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Beach Figure

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Ime Razred Datum
graham coughtry, Beach Figure (1960). Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava.

Osnovne informacije

Umetnik
graham coughtry wahooart.com/sr/artists/graham-coughtry/
Podaci o umetniku
1931 – 1999
Slikano
1960
Originalne dimenzije
153 x 152 cm
Pokret
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.

In context

Beach Figure — graham coughtry

How big is it?

The original measures 153 × 152 cm (height × width), drawn here beside an adult of average height.

Godina nastanka

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990

Osenčeno: životni vek umetnika graham coughtry (1931–1999) ▲ ovo delo, 1960

Slična dela

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: wahooart.com/sr/art/similar/graham-coughtry-beach-figure-ARA92E-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Bronze #c7a414

    Katalogizovana paleta

    • #C7A414
    • #7B7C3B
    • #B79A55
    • #A38B34
    Naziv glavne boje
    Bronze
    Intenzitet
    Vivid Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Serene Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Unified Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Brilliant Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Vivid Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Umetnik i muzej

    Beach Figure — graham coughtry

    Umetnik

    graham coughtry

    Graham Coughtry: A Toronto Visionary

    Graham Coughtry (1931 – 1999) was a British-born Canadian painter who established himself as a prominent figure in Toronto’s artistic landscape during the mid-century period. His distinctive style—characterized by textured impasto, muted color palettes, and semi-abstract representations of human figures—earned him recognition both nationally and internationally. Though relatively unknown outside of Canada, Coughtry's work holds considerable importance within Canadian Modernism and continues to inspire artists today.

    Early Life & Artistic Beginnings

    Born in London, England, Coughtry’s artistic inclinations emerged early in his life. He pursued formal training at Chelsea School of Art and later studied at Pratt Institute in New York City, absorbing influences from Surrealist painters like René Magritte and Yves Tanguy. These formative experiences instilled a fascination with exploring psychological states and conveying emotion through visual imagery—a core element that would permeate his subsequent artistic endeavors.

    The Toronto Years & Pierre Bonnard Influence

    Coughtry relocated to Toronto in 1960, where he quickly gained traction within the burgeoning Canadian art scene. He became particularly captivated by the work of Pierre Bonnard, whose subtle tonal harmonies and atmospheric landscapes profoundly impacted Coughtry’s artistic approach.

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    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Beach Figure

    wahooart.com/sr/art/download/graham-coughtry-beach-figure-ARA92E-en/

    Citiranje ovog umetničkog dela

    MLA
    coughtry, graham. Beach Figure. 1960, https://wahooart.com/sr/art/graham-coughtry-beach-figure-ARA92E-en/
    APA
    coughtry, graham (1960). Beach Figure [Painting]. https://wahooart.com/sr/art/graham-coughtry-beach-figure-ARA92E-en/
    Chicago
    graham coughtry. Beach Figure. 1960. https://wahooart.com/sr/art/graham-coughtry-beach-figure-ARA92E-en/
    Harvard
    coughtry, graham (1960) Beach Figure. Available at: https://wahooart.com/sr/art/graham-coughtry-beach-figure-ARA92E-en/

    Look closely

    Beach Figure — graham coughtry

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract figure, yellow canvas, gestural painting. Do you agree? What would you add, or take away?
    4. Look back at Late Afternoon Interior (1957), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.