina kada je ovo nastalo. Šta u ovom delu podseća na rad umetnika u toj životnoj fazi?

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