Format papira

Vodič za studentske radove

Flowers

Ime Razred Datum

Kazimierz Stabrowski, Flowers (1800), Lithuanian Art Fund. Domen javnog dobra.

Osnovne informacije

Umetnik
Kazimierz Stabrowski wahooart.com/sr/artists/kazimierz-stabrowski_sr/
Podaci o umetniku
1869 – 1929
Slikano
1800
Medijum
Pastel Sticks of almost pure pigment drawn straight onto paper; the colour is bright but rubs off easily.
Originalne dimenzije
50 x 64 cm
Pokret
Symbolism Pictures where objects stand for ideas — a flower or a door meaning something beyond itself.
Epoha
19th Century
Mesto održavanja
Lithuanian Art Fund wahooart.com/sr/museums/lithuanian-art-fund-vilnius/
Artistic style
Symbolist, Romantic, Dreamy
Notable elements or techniques
Pastel method, Secession-like outlines
Subject or theme
Bouquet of roses and ephemeral beauty

U kontekstu

Flowers — Kazimierz Stabrowski

Koliko je veliko?

Originalne dimenzije su 50 × 64 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Godina nastanka

  1. 1800
  2. 1810
  3. 1820
  4. 1830
  5. 1840
  6. 1850
  7. 1860
  8. 1870
  9. 1880
  10. 1890
  11. 1900
  12. 1910
  13. 1920

Osenčeno: životni vek umetnika Kazimierz Stabrowski (1869–1929) ▲ ovo delo, 1800

Slična dela

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: wahooart.com/sr/art/similar/kazimierz-stabrowski-flowers-D8CVWX-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Quinacridone Magenta #924e5a

    Katalogizovana paleta

    • #924E5A
    • #96928C
    • #8C7A77
    • #576056
    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv glavne boje
    Quinacridone Magenta
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Serene Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Balanced Harmony Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Bright Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    O ovom umetničkom delu

    Flowers — Kazimierz Stabrowski

    The painting depicts a bouquet of leaning rose petals. The contrast of red and florid flowers, green foliage and the neutral grey background form an impression of a stable composition. The outlines of the leaves and petals, which are painted in a Secession-like style. The graceful leaning of the plant and creative lines establish a vivid decorative tone. The top of the bouquet is adorned with roses in blossom. The flowers look strong, are large, bright, and fully open. As they lean down, they turn pale, wither, and disappear. The lowest leaning flowers look as if they are dissolving. The painter used this pastel method to create a sense of ephemerality: to convey the fragile state of the material world and the feeling of transience, which typically characterises the works of symbolists.

    Umetnik i muzej

    Umetnik

    Kazimierz Stabrowski

    Rođen/a u Navahrudak, Belorusija

    Rani život i obrazovanje

    Kazimierz Stabrowski, čuveni poljski slikar, rođen je 1869. godine u Navahrudoku, u Belorusiji. Svoje umetničko putovanje započeo je studijama na Akademiji lepih umetnosti u Varšavi, gde će kasnije preuzeti i funkciju direktora. Ova ključna uloga nije samo predstavila njegovu umetničku virtuoznost, već je i učvrstila njegov neprocenjiv uticaj na naredne generacije umetnika.

    Umetnički stil i značajna dela

    Stabrowijev rad prepoznatljiv je po svojoj sanjivoj, simboličkoj kvaliteti, često spajajući elemente simbolizma i romantizma u jedinstven vizuelni jezik. Jedno od njegovih najslavnijih dela, Snežna devojka (1891), savršeno otelovljuje ovaj jedinstveni stil koji fascinira ljubitelje umetnosti više od jednog veka.

    Osnivanje Teozofskog društva u Poljskoj

    Pored svojih umetničkih dostignuća, Stabrowski je odigrao značajnu ulogu u uspostavljanju prvih loža Teozofskog društva u Poljskoj. Ovo filozofsko društvo, zasnovano na principima duhovnosti i okultizma, dodatno naglašava višestranu prirodu umetnika čija je duša tražila odgovore izvan okvira platna.

    Nasleđe i poznati završetak

    Stabrowski je preminuo 1929. godine u Garvolinu, u Poljskoj, ostavivši za sobom nasleđe koje i danas neprestano inspiriše umetnike i ljubitelje umetnosti. Njegov uticaj se može videti u različitim aspektima polske umetnosti, od Akademije lepih umetnosti u Varšavi do njegovih brojnih simboličkih i romantičnih dela.

    Odabrana dela Kazimierza Stabrowskog na AllPaintingsStore.com

    Duh planina (105 x 85 cm, Litvanijski fond umetnosti, Vilnjus, Litvanija, ulje na platnu) - suštinski primer Stabrowskog simboličkog stila.

    Koloseum u mesečini (47 x 65 cm, Litvanijski fond umetnosti, Vilnjus, Litvanija, pastel) - ovo delo prikazuje Stabrowskovu sposobnost da dočara eterične pejzaže.

