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Vodič za studentska umetnička dela

Reclining Magdalene

Ime Razred Datum

Alexander Clarot, Reclining Magdalene. Javno dobro. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Alexander Clarot wahooart.com/sr/artists/alexander-clarot/
Datumi umetnika
1796 – 1842
Prvobitne dimenzije
28 x 39 cm
Pokret
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.

U kontekstu

Reclining Magdalene — Alexander Clarot

Koje su dimenzije?

Originalne dimenzije su 28 × 39 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Kada je ovo možda naslikano?

  1. 1790
  2. 1800
  3. 1810
  4. 1820
  5. 1830
  6. 1840

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 46 u smrti.

Osenčeno: životni vek umetnika Alexander Clarot (1796–1842) svaka datirana slika, deceniju po deceniju

Prva dela: do 1835 Glavne radne godine: 1835–1839 Kasna dela: od 1839

Ova tri segmenta dele dela koja u ovom katalogu imaju navedenu datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Za ovaj zapis nema tačno navedene godine — na osnovu životnog veka umetnika i stila dela, na koju deceniju biste pretpostavili?

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: wahooart.com/sr/art/similar/alexander-clarot-reclining-magdalene-D2HDJM-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Driftwood #9b7a4f

    Katalogizovana paleta

    • #9B7A4F
    • #FDFDFD
    • #170D05
    • #422D0E

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Neutrals Dominantna grupa boja na slici.
    Naziv primarne boje
    Driftwood
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Bright Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Alexander Clarot tokom poslednjih dvanaest meseci — ukupno u 1 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 100,0%600 poseta

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    7 najposećenijih dela umetnika Alexander Clarot

    1. 1 Portrait of a girl 28,6%200 poseta
    2. 2 Self-portrait, 1825 14,3%100 poseta
    3. 3 Portrait of a lady, 1836 14,3%100 poseta
    4. 4 A portrait of a young mother with her son and daughter, 1838 14,3%100 poseta
    5. 5 A portrait of a woman in a bonnet with a pink ribbon, 1837 14,3%100 poseta
    6. 6 Portrait of a woman, 1839 14,3%100 poseta
    7. — Reclining Magdalene ova slika 0,0%0 poseta

    Zajedno, ova dela zauzimaju 100,0% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 30 dela ovog umetnika, od kojih je 6 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Alexander Clarot

    Rođen/a u Vienna, Austria

    Alexander Clarot: A Viennese Romantic Portraitist

    Alexander Clarot (1796 – 1842) stands as a pivotal figure in the landscape of Austrian art during the first half of the nineteenth century. Born in Vienna, Austria, he embarked on an artistic journey that would solidify his reputation as a masterful miniaturist and portrait painter—a testament to the enduring allure of Romanticism’s meticulous observation and emotive expression. His formative years were spent honing his skills at the Vienna Academy of Fine Arts, where he absorbed the stylistic conventions of his time and established himself as a respected member by 1829.

    Early Influences: Clarot's artistic sensibilities were profoundly shaped by the prevailing Romantic movement, which championed emotion, imagination, and an idealized depiction of nature. Artists like Eugène Delacroix and Caspar David Friedrich served as significant inspirations, encouraging him to prioritize expressive color palettes and dramatic compositions.

    Technique & Style: Clarot’s distinctive style was characterized by painstaking detail—a hallmark of Viennese miniature painting—combined with a Romantic sensibility. He meticulously rendered textures and nuances in his portraits, capturing subtle expressions and conveying psychological depth. His brushstrokes were deliberate and controlled, prioritizing accuracy alongside artistic vision.

    Notable Works: Clarot’s oeuvre comprises numerous captivating pieces that exemplify the Romantic spirit. Among his most celebrated works are “Karl Artaria, Viennese Art Dealer” (1835), a portrait of a prominent art dealer reflecting Vienna's cultural vibrancy; "A portrait of a woman in a bonnet with a pink ribbon" (1837), showcasing exquisite craftsmanship and capturing the gracefulness of Victorian femininity; and “Self-portrait” (1825), offering an intimate glimpse into Clarot’s artistic identity.

    Vienna Academy & Artistic Recognition

    His enrollment at the Vienna Academy of Fine Arts proved instrumental in furthering his artistic development and securing recognition within the Viennese art community. The academy fostered a competitive environment that encouraged experimentation and refinement, allowing Clarot to hone his technique and broaden his stylistic horizons. Furthermore, membership signaled acceptance into the established artistic hierarchy—a crucial step toward establishing himself as a respected artist of his era.

    Legacy & Historical Significance

    Alexander Clarot’s contribution to Austrian art extends beyond his individual masterpieces; he embodies the spirit of Romantic Vienna – a period marked by intellectual ferment and artistic innovation. His meticulous portraits not only documented the faces of prominent figures but also served as conduits for conveying psychological complexity and capturing the essence of Victorian ideals. Today, Clarot's works continue to resonate with audiences worldwide, representing an enduring legacy of Romantic artistry and demonstrating the power of observation combined with emotional resonance.

    Resources

    Further Research:ULAN Full Record Display (Getty Research)

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Reclining Magdalene

    wahooart.com/sr/art/download/alexander-clarot-reclining-magdalene-D2HDJM-en/

    Citiranje ovog umetničkog dela

    MLA
    Clarot, Alexander. Reclining Magdalene. n.d., https://wahooart.com/sr/art/alexander-clarot-reclining-magdalene-D2HDJM-en/
    APA
    Clarot, Alexander (n.d.). Reclining Magdalene [Painting]. https://wahooart.com/sr/art/alexander-clarot-reclining-magdalene-D2HDJM-en/
    Chicago
    Alexander Clarot. Reclining Magdalene. n.d. https://wahooart.com/sr/art/alexander-clarot-reclining-magdalene-D2HDJM-en/
    Harvard
    Clarot, Alexander (n.d.) Reclining Magdalene. Available at: https://wahooart.com/sr/art/alexander-clarot-reclining-magdalene-D2HDJM-en/

    Pogledajte pažljivije

    Reclining Magdalene — Alexander Clarot

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Koliko lica možete pronaći? ____ (u našem katalogu ih je izbrojano 1 — slažete li se?)
    4. Vratite se na Portrait of a woman (1840), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    5. Romanticism: Art that puts feeling, wildness and the power of nature above calm order and rules. Gde se to može uočiti u ovom delu?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Koja je dominantna boja dela „Reclining Magdalene”, autor Alexander Clarot?

    Dominantna boja dela „Reclining Magdalene”, autor Alexander Clarot je Driftwood (#9b7a4f).

    Zašto je status autorskih prava za "Reclining Magdalene" takav kakav jeste?

    „Reclining Magdalene”, autor Alexander Clarot je u u javnom vlasništvu – autorska prava su istekla. Autorska prava traju od smrti umetnika, koja se dogodila 1842.

    Mogu li da vidim rendgenski prikaz dela „Reclining Magdalene”, autor Alexander Clarot?

    X-Ray prikaz dela „Reclining Magdalene”, autor Alexander Clarot možete videti na stranici Rentgensko posmatranje: to je interaktivno istraživanje slike kroz jedanaest optičkih slojeva.