Format papira

Vodič za studentske radove

Tranquility

Ime Razred Datum

abiodun olawale olaku, Tranquility (1997), Yemisi Shyllon Museum of Art. Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava.

Osnovne informacije

Umetnik
abiodun olawale olaku wahooart.com/sr/artists/abiodun-olawale-olaku/
Podaci o umetniku
1958 – ?
Slikano
1997
Originalne dimenzije
128 x 72 cm
Mesto održavanja
Yemisi Shyllon Museum of Art wahooart.com/sr/museums/yemisi-shyllon-museum-of-art-lagos_sr/

U kontekstu

Tranquility — abiodun olawale olaku

Dimenzije

Originalne dimenzije su 128 × 72 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Godina nastanka

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990

Osenčeno: životni vek umetnika abiodun olawale olaku (1958–?) ▲ ovo delo, 1997

Slična dela

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: wahooart.com/sr/art/similar/abiodun-olawale-olaku-tranquility-D75W3M-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Sea Green #48737d

    Katalogizovana paleta

    • #48737D
    • #346169
    • #2E393A
    • #304E53
    Paleta
    Monochrome Dominantna grupa boja na slici.
    Naziv glavne boje
    Sea Green
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Serene Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Unified Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Shadow Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    O ovom umetničkom delu

    Tranquility — abiodun olawale olaku

    Abiodun Olawale Olaku is a contemporary Nigerian painter born in Lagos in 1958. He obtained an Ordinary National Diploma (OND) and a Higher National Diploma (HND) from the prestigious Yaba College of Technology in 1979 and 1981 respectively, majoring in painting. Over the years, Abiodun has established himself as one Nigeria’s most accomplished oil painters due to his very detailed, naturalistic expression of landscapes and Nigerian cities. His style shows meticulous attention to detail that draws every viewer closer to their imagination in reality than ever. His unique bird’s-eye rendition of landscapes shows how he has mastered his craft through utter diligence and draughtsmanship over time. Abiodun has participated in numerous exhibitions in Nigeria including the

    Umetnik i muzej

    Umetnik

    abiodun olawale olaku

    Mesto rođenja Lagos, Nigeria

    A Legacy of Light and Color: The Art of Abiodun Olawale Olaku

    Born in the vibrant city of Lagos, Nigeria, in 1958, Abiodun Olawale Olaku’s artistic journey is a testament to dedication, profound observation, and an unwavering commitment to capturing the beauty inherent within his homeland. From humble beginnings studying at Baptist Academy, where he was instilled with a deep appreciation for art and craft, Olaku's path led him through rigorous academic training at Yaba College of Technology – a pivotal institution that shaped his technical skills under the tutelage of masters like Yusuf Grillo, Kolade Oshinowo, and Bisi Fakeye. This early foundation, combined with a keen eye for detail and an innate understanding of light and color, would become the hallmarks of his distinctive style.

    Olaku’s artistic development wasn't solely confined to formal education; it was deeply influenced by the rich cultural tapestry of Nigeria. His work frequently draws inspiration from the natural world – the lush landscapes, vibrant colors, and dynamic interactions within his environment. He sought to translate these observations onto canvas, imbuing each painting with a sense of serenity, drama, and profound connection to the land.

    Early Career and Artistic Style

    Beginning his professional career in 1984 as a full-time studio artist, Olaku quickly established himself as a master of realism. His technique is characterized by meticulous attention to detail, a deep understanding of tonal values, and an ability to capture the subtle nuances of light and shadow. Unlike purely photographic representation, however, his paintings possess a distinctly emotive quality – they are not merely depictions but rather interpretations imbued with feeling and atmosphere. He often employs a dark-to-light technique, building up layers of paint from darker underlayers towards brighter highlights, creating a sense of depth and luminosity that is truly captivating.

    Influences on Olaku’s work extend beyond the immediate Nigerian art scene. He has spoken extensively about his admiration for classical masters such as Michelangelo, Leonardo da Vinci, Rembrandt van Rijn, Claude Monet, Yusuf Grillo, Ben Enwonwu, and Kolade Oshinowo – artists whose mastery of technique and ability to evoke emotion served as a guiding light throughout his own artistic development. These influences are not replicated directly but rather absorbed and integrated into his unique visual language.

    Notable Works and Recognition

    Among Olaku’s most celebrated works is “Glimpse of Glory,” a breathtaking landscape painting that exemplifies his technical skill and ability to capture the essence of a particular moment in time. The painting's meticulous detail, vibrant colors, and evocative atmosphere have earned it recognition as one of his finest achievements. Another significant piece is "Tranquility," an oil on canvas that embodies serenity and peacefulness – a testament to Olaku’s capacity to translate profound emotions onto the canvas.

    His artistic accomplishments have been widely recognized, culminating in the Nigerian National Order of Merit (NNOM) Award in 2011. He is also a proud member of several prestigious professional organizations, including the Society of Nigerian Artists (SNA), the International Association of Art (IAA), and the Nigerian Academy of Letters (NAL). These affiliations underscore his standing within the artistic community and his commitment to fostering creativity and cultural exchange.

    Exhibitions and Legacy

    Olaku’s work has been exhibited extensively both domestically and internationally, including at the prestigious Yemisi Shyllon Museum of Art in Lagos, Nigeria. His paintings are held in private and public collections across the globe, a testament to their enduring appeal and artistic merit. Beyond his individual achievements, Olaku plays a vital role as a mentor and teacher, inspiring countless young artists in Nigeria and beyond.

