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Palm Tree

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Ime Razred Datum
ibrahim el-salahi, Palm Tree (2001), The Ramzi and Saeda Dalloul Art Foundation. Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava.

Osnovne informacije

Umetnik
ibrahim el-salahi wahooart.com/sr/artists/ibrahim-el-salahi/
Podaci o umetniku
1930 – ?
Slikano
2001
Originalne dimenzije
60 x 60 cm
Mesto održavanja
The Ramzi and Saeda Dalloul Art Foundation wahooart.com/sr/museums/the-ramzi-and-saeda-dalloul-art-foundation-beirut_sr/

In context

Palm Tree — ibrahim el-salahi

How big is it?

The original measures 60 × 60 cm (height × width), drawn here beside an adult of average height.

Godina nastanka

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000

Osenčeno: životni vek umetnika ibrahim el-salahi (1930–?) ▲ ovo delo, 2001

Slična dela

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: wahooart.com/sr/art/similar/ibrahim-el-salahi-palm-tree-D798L7-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Celadon #b3b6ac

    Katalogizovana paleta

    • #B3B6AC
    • #152C2A
    • #B85C08
    • #E1E1DD
    Paleta
    Neutrals Dominantna grupa boja na slici.
    Naziv glavne boje
    Celadon
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Discordant Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Brilliant Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Umetnik i muzej

    Palm Tree — ibrahim el-salahi

    Umetnik

    ibrahim el-salahi

    Born in Omdurman, Sudan

    The Visionary of the Khartoum School

    Born in the historic city of Omdurman, Sudan, on September 5, 1930, Ibrahim El-Salahi stands as a monumental figure in the landscape of global modernism. His life and work represent a profound intersection of cultural heritage and avant-garde experimentation. As a central pillar of the Khartoum School, El-Salahi did not merely paint; he orchestrated a visual dialogue between the ancient rhythms of Islamic calligraphy and the radical abstractions of the twentieth century. His journey is one of deep intellectual synthesis, where the boundaries between the personal, the political, and the spiritual dissolve into a singular, flowing aesthetic.

    El-Salahi’s early years were marked by an expansive curiosity that transcended borders. While his roots remained firmly planted in Sudanese soil, his artistic consciousness was shaped by a globalized perspective. During the 1950s, he began to absorb the transformative energies of various international movements, finding echoes of Pablo Picasso and Edgar Degas within his own developing language. This period of exploration was further enriched by his professional life as a public servant and diplomat. Traveling through diverse landscapes allowed him to witness the pulse of different cultures, an experience that would later manifest in his work as a sophisticated layering of motifs, textures, and symbols.

    Muzej

    The Ramzi and Saeda Dalloul Art Foundation

    On show in Beirut, Lebanon

    A Sanctuary of Contemporary Vision in Beirut

    In the heart of a city defined by its profound resilience and layered history, The Ramzi and Saeda Dalloul Art Foundation (DAF Beiruit) emerges as a luminous beacon of cultural continuity. More than just a repository for fine art, this institution serves as a vital sanctuary where the pulse of contemporary creativity meets the enduring spirit of Lebanon. Established with a deep-seated commitment to fostering dialogue through visual language, the foundation acts as a bridge between local narratives and the global art discourse, offering a space where the ephemeral nature of modern life is captured, contemplated, and preserved.

    The architecture of the foundation itself whispers stories of modernity and light. Designed to complement the vibrant urban fabric of Beirut, the space provides an ethereal backdrop that allows the artworks to breathe. The interplay of shadow and illumination within its galleries creates a rhythmic experience for the visitor, guiding them through a curated journey of perception. For the discerning collector or the interior designer seeking inspiration, the foundation’s environment offers a masterclass in how structural elegance can harmonize with the raw, emotive power of contemporary painting and sculpture.

    Saznajte više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Palm Tree

    wahooart.com/sr/art/download/ibrahim-el-salahi-palm-tree-D798L7-en/

    Citiranje ovog umetničkog dela

    MLA
    el-salahi, ibrahim. Palm Tree. 2001, The Ramzi and Saeda Dalloul Art Foundation. https://wahooart.com/sr/art/ibrahim-el-salahi-palm-tree-D798L7-en/
    APA
    el-salahi, ibrahim (2001). Palm Tree [Painting]. The Ramzi and Saeda Dalloul Art Foundation. https://wahooart.com/sr/art/ibrahim-el-salahi-palm-tree-D798L7-en/
    Chicago
    ibrahim el-salahi. Palm Tree. 2001. The Ramzi and Saeda Dalloul Art Foundation. https://wahooart.com/sr/art/ibrahim-el-salahi-palm-tree-D798L7-en/
    Harvard
    el-salahi, ibrahim (2001) Palm Tree. The Ramzi and Saeda Dalloul Art Foundation. Available at: https://wahooart.com/sr/art/ibrahim-el-salahi-palm-tree-D798L7-en/

    Look closely

    Palm Tree — ibrahim el-salahi

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Untitled (1987), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. ibrahim el-salahi was about 71 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.