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          • Џон Левери
          • Najpopularnije slike
          kolekcionarski folio

          Џон Левери Najpopularnije slike

          The 25 artworks by Џон Левери our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

          Edition 2026 · 25 artworks Each artwork painted to order
          Platno od lana · Certifikat autentičnosti · Dostava širom sveta Џон Левери · 1856 – 1941

          Opening of the Lord Duveen Annexe to the National Portrait Gallery

          View the most popular artwork of Џон Левери ranked #1: Opening of the Lord Duveen Annexe to the National Portrait Gallery
          1933 · Национална галерија, Лоndon

          Admire Sir John Lavery's masterful depiction of the Lord Duveen Annexe opening at the National Portrait Gallery, capturing a pivotal moment in British art history with vibrant colors and meticulous detail.

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          No. 1 of 610 artworks by Џон Левери
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          The Dutch Coffee House, Glasgow International Exhibition

          View the most popular artwork of Џон Левери ranked #2: The Dutch Coffee House, Glasgow International Exhibition
          1888 · Šotska Nacionalna Galerija, Edinburgh

          Admire 'The Dutch Coffee House' by Sir John Lavery! This 1888 oil painting captures a cozy Glasgow scene. A stunning reproduction for art lovers.

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          Stephen Alley

          View the most popular artwork of Џон Левери ranked #3: Stephen Alley
          1890 · Kelvingrove Art Gallery and Museum, Glazgov

          This captivating portrait by Sir John Lavery portrays Stephen Alley with masterful realism and subtle Impressionistic touches, capturing the quiet dignity of Victorian Britain. Explore Lavery's signature style – blending academic precision with emotive brushstrokes—in this evocative study.

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          No. 3 of 610 artworks by Џон Левери
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          The Opening of the Modern Foreign and Sargent Galleries at the Tate Gallery, 26 June 1926

          View the most popular artwork of Џон Левери ranked #4: The Opening of the Modern Foreign and Sargent Galleries at the Tate Gallery, 26 June 1926
          1929 · Tate Galerija, London

          Experience the elegance of Edwardian London with Sir John Lavery's stunning depiction of the Tate Gallery opening ceremony – a masterpiece capturing social grandeur and artistic sophistication.

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          No. 4 of 610 artworks by Џон Левери
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          Eileen, Her First Communion

          View the most popular artwork of Џон Левери ranked #5: Eileen, Her First Communion
          1901

          Sir John Lavery's "Eileen, Her First Communion" (1901) captures a timeless portrait of innocence and grace through delicate brushstrokes, showcasing the artist’s mastery during the Edwardian era – discover this exquisite hand-painted reproduction.

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          A Quiet Day in the Studio

          View the most popular artwork of Џон Левери ranked #6: A Quiet Day in the Studio
          1883 · Kelvingrove Art Gallery and Museum, Glasgow

          Step into a serene world with Sir John Lavery's 'A Quiet Day in the Studio.' This captivating portrait captures a moment of peaceful contemplation, rich with detail and warmth – a glimpse into Edwardian society.

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          No. 6 of 610 artworks by Џон Левери
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          The Right Honourable J. Ramsay Macdonald Addressing the House of Commons

          View the most popular artwork of Џон Левери ranked #7: The Right Honourable J. Ramsay Macdonald Addressing the House of Commons
          1923 · Kelvingrove Art Gallery and Museum, Glazgov

          Witness history! Sir John Lavery's 'Macdonald Addressing Commons' captures Ramsay Macdonald's pivotal speech in the House of Commons, 1923. A masterpiece of realism and political significance.

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          No. 7 of 610 artworks by Џон Левери
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          Elswick, 1917 Messrs. Armstrong, Whitworth Company

          View the most popular artwork of Џон Левери ranked #8: Elswick, 1917 Messrs. Armstrong, Whitworth Company
          1919 · Imperial War Museum, London

          Sir John Lavery’s ‘Elswick, 1917’ captures the industrious spirit of women at work during WWI in a striking black and white portrait, showcasing his mastery and offering a timeless glimpse into wartime society. Discover this iconic artwork and bring it home.

