Format papira

Vodič za studentske radove

Bodice

Ime Razred Datum

Issei Miyake, Bodice (1980), The Kyoto Costume Institute. Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava.

Osnovne informacije

Umetnik
Issei Miyake wahooart.com/sr/artists/issei-miyake_sr/
Podaci o umetniku
1938 – 2022
Slikano
1980
Pokret
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Mesto održavanja
The Kyoto Costume Institute wahooart.com/sr/museums/the-kyoto-costume-institute-kyoto/

U kontekstu

Bodice — Issei Miyake

Godina nastanka

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000
  9. 2010
  10. 2020

Osenčeno: životni vek umetnika Issei Miyake (1938–2022) ▲ ovo delo, 1980

Slična dela

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: wahooart.com/sr/art/similar/miyake-issei-bodice-D4PLPB-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Putty #d3e0d4

    Katalogizovana paleta

    • #D3E0D4
    • #68191F
    • #BD6273
    • #AD222F
    Paleta
    Neutrals Dominantna grupa boja na slici.
    Naziv glavne boje
    Putty
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Brilliant Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Balanced Soft Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    O ovom umetničkom delu

    Bodice — Issei Miyake

    Beautiful woman

    Umetnik i muzej

    Umetnik

    Issei Miyake

    Mesto rođenja Hirošima, Japan

    Issei Miyake, čuveni japanski modni dizajner, rođen je 22. aprila 1938. godine u Hirošimi, Japan. On je slavljen zbog svojih revolucionarnih i tehnološki vođenih dizajna odeće koji su ostavili neizbrisiv trag u svetu mode.

    Rani život i karijera

    Miyakejevo interesovanje za dizajn proiskrslo je još u ranom detinjstvu. Nakon završenih studija, preselio se u Tokio, gde je radio za japanskog dizajnera Guy Laroche. Godine 1960, putovao je u Pariz, gde je bio izložen radovima raznih umetnika i dizajnera, uključujući Pierre Cardina i Christian Dior. Ovo iskustvo je imali dubok uticaj na njegovu filozofiju dizajna.

    Filozofija dizajna i stil

    Miyakejevi radovi odlikuju se jednostavnošću, udobnošću i inovativnom upotrebom tehnologije. Postao je poznat po svojim plisiranim komadima odeće, koji su postali prepoznatljiv simbol njegovog brenda. Njegovi dizajni često prikazuju jarke boje i šare, odražavajući njegovu duboku povezanost sa japanskom kulturom i tradicijom. Miyakejevi pristup modi nije samo stvar kreiranja lepih odeće, već istraživanje složene veze između ljudskog tela i tkanine.

    Značajna dela i kolekcije

    Neka od najistaknutijih Miyakejevih dela uključuju njegovu Dress Dress kolekciju, koja predstavlja niz odeće sa zamršnim pliširanim naborima i slojevima. Ova kolekcija je izložena u Powerhouse muzeju u Sidneju, Australija. Još jedno značajno delo je njegov ensambl braon i crne prugaste poliesterske suknje, koji se nalazi u HCC fashion arhivu u Hjustonu, Sjedinjene Američke Države.

    Nagrade i priznanja

    Miyake je primio brojne nagrade za svoj doprinos modi. Dobitnik je Neiman Marcus nagrade 1996. godine i CFDA nagrade 1997. Njegovi dizajni su predstavljeni na brojnim izložbama, uključujući Metropolitan muzej umetnosti u Njujorku.

    Uticaj na japansku modu

    Uticaj koji je Miyake imao na japansku modu ne može se preuveličati. On je inspirisao čitavu generaciju dizajnera da istražuju nove tehnologije i inovativne pristupe dizajnu. Njegova posvećenost održivosti i ekološkoj odgovornosti takođe je ostavila značajan trag na industriju.

    Dizajni Isseya Miyake karakteristični su po svojoj jednostavnosti, udobnosti i inovativnoj upotrebi tehnologije.

    Njegov pristup modi nije samo stvar kreiranja lepih odeće, već istraživanje odnosa između ljudskog tela i odeće.

    Miyakojev uticaj na japansku modu bio je presudan, inspirišući generacije dizajnera da istraže nove tehnologije i inovativne pristupe dizajnu.

    Issei Miyake je preminuo 5. avgusta 2022. godine, ali njegovo nasleđe nastavlja da inspiriše dizajnere širom sveta. Njegovi radovi su dostupni u različitim muzejima, uključujući Röhsska muzej u Getembergu, Švedska, i Kyoto Costume Institute u Kjotu, Japan. Za više informacija o Miyakejevom radu, posetite AllPaintingsStore.com.

