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A Lady in Black

Ime Razred Datum

Kenyon Cox, A Lady in Black (1880). Javno dobro. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Kenyon Cox wahooart.com/sr/artists/kenyon-cox/
Datumi umetnika
1856 – 1919
Slikano
1880
Prvobitne dimenzije
53 x 33 cm

U kontekstu

A Lady in Black — Kenyon Cox

Koje su dimenzije?

Originalne dimenzije su 53 × 33 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Kada je ovo naslikano?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 63 u smrti.

Naslikano kada je umetnik imao 24 godina. Umetnik je doživeo 63. 4 od ukupno 66 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Kenyon Cox (1856–1919) ▲ ovo delo, 1880 svaka datirana slika, deceniju po deceniju

Prva dela: do 1888 Glavne radne godine: 1888–1910 Kasna dela: od 1910

Ova tri segmenta dele dela koja u ovom katalogu imaju navedenu datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: wahooart.com/sr/art/similar/kenyon-cox-a-lady-in-black-AS7RN5-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Espresso #363529

    Katalogizovana paleta

    • #363529
    • #1F1E17
    • #C7AC86
    • #787461

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Naziv primarne boje
    Espresso
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Gentle Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Deep_shadow Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Kenyon Cox tokom poslednjih dvanaest meseci — ukupno u 3 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 85,7%3.000 visits
    2. 2 Сједињене Америчке Државе 8,6%300 visits
    3. 3 Сингапур 5,7%200 visits

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    20 najposećenijih dela umetnika Kenyon Cox

    1. 1 After Boltraffio, Sacra Conversazione, 1882 7,7%300 visits
    2. 2 Study for Mosaic, Wisconsin State Capitol,, 1912 5,1%200 visits
    3. 3 Study for Christ, 1905 5,1%200 visits
    4. 4 Study for Mosaic, Wisconsin State Capital, Justice, 1913 5,1%200 visits
    5. 5 Head of the Queen of Egypt, 1888 5,1%200 visits
    6. 6 The Fall, 1892 5,1%200 visits
    7. 7 (Untitled) (Greco Roman Discus Thrower), 1873 5,1%200 visits
    8. 8 (Iowa State Capitol Rotunda) (Hunting, study for panel), 1905 5,1%200 visits
    9. 9 Study for Mural for Appellate Court Building, New York Statute Law , Helmet for Figure of Force, 1899 2,6%100 visits
    10. 10 Study for Mosaic, Wisconsin State Capitol,, 1912 2,6%100 visits
    11. 11 Nude Study for Mosaic, Wisconsin State Capitol,, 1912 2,6%100 visits
    12. 12 Nude Study for Mosaic, Wisconsin State Capitol,, 1912 2,6%100 visits
    13. 13 Sketch for the Mural at Oberlin College, The Spirit of Self Sacrificing Love, 1914 2,6%100 visits
    14. 14 Study for Science Instructing Industry, 1898 2,6%100 visits
    15. 15 After Titian's Madonna of the Rabbit, 1882 2,6%100 visits
    16. 16 Sketch for Mosaic, Wisconsin State Capital, Justice, 1912 2,6%100 visits
    17. 17 An Eclogue, 1890 2,6%100 visits
    18. 18 Study for mosaic in the Wisconsin State Capital Government and Liberty, 1912 2,6%100 visits
    19. 19 Book of Pictures, 1917 2,6%100 visits
    20. 25 A Lady in Black, 1880 ova slika 2,6%100 visits

    Zajedno, ova dela zauzimaju 74,6% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 67 dela ovog umetnika, od kojih je 30 pregledano barem jednom. This painting ranks 25 of them, with 2,6% of that attention (100 visits). Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Kenyon Cox

    Kenyon Cox: Life and Legacy

    Early Life and Education

    Born: October 27, 1856, in Warren, Ohio.

    Parents: Jacob Dolson Cox and Helen Finney Cox.

    Kenyon Cox initially studied at the Art Academy of Cincinnati (formerly the McMicken School of Art). However, he quickly recognized the limited artistic opportunities available in the city.