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          No. 8 of 610 artworks by Џон Левери
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          Cap d'Ail

          View the most popular artwork of Џон Левери ranked #9: Cap d'Ail

          Sir John Lavery’s Impressionistic Cap d'Ail captures a tranquil seaside scene of leisure and relaxation in a bygone era, showcasing the artist’s masterful portraiture style – perfect for adding timeless beauty to your collection.

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          No. 9 of 610 artworks by Џон Левери
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          A Rally

          View the most popular artwork of Џон Левери ranked #10: A Rally
          1885 · Kelvingrove Art Gallery and Museum, Glasgow

          Sir John Lavery's "A Rally" captures a lively tennis match with vibrant colors and dynamic figures – a quintessential example of Edwardian society portraiture.

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          No. 10 of 610 artworks by Џон Левери
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          The End (also known as Admiral Beatty Reading the Terms of the Surrender of the German Navy)

          View the most popular artwork of Џон Левери ranked #11: The End (also known as Admiral Beatty Reading the Terms of the Surrender of the German Navy)
          1918 · Imperial War Museum, London

          Sir John Lavery’s "The End" captures Admiral Beatty's resolute face amidst the tension of the German Navy surrender (1918). A monochrome masterpiece, it reflects a pivotal moment in WWI history.

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          No. 11 of 610 artworks by Џон Левери
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          The Guns, HMS 'Terror'

          View the most popular artwork of Џон Левери ranked #12: The Guns, HMS 'Terror'
          1918 · Imperial War Museum, London

          Massive cannons dominate this powerful Impressionistic oil painting by Sir John Lavery that captures the naval resolve of HMS Terror during World War I, inviting you to explore this emblem of maritime courage.

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          No. 12 of 610 artworks by Џон Левери
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          Висок претитје суђења Роџеру Касемту

          View the most popular artwork of Џон Левери ranked #13: Висок претитје суђења Роџеру Касемту
          1916 · Government Art Collection, London

          Висок претитје суђења Роџеру Касемту од Сина Јохна Лаверија – монументална маслена панорама из 1916. године која приказује судску сцену и последње суђење Касемту у Окружном суду Лондона током Еастер Рајзинг.

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          No. 13 of 610 artworks by Џон Левери
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          Interior A Lady

          View the most popular artwork of Џон Левери ranked #14: Interior A Lady
          Leeds Art Gallery, Lids

          A serene interior portrait by Sir John Lavery captures a woman seated gracefully near a window overlooking a tranquil landscape, embodying late Victorian Impressionism's focus on light and emotion.

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          No. 14 of 610 artworks by Џон Левери
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          T. G. Arthur

          View the most popular artwork of Џон Левери ranked #15: T. G. Arthur
          1890 · Kelvingrove Art Gallery and Museum, Glazgov

          Admire Sir John Lavery's 'T. G. Arthur,' a striking portrait capturing the distinguished figure of a military officer. Experience the elegance and authority conveyed through masterful brushstrokes and a captivating composition.

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          No. 15 of 610 artworks by Џон Левери
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          Ramsay MacDonald

          View the most popular artwork of Џон Левери ranked #16: Ramsay MacDonald
          1931 · Национална галерија, Лоndon

          Influenced by Whistler, Lavery captured the essence of Edwardian society and wartime scenes.

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          No. 16 of 610 artworks by Џон Левери
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          Sir James Watson Stewart, Lord Provost of Glasgow

          View the most popular artwork of Џон Левери ranked #17: Sir James Watson Stewart, Lord Provost of Glasgow
          1921 · Kelvingrove Art Gallery and Museum, Glazgov

          Admire Sir James Watson Stewart, Lord Provost of Glasgow, captured in a striking portrait by John Lavery (1921). Explore the life and legacy of this influential figure through this captivating artwork.