    Muzej

    The Kyoto Costume Institute

    Prikazano u Kyoto, Japan

    A Journey Through Japan’s Sartorial Soul: Unveiling the Kyoto Costume Institute

    Nestled within the ancient heart of Kyoto, a city steeped in tradition and artistry, lies The Kyoto Costume Institute – a sanctuary dedicated not just to preserving garments, but to illuminating the profound cultural significance woven into every stitch. More than simply a museum, it’s an immersive experience, transporting visitors through centuries of Japanese fashion history, revealing how clothing has mirrored societal shifts, artistic movements, and deeply held values. Founded in 1978 with the support of Japan's Ministry of Education, Science and Culture, the KCI began as a research institute, meticulously assembling a collection that transcends mere aesthetics to become a vibrant tapestry of social and historical narrative. Today, it stands as a testament to Japan’s unique approach to design – one where tradition isn’t merely revered but actively reinterpreted and reimagined.

    The Institute's strength lies in its remarkably comprehensive holdings, spanning from the opulent Heian period (794-1185) through to contemporary designer collections. Early garments, exemplified by exquisite examples of layered silk robes – a hallmark of Heian aesthetics – demonstrate an early mastery of form and color. These pieces, often adorned with intricate embroidery and symbolic motifs, speak volumes about the era’s emphasis on refinement and aristocratic life. The museum's commitment to accuracy is further evidenced by its recreation of costumes inspired by Murasaki Shikibu’s “The Tale of Genji,” offering a tangible connection to the world of the novel’s captivating characters and their elaborate attire. These aren’t simply reproductions; they are scholarly interpretations, meticulously researched and crafted to capture the spirit of the original designs.

    A Fusion of Tradition and Innovation

    What truly distinguishes The Kyoto Costume Institute is its deliberate blurring of boundaries between historical preservation and contemporary design. Rather than presenting fashion as a static relic, the museum actively showcases how traditional techniques and motifs continue to inspire modern Japanese designers. Rotating exhibitions regularly spotlight works from prominent figures like Junya Watanabe and Comme des Garçons, demonstrating the enduring influence of heritage on cutting-edge style. These displays aren’t merely showcasing finished garments; they delve into the design process, revealing the dialogue between past and present. The museum's collection includes over 12,000 items of clothing and 16,000 documents, a testament to its dedication to documenting this ongoing conversation.

    Beyond the visual splendor of the collection itself, the KCI offers a deeper understanding through its focus on textiles. Admire the breathtaking diversity of traditional fabrics – silk brocades shimmering with gold and silver threads, dyed silks in vibrant hues achieved through ancient techniques, and intricate embroidery that tells stories through pattern and design. These textiles aren’t simply materials; they are repositories of cultural knowledge, reflecting regional variations, seasonal changes, and symbolic meanings. The museum's commitment to preserving these techniques ensures their continued relevance in the modern world.

    Architectural Harmony & Historical Context

    While specific architectural details of the Institute remain somewhat understated within publicly available information, its location within Kyoto – a city renowned for its meticulously preserved machiya houses and serene gardens – immediately establishes an atmosphere of harmonious integration. It’s reasonable to assume that the building itself reflects this aesthetic sensibility, blending seamlessly with its surroundings. The KCI's history is inextricably linked to Kyoto’s own, serving as a vital resource for researchers, students, and anyone seeking to understand Japan’s unique sartorial heritage. The city’s rich history of craftsmanship and artistic patronage provides the perfect backdrop for this institution dedicated to preserving and celebrating Japanese fashion.

    A Living Legacy: The Institute's Unique Approach

    The Kyoto Costume Institute isn’t simply a repository of garments; it’s a dynamic center for research, education, and exhibition. Its commitment extends beyond static displays, actively engaging with the wider world through collaborations with international museums and institutions. The museum’s ongoing efforts to make its collection accessible – through digital archives, lectures, and carefully curated exhibitions – ensure that its legacy will continue to inspire and inform generations to come. It stands as a powerful reminder of how fashion can be both a reflection of history and a catalyst for innovation, embodying the enduring spirit of Japanese creativity.

    Saznajte više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Bodice

    wahooart.com/sr/art/download/miyake-issei-bodice-D4PLPB-en/

    Citiranje ovog umetničkog dela

    MLA
    Miyake, Issei. Bodice. 1980, The Kyoto Costume Institute. https://wahooart.com/sr/art/miyake-issei-bodice-D4PLPB-en/
    APA
    Miyake, Issei (1980). Bodice [Painting]. The Kyoto Costume Institute. https://wahooart.com/sr/art/miyake-issei-bodice-D4PLPB-en/
    Chicago
    Issei Miyake. Bodice. 1980. The Kyoto Costume Institute. https://wahooart.com/sr/art/miyake-issei-bodice-D4PLPB-en/
    Harvard
    Miyake, Issei (1980) Bodice. The Kyoto Costume Institute. Available at: https://wahooart.com/sr/art/miyake-issei-bodice-D4PLPB-en/

    Pogledajte pažljivije

    Bodice — Issei Miyake

    Pažljiviji pogled

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. U našem katalogu ovo delo je klasifikovano pod: sculptural form, reflective surface, fashion art. Da li se slažete? Šta biste dodali ili uklonili?
    4. Vratite se na Issey Miyake, Carnegie Hall Fashion Show, 1990, ranije u ovom vodiču. Navedite dve stvari koje to delo deli sa ovim radom i jednu koja ih razlikuje.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Gde se to može uočiti u ovom delu?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.