    Following a visit to the Centennial Exposition in Philadelphia, he decided to pursue further education at the Pennsylvania Academy of Fine Arts, hoping it would lead to studies in Europe.

    Parisian Training and Influences

    In 1877, Cox moved to Paris, joining a wave of American artists seeking artistic inspiration. He believed Paris was experiencing a “second renaissance” in art.

    Influential Teachers: Carolus-Duran, Jean-Léon Gérôme, and Alexandre Cabanel at the École des Beaux-Arts.

    He initially studied under Carolus-Duran but became frustrated with what he perceived as a “vulgarity” in Duran’s style.

    Travels throughout France and Italy exposed him to the works of Renaissance masters, profoundly shaping his artistic vision.

    Career in New York and Artistic Style

    In 1882, Cox returned to New York City, where he established himself as a painter and illustrator.

    Illustration Work: He became well-known for his magazine illustrations, which reached a wider audience than his paintings.

    Art Criticism: Cox also wrote unsigned art criticisms for the New York Evening Post, supplementing his income.

    His artistic style leaned towards realism, with a focus on landscapes, portraits, and genre studies. He was known for idealized nudes and traditional treatments of classical themes.

    Teaching and Institutional Involvement

    Art Students League of New York: Cox became a highly influential instructor at the Art Students League, shaping generations of artists. He designed the League’s logo featuring the motto “Nulla Dies Sine Linea” (No Day Without a Line).

    Elected an Associate Academician of the National Academy of Design in 1900 and a full Academician in 1903.

    Founding Member: He was one of the founders and secretary of the National Free Arts League.

    Leadership Roles: Served as president of the National Society of Mural Painters from 1915 to 1919, and held memberships in various prestigious art organizations.

    Major Achievements and Historical Significance

    Cox’s work represented a commitment to classical ideals at a time when modern art movements were emerging. He advocated for careful drawing, modulated color, and the use of allegory and symbolism.

    His writings, such as “Two Ways of Painting,” articulated his views on figurative art versus abstract or representational styles.

    Legacy: Though not a radical innovator, Kenyon Cox played a crucial role in maintaining traditional artistic standards and educating aspiring artists. His influence extended through his teaching and his contributions to the American art establishment.

    Death: March 17, 1919.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje A Lady in Black

    wahooart.com/sr/art/download/kenyon-cox-a-lady-in-black-AS7RN5-en/

    Citiranje ovog umetničkog dela

    MLA
    Cox, Kenyon. A Lady in Black. 1880, https://wahooart.com/sr/art/kenyon-cox-a-lady-in-black-AS7RN5-en/
    APA
    Cox, Kenyon (1880). A Lady in Black [Painting]. https://wahooart.com/sr/art/kenyon-cox-a-lady-in-black-AS7RN5-en/
    Chicago
    Kenyon Cox. A Lady in Black. 1880. https://wahooart.com/sr/art/kenyon-cox-a-lady-in-black-AS7RN5-en/
    Harvard
    Cox, Kenyon (1880) A Lady in Black. Available at: https://wahooart.com/sr/art/kenyon-cox-a-lady-in-black-AS7RN5-en/

    Pogledajte pažljivije

    A Lady in Black — Kenyon Cox

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na Augustus Saint-Gaudens (1908), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    4. Kenyon Cox je imao oko 24 godina kada je ovo delo nastalo. Šta u njemu podseća na rad umetnika u toj životnoj fazi?
    5. Šta je umetnik možda želeo da osetite?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Koliko je godina imao/la Kenyon Cox kada je stvorio/la "A Lady in Black"?

    Kenyon Cox je kreirao/la "A Lady in Black" u uzrastu od 24 godina. Umetnik je rođen/a 1856, a delo je datirano na 1880. godinu.

    Koliko je zasićena paleta dela "A Lady in Black"?

    Paleta dela "A Lady in Black" ima Muted zasićenost.

    Da li je moguće pogledati "A Lady in Black" u proširenoj stvarnosti?

    Delo „A Lady in Black”, autor Kenyon Cox možete isprobati na svom zidu putem stranice AR prikaz, koristeći proširenu stvarnost na kompatibilnom uređaju.