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Erichthonius’ release

Ime Razred Datum

Johann Wilhelm Baur, Erichthonius’ release (1641), Museu da Fundação Dionísio Pinheiro e Alice Cardoso Pinheiro. Domen javnog dobra.

Osnovne informacije

Umetnik
Johann Wilhelm Baur wahooart.com/sr/artists/johann-wilhelm-baur/
Podaci o umetniku
1607 – 1642
Slikano
1641
Mesto održavanja
Museu da Fundação Dionísio Pinheiro e Alice Cardoso Pinheiro wahooart.com/sr/museums/museu-da-fundacao-dionisio-pinheiro-e-alice-cardoso-pinheiro-aguada/

U kontekstu

Erichthonius’ release — Johann Wilhelm Baur

Godina nastanka

  1. 1600
  2. 1610
  3. 1620
  4. 1630
  5. 1640

Osenčeno: životni vek umetnika Johann Wilhelm Baur (1607–1642) ▲ ovo delo, 1641

Slična dela

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    Glavna boja

    Quinacridone Magenta #7b6c4a

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    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv glavne boje
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    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Balanced Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    O ovom umetničkom delu

    Erichthonius’ release — Johann Wilhelm Baur

    Landscape in shades of green and brown. On the right side appears a hybrid figure, child on top and with serpent-like tail and feet, running away from a woman that appears to be throwing water on it from an amphora. Behind them, another woman, older and in a crouching position, seems to want to grab something. The Italian inscription on the back (“Transformazione di Jupiter”) does not match thescene, as it will be seen in the following pieces.It concerns the release of Erichthonius, one of the first mythical kings of Athens. There are several traditions related to his birth. In Ovid’s version (Metamorphoses 2.553-561) it is said to be Vulcanus’ “son of no mother”, the one who would be a legendary king of Athens. In reality, he was born of Vulcanus’ fulminant passion for Athena, as she went to his hell forges to order weapons. While she was running away from the god, he managed to seize her and pour a drop of sperm on her leg, which she shook off to the ground. There the hero was conceived, and that’s why the etymology of his name keeps the Greek term for “earth” (chthôn). Athena, to hide her offspring, enclosed him in a basket, which shehanded to the custody of the daughters of Cecrops. The girls, moved by curiosity, opened the basket; some versions state that they found a child surrounded by two serpents; others affirm that inside the basket was a hybrid being with a serpent tail, as it is common in the beings born from the earth.Ovid, in the referred verses, follows the first version. However, the painter appears to have preferred to illustrate the second one due to its more spectacular nature, a choice rather frequent in the sixteenth and seventeenth century illustrations of the Metamorphoses.

    Umetnik i muzej

    Umetnik

    Johann Wilhelm Baur

    Mesto rođenja Strasbourg, France

    Johann Wilhelm Baur: Life and Legacy

    Early Life and Training

    Johann Wilhelm Baur, a renowned German painter and engraver, was born on May 31, 1607, in Strasbourg, France. His artistic journey began under the tutelage of Friedrich Brentel, a prominent artist of the time. This foundational training provided Baur with a solid grounding in drawing, composition, and technique.

    Italian Sojourn and Artistic Development

    Following his initial education, Baur embarked on an extended tour of Italy – a crucial period for his artistic development. He had the distinct privilege of working for esteemed families such as the Farnese, Colonna, and Borghese. This exposure to Italian art and patronage significantly shaped his style and subject matter. During this time, he honed his skills in both painting and etching.

    Artistic Contributions and Innovations

    Baur is celebrated for his innovative vedute – highly detailed topographical views of cities and landscapes. These works had a lasting impact on German and European art, influencing subsequent generations of artists. He also excelled in miniatures and etchings, demonstrating a remarkable mastery of technique and an exceptional eye for detail. His peers affectionately nicknamed him “Reiger” (heron) likely referencing his meticulous attention to detail.

    Key Themes and Notable Works

    Baur’s artistic focus centered heavily on mythological scenes, particularly those drawn from Ovid's Metamorphoses. His paintings often depict dramatic moments of transformation and emotional intensity. Some of his most notable works include:

    Atalanta and Hippomenes

    Venus transforms Adonis’ corpse into a flower

    Mercury descends from the heavens for the love of Herse

    Erichthonius’ release

    Europa’s abduction by Jupiter

    Deianeira’s abduction by the centaur Nessos

    Latona and the Lycians

    Vertumnus seduces Pomona

    Influences and Legacy

    While Friedrich Brentel was his primary early influence, Baur’s time in Italy exposed him to a wider range of artistic styles and masters. The Baroque aesthetic prevalent in Rome and other Italian cities profoundly impacted his work. His innovative vedute paved the way for later topographical painters, and his detailed miniatures influenced portraiture.

