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The Last Supper

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Gyula Derkovits, The Last Supper. Javno dobro. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Gyula Derkovits wahooart.com/sr/artists/gyula-derkovits/
Datumi umetnika
1894 – 1934
Medijum
Ulje na platnu
Pokret
Expressionism, Cubism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Period
Modernizam

U kontekstu

The Last Supper — Gyula Derkovits

Kada je ovo možda naslikano?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 40 u smrti.

Osenčeno: životni vek umetnika Gyula Derkovits (1894–1934) svaka datirana slika, deceniju po deceniju

Za ovaj zapis nema tačno navedene godine — na osnovu životnog veka umetnika i stila dela, na koju deceniju biste pretpostavili?

Uporedi sa

  • Concert wahooart.com/sr/art/gyula-derkovits-concert-9DHAKP-en/
  • Under A Big Tree - wahooart.com/sr/art/gyula-derkovits-under-a-big-tree-9DHAN5-en/
  • Old Cemetery wahooart.com/sr/art/gyula-derkovits-old-cemetery-9DHALZ-en/

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: wahooart.com/sr/art/similar/gyula-derkovits-the-last-supper-9DHAMR-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Zelena ftalocijanina #1c1e1c

    Katalogizovana paleta

    • #1C1E1C
    • #9C9E87
    • #6D6A5B
    • #3F413B

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Naziv primarne boje
    Zelena ftalocijanina
    Intenzitet
    Monohromatski Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Upečatljiv Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Neskladna paleta boja Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Duboka senka Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Ubledelo Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Gyula Derkovits tokom poslednjih dvanaest meseci — ukupno u 3 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 71,4%
    2. 2 Чешка 14,3%
    3. 3 Грчка 14,3%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    7 najposećenijih dela umetnika Gyula Derkovits

    1. 1 Bridge In Winter 25,0%
    2. 2 The Last Supper ova slika 12,5%
    3. 3 The Verdict 12,5%
    4. 4 Bridge Builders 12,5%
    5. 5 Under A Big Tree 12,5%
    6. 6 Dózsa-series Vii. Subdual 12,5%
    7. 7 Dózsa-series Vi. Clash 12,5%

    Zajedno, ova dela zauzimaju 100,0% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 31 dela ovog umetnika, od kojih je 7 pregledano barem jednom. Ova slika zauzima 2 mesto među njima, sa 12,5% te pažnje. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Gyula Derkovits

    Rođen/a u Szombathely, Hungary

    A Life Forged in Wood and War

    The life of Gyula Derkovits was a profound struggle between the heavy reality of manual labor and the ethereal call of artistic expression. Born in Szombathely, Hungary, his early years were defined by the scent of sawdust and the discipline of craftsmanship, as he was initially apprenticed to his father’s carpentry workshop. This foundation in physical labor would later haunt and inform the very texture of his visual language. Despite a burgeoning talent nurtured by a sign painter, Derkovical's path was diverted by the onset of World War I. He volunteered for service, a decision that left him with lasting scars: a paralyzed left hand and a debilitating lung condition. These physical hardships did not stifle his spirit but rather redirected it toward the pursuit of art through night schools and private instruction, eventually leading him to study under Károly Kernstok.

    The Evolution of a Visual Language

    As Derkovits navigated the turbulent political landscape of early 20th-century Hungary, his artistic style underwent a remarkable metamorphosis. His early works, shaped by his time in Budapest and later in Vienna, vibrated with the energy of Expressionism, Cubism, and Constructivism. During his years in Vienna, the influence of German expressionist painting became palpable, lending a certain raw intensity to his compositions. However, as he matured, his work moved away from purely formal experimentation toward a deeply personal and eccentric style. He began to favor tempera, utilizing it to create larger, almost monumental paintings that captured the essence of daily life with a unique blend of strict image editing and lyrical color.

    Social Consciousness and Graphic Mastery

    Beyond the canvas, Derkovits was a master of graphic arts, using printmaking to voice his profound social critiques. His connection to the political movements of his time—including his period of involvement with the Hungarian Communist Party—deeply permeated his subject matter. One of his most significant achievements remains his series of twelve woodcuts depicting the peasant revolt of 1514, a work that solidified his reputation through its powerful depiction of historical struggle. His graphic output often served as a biting satire of bourgeois society, utilizing sharp lines and stark contrasts to highlight the plight of the common person. Through both his monumental paintings and his intricate etchings, Derkovits left an indelible mark on Hungarian visual arts, blending social criticism with an unmistakable, individual formal language.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje The Last Supper

    wahooart.com/sr/art/download/gyula-derkovits-the-last-supper-9DHAMR-en/

    Citiranje ovog umetničkog dela

    MLA
    Derkovits, Gyula. The Last Supper. n.d., https://wahooart.com/sr/art/gyula-derkovits-the-last-supper-9DHAMR-en/
    APA
    Derkovits, Gyula (n.d.). The Last Supper [Painting]. https://wahooart.com/sr/art/gyula-derkovits-the-last-supper-9DHAMR-en/
    Chicago
    Gyula Derkovits. The Last Supper. n.d. https://wahooart.com/sr/art/gyula-derkovits-the-last-supper-9DHAMR-en/
    Harvard
    Derkovits, Gyula (n.d.) The Last Supper. Available at: https://wahooart.com/sr/art/gyula-derkovits-the-last-supper-9DHAMR-en/

    Pogledajte pažljivije

    The Last Supper — Gyula Derkovits

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na Concert, ranije u ovom vodiču. Navedite dve stvari koje to delo deli sa ovim radom i jednu koja ih razlikuje.
    4. Expressionism, Cubism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Gde se to može uočiti u ovom delu?
    5. Šta je umetnik možda želeo da osetite?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Koja osnovna nijansa prožima „The Last Supper”, autor Gyula Derkovits?

    Spektar od zelene do ljubičaste nijansa prožima delo „The Last Supper”, autor Gyula Derkovits.

    Koja dimenzija i orijentacija štampe se preporučuju za „The Last Supper”, autor Gyula Derkovits?

    Preporučuje se štampa dela „The Last Supper”, autor Gyula Derkovits u veličini Veliki i Kvadratni format orijentaciji.

    Kako se medijum i pokret spajaju u delu "The Last Supper"?

    „The Last Supper“ je urađeno u tehnici Ulje na platnu, u stilu Expressionism, Cubism.