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Number 28 (Still Life)

Ime Razred Datum

Albert Eugene Gallatin, Number 28 (Still Life) (1940). Domen javnog dobra.

Osnovne informacije

Umetnik
Albert Eugene Gallatin wahooart.com/sr/artists/albert-eugene-gallatin/
Podaci o umetniku
1881 – 1952
Slikano
1940
Originalne dimenzije
61 x 51 cm
Pokret
Cubism Objects broken apart and shown from several viewpoints at once, all flattened onto one surface.

U kontekstu

Number 28 (Still Life) — Albert Eugene Gallatin

Koliko je veliko?

Originalne dimenzije su 61 × 51 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Godina nastanka

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

Osenčeno: životni vek umetnika Albert Eugene Gallatin (1881–1952) ▲ ovo delo, 1940

Slična dela

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Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Espresso #34241c

    Katalogizovana paleta

    • #34241C
    • #A49C85
    • #715B46
    • #E9ECF2
    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv glavne boje
    Espresso
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Balanced Harmony Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Shadow Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Umetnik i muzej

    Umetnik

    Albert Eugene Gallatin

    Rođen/a u Villanova, United States of America

    Albert Eugene Gallatin: A Pioneer of American Modern Art

    Early Life and Family Background

    Born: Villanova, Pennsylvania, 1881.

    Gallatin came from a wealthy and socially prominent family. His great-grandfather was Albert Gallatin, a Swiss-American ethnologist, linguist, politician, and diplomat who served as the United States Secretary of the Treasury.

    He developed an early interest in art and literature, beginning to collect works by artists like Max Beerbohm and James McNeill Whistler while still a teenager.

    Artistic Development and Influences

    Initially drawn to the decorative qualities of Beardsley and Whistler’s work, Gallatin focused on elegance of line and aesthetic value over narrative content.

    Around 1910, his interests shifted towards American artists associated with the Ashcan School – Everett Shinn, William Glackens, Ernest Lawson, and John Sloan.

    He was also influenced by artists like John Marin and Boardman Robinson.

    Gallatin’s exposure to European modernism, particularly Cubism, proved pivotal in shaping his artistic vision.

    Artistic Style and Key Works

    Park Avenue Cubism: Gallatin developed a distinctive style often referred to as “Park Avenue Cubism,” characterized by geometric forms, muted tones, and a sophisticated aesthetic.

    Notable works include "Compostion Painting" and "Number 28 (Still Life)", exemplifying his Synthetic Cubist approach.

    He also created “Map of the Indian tribes of North America”, showcasing diverse artistic interests.

    Gallatin’s paintings often reflect a balance between abstraction and recognizable forms, demonstrating his unique interpretation of Cubism.

    Contributions to the American Art Scene

    Collector & Writer: Gallatin was not only an artist but also a prolific writer and collector. He authored numerous articles and monographs on modern art, advocating for its acceptance and understanding.

    Gallery of Living Art: In 1936, he founded the Gallery of Living Art at New York University (NYU), providing a platform for showcasing contemporary American artists and fostering dialogue about abstract art.

    He actively promoted the work of emerging artists and played a crucial role in establishing a vibrant modern art community in New York City.

    Legacy and Historical Significance

    Donations to Museums: Gallatin’s extensive collection of modern art was generously donated to the Philadelphia Museum of Art and the Museum of Modern Art (MoMA) in New York, enriching their holdings and contributing to the preservation of artistic heritage.

    He is remembered as a visionary figure who championed abstract art at a time when it faced resistance and skepticism.

    His contributions helped pave the way for the acceptance and appreciation of modern art in America, leaving an enduring impact on the world of contemporary art.

    Gallatin died in New York City in 1952, leaving behind a legacy as one of the great figures in early 20th-century American culture.

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    QR kod koji vodi na stranicu za preuzimanje Number 28 (Still Life)

    wahooart.com/sr/art/download/albert-eugene-gallatin-number-28-still-life-D2U6Y3-en/

    Citiranje ovog umetničkog dela

    MLA
    Gallatin, Albert Eugene. Number 28 (Still Life). 1940, https://wahooart.com/sr/art/albert-eugene-gallatin-number-28-still-life-D2U6Y3-en/
    APA
    Gallatin, Albert Eugene (1940). Number 28 (Still Life) [Painting]. https://wahooart.com/sr/art/albert-eugene-gallatin-number-28-still-life-D2U6Y3-en/
    Chicago
    Albert Eugene Gallatin. Number 28 (Still Life). 1940. https://wahooart.com/sr/art/albert-eugene-gallatin-number-28-still-life-D2U6Y3-en/
    Harvard
    Gallatin, Albert Eugene (1940) Number 28 (Still Life). Available at: https://wahooart.com/sr/art/albert-eugene-gallatin-number-28-still-life-D2U6Y3-en/

    Pogledajte pažljivije

    Number 28 (Still Life) — Albert Eugene Gallatin

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    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog klasifikuje ovo delo pod: still life, geometric art, cubism. Da li se slažete? Šta biste dodali ili uklonili?
    4. Pogledajte ponovo Compostion Painting (1940), ranije u ovom vodiču. Navedite dve stvari koje to delo deli sa ovim radom, i jednu koja je drugačija.
    5. Cubism: Objects broken apart and shown from several viewpoints at once, all flattened onto one surface. Gde se to može uočiti u ovom delu?

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