    Historical Significance and Passing

    Johann Wilhelm Baur passed away in Vienna on January 1, 1642. Despite a relatively short life, he left behind a significant body of work that continues to be admired for its technical skill, dramatic composition, and mythological themes. His contributions remain a cherished part of the region's cultural heritage, particularly within the Musée des Beaux-Arts de Strasbourg (France), which houses an impressive collection of his art.

    Muzej

    Museu da Fundação Dionísio Pinheiro e Alice Cardoso Pinheiro

    Prikazano u Aguada, Portugal

    A Sanctuary of Portuguese Heritage

    Nestled within the verdant landscapes surrounding the charming city of Águeda, Portugal, the

    Museu da Fundação Dionísio Pinheiro e Alice Cardoso Pinheiro

    stands as a profound testament to the nation’s enduring artistic legacy. It is far more than a mere repository for historical artifacts; it is a carefully curated journey through centuries of Portuguese creativity, where the whispers of the 14th century meet the bold, expressive movements of the 20th. The museum’s very soul is rooted in the passionate lives of its founders, Dionísio Pinheiro and Alice Cardoso Pinheiro. As artists themselves, their testamentary bequest was not simply an act of accumulation, but a visionary gift to Portugal—a desire to establish a sanctuary where beauty could speak across generations, illuminating the evolving identity and artistic spirit of their homeland.

    The museum’s collection offers a breathtaking panorama of Portuguese craftsmanship, weaving together diverse media into a single, cohesive narrative. Visitors find themselves immersed in a world where paintings, sculptures, antique furniture, and ceramics coexist in a silent, beautiful dialogue. One cannot wander through these halls without being captivated by the works of

    Acácio Luminous de Magalhães

    , whose canvases breathe life into historical scenes with a remarkable, naturalistic precision that transports the viewer to another era. This realism is masterfully contrasted by the intense, psychological depth found in the works of

    António Teixeira Carneiro Júnior

    . His bold experimentation delves into the inner human experience, foreshadowing the rise of Expressionism and creating an evocative tension between the artist’s hand and the viewer's perception.

    The architectural setting of the museum serves as a vital component of the artistic experience, embodying a harmonious blend of tradition and modernity. The building itself is designed to foster contemplation, seamlessly integrating classical architectural features with contemporary design sensibilities. This creates a serene, tranquil environment that honors the historical weight of the collection while providing a fresh, light-filled space for modern appreciation. For the interior designer or the discerning collector, the museum serves as an unparalleled source of inspiration, demonstrating how the elegance of antique furniture and the delicate textures of historic ceramics can inform a sophisticated modern aesthetic.

    Beyond its permanent treasures, the Museu da Fundação Dionísio Pinheiro e Alice Cardoso Pinheiro remains a living, breathing institution. Through regularly hosted temporary exhibitions, lectures, and workshops, it actively engages the public, ensuring that the dialogue between art and society never falters. It is a place where the interconnectedness of all creative forms—how a ceramic glaze might reflect a broader cultural trend, or how furniture design influences the composition of a painting—is celebrated. For anyone seeking to understand the profound aesthetic traditions of Portugal, this museum offers an intimate encounter with the very heart of the nation's artistic soul.

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    Citiranje ovog umetničkog dela

    MLA
    Baur, Johann Wilhelm. Erichthonius’ release. 1641, Museu da Fundação Dionísio Pinheiro e Alice Cardoso Pinheiro. https://wahooart.com/sr/art/johann-wilhelm-baur-erichthonius-release-D7G553-en/
    APA
    Baur, Johann Wilhelm (1641). Erichthonius’ release [Painting]. Museu da Fundação Dionísio Pinheiro e Alice Cardoso Pinheiro. https://wahooart.com/sr/art/johann-wilhelm-baur-erichthonius-release-D7G553-en/
    Chicago
    Johann Wilhelm Baur. Erichthonius’ release. 1641. Museu da Fundação Dionísio Pinheiro e Alice Cardoso Pinheiro. https://wahooart.com/sr/art/johann-wilhelm-baur-erichthonius-release-D7G553-en/
    Harvard
    Baur, Johann Wilhelm (1641) Erichthonius’ release. Museu da Fundação Dionísio Pinheiro e Alice Cardoso Pinheiro. Available at: https://wahooart.com/sr/art/johann-wilhelm-baur-erichthonius-release-D7G553-en/

    Pogledajte pažljivije

    Erichthonius’ release — Johann Wilhelm Baur

    Pažljiviji pogled

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na Vertumnus seduces Pomona (1641), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    4. Johann Wilhelm Baur je imao oko 34 godina kada je ovo nastalo. Šta u ovom delu podseća na rad umetnika u toj životnoj fazi?
    5. Šta je umetnik možda želeo da osetite?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.