    Abiodun Olawale Olaku’s legacy extends far beyond the canvases he creates. He represents a significant chapter in Nigerian art history – a period of renewed artistic expression, cultural pride, and international recognition. His dedication to his craft, combined with his deep connection to his homeland and its rich traditions, ensures that his work will continue to inspire and captivate audiences for generations to come.

    Muzej

    Yemisi Shyllon Museum of Art

    Prikazano u Lagos, Nigerija

    Svetionik nigerijanske umetničke baštine: Muzej umetnosti Jemisi Šilon

    Smešten na kampusu Pan-atlantskog univerziteta u Lekiju, u državi Lagos u Nigeriji, uzdiže se jedna jedinstvena institucija – Muzej umetnosti Jemisi Šilon. Više od običnog izložbenog prostora, ovaj muzej predstavlja svedočanstvo vizionarskog filantropizma i slavljenje živopisnog umetničkog nasleđa Nigerije, označavajući nastanak prvog univerzitetskog umetničkog muzeja u zemlji.

    Osnovan u oktobru 2019. godine zahvaljujući velikodušnoj donaciji princa Jemisija Šilona — jednog od najistaknutijih afričkih kolekcionara umetnina — muzej utemeljuje neverovatan spoj naučne preciznosti i estetske lepote. Njegovo stvaranje proizašlo je iz duboke želje da se podstigne umetničko apreciiranje unutar univerzitetske zajednice i da se kulturna blaga Nigerije sačuvaju za buduće generacije.

    Nasleđe izgrađeno na strasti:

    Koren YSMA muzeja datira još iz aprila 2011. godine, kada je pokrenut Virtuelni muzej moderne i savremene nigerijanske umetnosti, što je pokazalo Šilonovu posvećenost širenju umetničkog znanja. Kasniji predlozi drugih kolekcionara učvrstili su viziju o izgradnji fizičkog muzeja na Pan-atlantskom univerzitetu.

    Arhitektonska harmonija:

    Projektovao ga je Džes Kastelote, a sama zgrada muzeja daje prioritet prirodnoj svetlosti i otvorenim prostorima, stvarajući pozivajuću atmosferu koja savršeno dopunjuje njegove umetničke kolekcije.

    Slavljenje umetne duše Nigerije

    Srž snage ovog muzeja leži u njegovoj impresivnoj kolekciji od preko 1000 umetničkih dela koji obuhvataju period od predkolonijalnog doba do danas. Ovi komadi predstavljaju sveobuhvatnu panoramu istorije nigerijanske umetnosti, odražavajući raznolike kulturne tradicije i umetničke stilove.

    Skulpturalna raznolikost:

    Od zamrštenih drvenih Yoruba skulptura autora Lamidija Olonade Fakeyja do monumentalnih replika glava iz Ifea — simbola drevnih nigerijanskih civilizacija — skulpturalna kolekcija prikazuje izvanredno umeće i stilsku evoluciju.

    Majstori slikarstva:

    Istaknuti umetnici poput Ben Enwonwu, El Anatsui, Bruce Onobrakpeya i Aina Onabolu doprinose repertoaru muzejskog slikarstva. Njihova platna beleže ključne trenutke u nigerijanskoj istoriji i umetničkom izrazu.

    Istorijski značaj i kulturni uticaj

    Pored svoje estetske privlačnosti, YSMA igra ključnu ulogu u edukaciji studenata i istraživača o umetničkoj baštini Nigerije. Izložbe umetnosti Ife i Benina — koje uključuju kultne bronzane skulpture poput glave iz Ifea — pružaju neprocenjiv uvid u bogatu kulturnu prošlost ovog regiona.

    Fotografski narativi:

    Fotografski arhiv muzeja dokumentuje značajne nigerijanske kulturne festivale, beležeći dinamiku tradicija i umetničkih izvođenja. Fotografije Arija Oguntimehina su posebno vredne pažnje.

    Jedinstven doprinos umetničkom obrazovanju

    Muzej umetnosti Jemisi Šilon izdvaja se kao prvi univerzitetski umetnički muzej u Nigeriji — pionirski poduhvat koji naglašava važnost podsticanja kreativnosti i kulturnog razumevanja. Njegova misija prevazilazi puko izlaganje; on teži da inspiriše dijalog, promoviše umetničko apreciiranje i doprinese intelektualnom obogaćivanju svojih posetilaca.

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    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Tranquility

    wahooart.com/sr/art/download/abiodun-olawale-olaku-tranquility-D75W3M-en/

    Citiranje ovog umetničkog dela

    MLA
    olaku, abiodun olawale. Tranquility. 1997, Yemisi Shyllon Museum of Art. https://wahooart.com/sr/art/abiodun-olawale-olaku-tranquility-D75W3M-en/
    APA
    olaku, abiodun olawale (1997). Tranquility [Painting]. Yemisi Shyllon Museum of Art. https://wahooart.com/sr/art/abiodun-olawale-olaku-tranquility-D75W3M-en/
    Chicago
    abiodun olawale olaku. Tranquility. 1997. Yemisi Shyllon Museum of Art. https://wahooart.com/sr/art/abiodun-olawale-olaku-tranquility-D75W3M-en/
    Harvard
    olaku, abiodun olawale (1997) Tranquility. Yemisi Shyllon Museum of Art. Available at: https://wahooart.com/sr/art/abiodun-olawale-olaku-tranquility-D75W3M-en/

    Pogledajte pažljivije

    Tranquility — abiodun olawale olaku

    Pažljiviji pogled

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na Glimpse of Glory (1989), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    4. abiodun olawale olaku je imao oko 39 godina kada je ovo nastalo. Šta u ovom delu podseća na rad umetnika u toj životnoj fazi?
    5. Šta je umetnik možda želeo da osetite?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.