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          No. 17 of 610 artworks by Џон Левери
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          Sir Lionel Henry Cust

          View the most popular artwork of Џон Левери ranked #18: Sir Lionel Henry Cust
          1912 · Национална галерија, Лоndon

          Explore Sir John Lavery’s 1912 portrait of Sir Lionel Henry Cust – a striking oil painting showcasing expressive realism & rich textures. Discover this elegant piece!

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          No. 18 of 610 artworks by Џон Левери
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          Portrait of a Man

          View the most popular artwork of Џон Левери ranked #19: Portrait of a Man
          1889 · Kelvingrove Art Gallery and Museum, Glazgov

          Sir John Lavery's 'Portrait of a Man' captures a stern yet intriguing figure with meticulous detail and subtle light. Explore the painting’s history, style & Lavery’s masterful technique.

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          No. 19 of 610 artworks by Џон Левери
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          A Naval Gun in the Hydraulic Press Elswick Works, Newcastle upon Tyne

          View the most popular artwork of Џон Левери ranked #20: A Naval Gun in the Hydraulic Press Elswick Works, Newcastle upon Tyne
          1917 · Imperial War Museum, London

          Sir John Lavery’s ‘A Naval Gun…’ captures Newcastle’s industrial spirit in a dynamic oil painting. Explore its textured brushwork, dramatic lighting & evocative depiction of forging – a unique Post-Impressionist piece.

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          No. 20 of 610 artworks by Џон Левери
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          Potter at Work

          View the most popular artwork of Џон Левери ranked #21: Potter at Work
          1888 · Kelvingrove Art Gallery and Museum, Glazgov

          A serene portrait by John Lavery depicting a man absorbed in reading amidst decorative vases and utensils, embodying the understated elegance of Edwardian Impressionism.

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          No. 21 of 610 artworks by Џон Левери
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          The Entrance, Dover Harbour, 1918

          View the most popular artwork of Џон Левери ranked #22: The Entrance, Dover Harbour, 1918
          1918 · Imperial War Museum, London

          Experience the evocative Impressionist painting "The Entrance, Dover Harbour, 1918" by Sir John Lavery! Capturing wartime life and coastal beauty, this masterpiece showcases vibrant colors & brushstrokes.

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          No. 22 of 610 artworks by Џон Левери
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          Портрет младе жене

          View the most popular artwork of Џон Левери ranked #23: Портрет младе жене

          Уметнички репродукција портрета младе жене од Сира Јохна Лаверија у стилу импресионизма, који преноси елеганцију и тишину размишљања. Икона епохе Едуарда I и дивљи свет слике.

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          No. 23 of 610 artworks by Џон Левери
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          Leith

          View the most popular artwork of Џон Левери ranked #24: Leith
          1917 · Imperial War Museum, London

          Sir John Lavery's 'Leith' captures the bustling wartime harbor scene with muted colors and atmospheric brushstrokes, reflecting industrial activity & somber mood.

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          No. 24 of 610 artworks by Џон Левери
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          Woman Painting a Pot at the Glasgow International Exhibition

          View the most popular artwork of Џон Левери ranked #25: Woman Painting a Pot at the Glasgow International Exhibition
          1888 · Kelvingrove Art Gallery and Museum, Glasgow

          Discover "Woman Painting a Pot" by Sir John Lavery – a captivating portrait reflecting Glasgow’s artistic spirit of 1888. Explore Impressionistic detail, symbolic artistry & the legacy of the Glasgow School in this masterful oil painting reproduction.

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          No. 25 of 610 artworks by Џон Левери
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          The artist

          Џон Левери

          1856 – 1941

          Portret Џон Левери
          Osnovne informacije
          • Art period19. vek
          • Corpus themeswhistler's influence, social commentary, irish identity, victorian society, whistler influence
          • Died1941
          • Gift suitabilitygodišnjica, poslovni poklon
          • Color intensityuravnoteženo, monohromatski
          • Topics exploredvictorian era, portraiture, portrait, impressionism, irish art
          • Room fitdnevna soba
          • Copyright statusPublic domain
          Biography

          Early Life, Family and Training

          Sir John Lavery was born in inner North Belfast on 20 March 1856. He was the son of Henry Lavery and Margaret Lavery, née Donnelly. His childhood was marked by a sudden and heavy loss when his father, Henry, drowned in April 1859. The accident occurred during the sinking of the packet ship Pomona off the coast of Co. Wexford, Ireland, while the vessel was en route to New York. This tragedy left the young boy to be raised in the wake of such a sudden departure.