    Drveće (47 x 63 cm, Litvanijski fond umetnosti, Vilnjus, Litvanija, pastel) - jedinstven spoj realizma i apstraktnih slika, karakterističan za Stabrowskovo kasno delo.

    Muzeji koji izlažu dela Kazimierza Stabrowskog na AllPaintings Store.com

    Litvanijski fond umetnosti (Vilnjus, Litvanija) - ova institucija čuva nekoliko značajnih Stabrowskikh dela, uključujući ona prethodno pomenuta.

    Otkrijte više o Kazimierzu Stabrowskom i njegovim očaravajućim umetničkim delima na AllPaintingsStore.com.

    Muzej

    Lithuanian Art Fund

    Izloženo u Vilnius, Lithuania

    A Sanctuary of Soulful Heritage: The Lithuanian Art Fund

    Nestled within the historic heart of Vilnius, the Lithuanian Art Fund offers far more than a mere exhibition of objects; it provides an intimate portal into the very essence of Lithuania’s artistic soul. Unlike the sweeping, monumental narratives found in grand national galleries, this private collection, established by the visionary Dr. Jaunius Gumbis, invites a profound personal connection. It is a place where history does not feel like a distant memory, but a living, breathing presence. The museum serves as a delicate bridge to the era of the Grand Duchy of Lithuania, a period of unparalleled cultural flourishing where the influences of Poland, Russia, and Western Europe converged to create a unique, multifaceted identity.

    The collection itself is a tapestry of diverse traditions, woven with threads of folk art, sculpture, and rare literature. Visitors find themselves wandering through layers of time, encountering handcrafted treasures that whisper stories of ancient spiritual beliefs and the rhythmic pulse of daily Lithuanian life. The museum’s strength lies in its curated intimacy, prioritizing the emotional resonance of each piece over sheer volume. From the intricate patterns of traditional folk crafts to the evocative power of oil paintings, every item has been selected to foster a sense of discovery, allowing the observer to lose themselves in the nuanced beauty of a bygone era.

    Among the collection's most captivating highlights are the works that capture the shifting light and spirit of the Lithuanian landscape and its people. The watercolor landscapes of Józef Bałzukiewicz offer a masterful glimpse into 18th-century life, where every brushstroke reconstructs the dignity of a nobleman or the quiet bustle of a street corner with historical precision. This sense of nostalgia is echoed in the delicate, translucent layers of Helena Römer-Ochenkowska’s views of Vilnius, which transport the viewer to the pastoral serenity of 1900. For those drawn to deeper spiritual symbolism, the collection presents the profound emotive depth of Stanislovas Grigalauskas (Daunoras), particularly his hauntingly beautiful ‘St Peter Weeping,’ alongside the dreamy, Symbolist landscapes of Kazimierz Stabrowski.

    The architecture of the Lithuanian Art Fund further enhances this immersive experience. Housed in a beautifully preserved historic building, the museum provides a contemplative atmosphere that is rare in the modern age. The setting itself acts as a silent curator, its aged walls and quiet corners encouraging a slow, meditative approach to art appreciation. For collectors and interior designers seeking inspiration, the Fund offers a masterclass in how art can transform a space into a sanctuary of culture. It remains a singular destination for those who seek to understand not just the history of Lithuanian art, but the enduring spirit that continues to define its creative legacy.

    Saznajte više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Flowers

    wahooart.com/sr/art/download/kazimierz-stabrowski-flowers-D8CVWX-en/

    Citiranje ovog umetničkog dela

    MLA
    Stabrowski, Kazimierz. Flowers. 1800, Lithuanian Art Fund. https://wahooart.com/sr/art/kazimierz-stabrowski-flowers-D8CVWX-en/
    APA
    Stabrowski, Kazimierz (1800). Flowers [Painting]. Lithuanian Art Fund. https://wahooart.com/sr/art/kazimierz-stabrowski-flowers-D8CVWX-en/
    Chicago
    Kazimierz Stabrowski. Flowers. 1800. Lithuanian Art Fund. https://wahooart.com/sr/art/kazimierz-stabrowski-flowers-D8CVWX-en/
    Harvard
    Stabrowski, Kazimierz (1800) Flowers. Lithuanian Art Fund. Available at: https://wahooart.com/sr/art/kazimierz-stabrowski-flowers-D8CVWX-en/

    Pogledajte pažljivije

    Flowers — Kazimierz Stabrowski

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog klasifikuje ovo delo pod: flowers, still life, roses. Da li se slažete? Šta biste dodali ili uklonili?
    4. Pogledajte ponovo Autumn landscape (1920), ranije u ovom vodiču. Navedite dve stvari koje to delo deli sa ovim radom, i jednu koja je drugačija.
    5. Symbolism: Pictures where objects stand for ideas — a flower or a door meaning something beyond itself. Gde se to može uočiti u ovom delu?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i vaše odgovore iznad.