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Three men playing draughts

Ime Razred Datum

Dirk Jacobs Ploegsma, Three men playing draughts (1790). Domen javnog dobra.

Osnovne informacije

Umetnik
Dirk Jacobs Ploegsma wahooart.com/sr/artists/dirk-jacobs-ploegsma/
Podaci o umetniku
1769 – 1791
Slikano
1790
Originalne dimenzije
52 x 43 cm

U kontekstu

Three men playing draughts — Dirk Jacobs Ploegsma

Koliko je veliko?

Originalne dimenzije su 52 × 43 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Godina nastanka

  1. 1760
  2. 1770
  3. 1780
  4. 1790

Osenčeno: životni vek umetnika Dirk Jacobs Ploegsma (1769–1791) ▲ ovo delo, 1790

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Phthalo Green #251f0d

    Katalogizovana paleta

    • #251F0D
    • #D8BC84
    • #533C15
    • #8C6A30
    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv glavne boje
    Phthalo Green
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Gentle Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Unified Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Deep_shadow Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    O ovom umetničkom delu

    Three men playing draughts — Dirk Jacobs Ploegsma

    The men in this scene seem to be having a good time, smoking their long clay pipes and playing a board game. The small pot on the table is a spittoon, in which the men could spit out the bitter tobacco juices from their pipes. It is assumed that the figure on the left is Dirk Jacobs Ploegsma, the painter who made this work. He is playing a game of Frisian draughts with a friend.One of the differences with ordinary draughts is that the Frisian version is much faster because the players are allowed to capture the opponent’s stones by moving in all eight directions: forward, backward, to the left, to the right and diagonally. The Frisians are known to have played this version since the 17th century, and didn’t start playing the Dutch variant until around 1900, after which the name ‘Oer alles’ (in all directions) came into use to distinguish the Frisian version from the Dutch one.

    Umetnik i muzej

    Umetnik

    Dirk Jacobs Ploegsma

    Rođen/a u Leeuwarden, Netherlands

    A Prodigy of the Northern Provinces

    The history of art is often defined by the enduring legacies of masters who lived long, prolific lives, yet there is a profound and haunting beauty found in the works of those whose light was extinguished far too soon. Dirk Jacobs Ploegsma belongs to this rare category of ephemeral geniuses. Born in Leeuwarden on February 19, 1769, his life was a whirlwind of creative energy that lasted only twenty-two years. From the tender age of five, the seeds of mastery were already sown as he began to capture the world through sketches. His path was one of rapid and remarkable ascent; by the age of seven, his father, Jacob Dirks Ploegsma, recognized this burgeoning gift and placed him under the tutelage of Mathijs Accama. However, it was his subsequent apprenticeship with Johannes Verrier, which began when he was just nine, that would truly define his artistic soul. In the quiet, disciplined studios of 18th-century Holland, Ploegsma did not merely learn the craft; he flourished, eventually developing a skill that many believed had already surpassed that of his own master.

    The Art of the Everyday and the Mastery of Detail

    Ploegsma’s artistic vision was characterized by an exquisite devotion to the textures and rhythms of ordinary Dutch life. He eschewed the grand, sweeping narratives of historical or religious painting in favor of a profound, meticulous realism that brought the domestic and the mundane into the realm of the sublime. His brush possessed a unique ability to capture the subtle play of light on a clay pipe or the heavy, lived-in atmosphere of a local tavern. This is perhaps most beautifully realized in his work Three men playing draughts, created around 1790. In this captivating scene, the viewer is transported into a moment of quiet leisure, where the men smoke long clay pipes and engage in the rapid, all-directional game of Frisian draughts. The painting is rich with sensory detail—from the small spittoon resting on the table to the focused intensity of the players, one of whom is believed to be a self-portrait of the artist himself. Through such works, Ploegsma achieved a remarkable feat: he transformed the simple, fleeting moments of 18th-century society into timeless studies of human connection and cultural identity. Though his career was tragically brief, his ability to render the essence of life with such sensitivity ensures that his talent remains a vivid, enduring part of the Dutch artistic tradition.

    Saznajte više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Three men playing draughts

    wahooart.com/sr/art/download/dirk-jacobs-ploegsma-three-men-playing-draughts-D7HMTZ-en/

    Citiranje ovog umetničkog dela

    MLA
    Ploegsma, Dirk Jacobs. Three men playing draughts. 1790, https://wahooart.com/sr/art/dirk-jacobs-ploegsma-three-men-playing-draughts-D7HMTZ-en/
    APA
    Ploegsma, Dirk Jacobs (1790). Three men playing draughts [Painting]. https://wahooart.com/sr/art/dirk-jacobs-ploegsma-three-men-playing-draughts-D7HMTZ-en/
    Chicago
    Dirk Jacobs Ploegsma. Three men playing draughts. 1790. https://wahooart.com/sr/art/dirk-jacobs-ploegsma-three-men-playing-draughts-D7HMTZ-en/
    Harvard
    Ploegsma, Dirk Jacobs (1790) Three men playing draughts. Available at: https://wahooart.com/sr/art/dirk-jacobs-ploegsma-three-men-playing-draughts-D7HMTZ-en/

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    Three men playing draughts — Dirk Jacobs Ploegsma

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    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Dirk Jacobs Ploegsma je imao oko 21 godina kada je ovo nastalo. Šta u ovom delu podseća na rad umetnika u toj životnoj fazi?
    4. Šta je umetnik možda želeo da osetite?
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