          His path toward art began in Scotland. During the 1870s, he attended the Haldane Academy in Glasgow, where he first began to develop his technical skills. This training provided the foundation for a life spent observing the world through a lens of light and form. After his time in Glasgow, he moved to London to study at Heatherley's School. This period of study was followed by a move to the heart of European art, where he spent time at the Académie Julian in Paris during the early 1880s. These years of formal instruction in different cities helped shape the way he would eventually approach his subjects.

          A Career in Glasgow and London

          After his early training, Lavery found himself deeply connected to the artistic energy of Scotland. He became associated with the Glasgow School and the Glasgow Boys, groups that were shaping the direction of art in the region. During this time, he worked as a photographer's assistant, a job that helped him develop a practical understanding of how light interacts with a subject. This period of his life was defined by a growing reputation and a steady connection to the creative circles of Glasgow.

          A significant shift occurred in 1888 when he received a major commission to paint Queen Victoria's state visit to the Glasgow International Exhibition. This task changed the course of his professional life. The success of the commission made him a sought-after painter for high society, and he moved to London shortly after. In the capital, his ability to capture the people of the upper classes helped him secure a place among the most prominent artists of the era.

          • The Dutch Coffee House, Glasgow International Exhibition (1888)
          • Woman Painting a Pot at the Glasgow International Exhibition (1888)

          Patrons, Commissions and Notable Subjects

          Success in the art world often depends on the people who believe in a painter's vision. For Lavery, this support came from influential figures like William Burrell, a wealthy shipowner who became a faithful patron of Scottish artists. This connection helped sustain his career as he moved through the social circles of London. His ability to capture the likeness of the era's most powerful figures led him to paint men who shaped history, including Winston Churchill, H. H. Asquith, and Lord Derby. He also painted political leaders such as John Redmond and Edward Carson, documenting the faces of a changing political landscape.

          His relationship with the Asquith family allowed him to move within their private, privileged world, providing a glimpse into the lives of the political elite. Beyond these public figures, his most constant subject was his wife, Hazel. He painted her in more than 400 works, capturing her presence throughout many years of his life. This deep familiarity with his sitter allowed for a level of intimacy that few other subjects received.

          When the First World War broke out, his role shifted from the drawing rooms of the upper class to the official documentation of a nation in conflict. He was appointed an official war artist, a commission that tasked him with recording the realities of the war effort. While his health and a serious accident prevented him from reaching the front lines, he focused his attention on the logistical and technological aspects of the war within Britain.

          • The Right Honourable William Kenrick (1907)
          • Lady Firth (1910)
          • Hazel in black and gold (1911)
          • Sir Lionel Henry Cust (1912)
          • The Wounded at Dover (1918)

          Technique and Artistic Style

          Lavery’s brushwork reveals a man deeply attuned to the shifting qualities of light and color. His approach was shaped by the French en plein air movement, a practice that encouraged artists to step out of the studio and face the elements directly. This connection to the natural world allowed him to capture the immediate, fleeting effects of atmosphere. He was particularly influenced by James McNeill Whistler, adopting a sense of tonal harmony that brought a refined, quiet elegance to his compositions. Rather than following a single school of thought, he found a way to weave together the broken color of Impressionism and the structural sensibilities of Post-Impressionism into a style that was entirely his own.

          While his technical skill was evident in his landscapes, his true strength lay in his ability to look past a sitter's social standing to find their actual character. He did not merely record a face; he sought to interpret the person within. This psychological depth made him a favorite among the elite, as he could balance a sense of modern life with a meticulous attention to detail. His portraits often feel lived-in, capturing a specific moment of personality rather than a stiff, formal pose. Whether painting a quiet interior or a bustling social scene, he maintained a focus on how light defines the human form and the space around it.

