Writing, alphabet, glyphs, the teeth of a comb, forks, segmented tears, locks, chains, claws: the graphic figures of Capogrossi’s signic language express themselves on the canvas in ever-changing modulations. The sign is never repeated as an end unto itself, but is developed in a series of variations, which, as Argan noted in 1967, find a literary parallel in Raymond Queneau’s Exercises in Style, published in 1947, in that, using the same words, the French writer stages narrative situations whose content changes each time it is told. Surface 213 and its counterpart Surface 231 (1957, Simeoni Collection, Florence) are an example of this modulation, in that the variable consists in the positive-negative effect of the colour and the partitioning of the canvas like a card index.
Pitanja i odgovori
Koliko ljudi posmatra "Surface 213"?
Statistika za „Surface 213”, Giuseppe Capogrossi nalazi se na stranici Statistika ovog umetničkog dela: mesečni broj poseta delu, posete radovima umetnika, kao i pregled nedavnih posetilaca prema zemljama i jezicima.
Pod kojim drugim imenima je Giuseppe Capogrossi poznat/a?
Ostala imena zabeležena za Giuseppe Capogrossi, autora dela "Surface 213", uključuju Capogrossi.
Da li je dostupno preuzimanje za "Surface 213"?
Slika dela „Surface 213”, Giuseppe Capogrossi može se preuzeti na stranici za preuzimanje ovog umetničkog dela: Preuzimanje: preuzimanje digitalne slike visoke rezolucije.
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