          • A Visitor
          • Hazel in black and gold
          • The Artist's Studio: Lady Lavery with her Daughter Alice and Step-Daughter Eileen

          Wartime Depictions and Later Years

          The outbreak of the First World War brought a shift in Lavery's focus. He was appointed as an official war artist, tasked with documenting the realities of the conflict. While his health and a serious car accident prevented him from serving on the Western Front, he found ways to record the era's massive logistical and technological shifts. He turned his attention to the home front, capturing the atmosphere of life in Britain during the struggle. His work from this period includes depictions of aeroplanes, airships, and the movement of ships, offering a perspective on the war that focused on the machinery and the people supporting the effort.

          His interest in the sea was particularly evident in his naval pictures. He spent time painting the fleet at Scapa Flow, documenting the presence of the navy in those waters. These works provided a record of the naval strength and the quiet, heavy presence of the fleet during such a turbulent time. Even as he navigated the complexities of the Irish War of Independence and the Civil War through his social connections and his home, his brush remained focused on the changing world around him.

          In his final years, Lavery lived away from the busy social circles of London. He passed away on 10 January 1941 at Rossenarra House in Kilmoganny, County Kilkenny. He was interred in Putney Vale Cemetery.

          Legacy and National Significance

          By the time of his death, Lavery had become a central figure in the British art scene. His standing was cemented through formal recognition, including his election to the Royal Academy and a knighthood in 1921. These honors reflected a career that had moved from the studios of Glasgow and Paris to the very heart of London's social and political circles.

          His connection to his roots remained a quiet but powerful force throughout his life. This was most visibly seen in his influence on Irish identity; an allegorical figure of Ireland, which he had painted, appeared on Irish banknotes from 1928 until 1975. It is a rare thing for an artist's vision to move from the canvas into the pockets of a nation, becoming a part of the everyday landscape of a country.

          His influence can still be traced through the collections that hold his work, from the National Portrait Gallery in London to the galleries in Glasgow and Edinburgh. His ability to document the shifting faces of his era ensures his place in the history of the period.

          Where to See the Works Today

          Finding his paintings today often means visiting the institutions that helped shape his career. In London, the National Portrait Gallery holds several of his studies and portraits, capturing the faces of the people who moved through his social circles. The Imperial War Museum also preserves his perspective on the conflict, keeping his depictions of the home front and naval scenes within its collections.

          His connection to Scotland remains visible through the collections in Glasgow and Edinburgh. The Glasgow Art Gallery and Museum houses many of his early works, including pieces from his time with the Glasgow School. In Edinburgh, the Scottish National Gallery holds works that reflect his technical skill and his ability to handle light. You can also find his paintings in the Birmingham Museum and Art Gallery, which provides a glimpse into the breadth of his output.

          • A Quiet Day in the Studio (1883)
          • The Dutch Coffee House (1888)
          • Lady Lavery (1922)
          • Ramsay MacDonald (1931)

          Pitanja i odgovori

          Gde mogu da vidim dela umetnika Џон Левери poređana hronološkim redom?

          Stranica Hronologija dela umetnika prikazuje dela umetnika Џон Левери poređana hronološki, godinu po godinu.

          U kom istorijskom periodu je stvarao/la Џон Левери?

          Џон Левери je radila u periodu 19. vek. Ovaj period smešta umetnikov rad u istorijski kontekst.

          Koliko je umetničkih dela autora Џон Левери dostupno u katalogu?

          Možete pregledati 610 umetnička dela dela umetnika Џон Левери na stranici Sva umetnička dela.

          Autor: Uredništvo WahooArt.com Ažurirano dana 14. октобар 2026.
          Kviz za kolekcionare
          1. Gde je rođen Sir Džon Leveri?

          2. Čiji je stil značajno uticao na estетску осећајност Џона Леверија?

          3. У којој години је добио титулу витеза, Sir?

          4. Коју институцију је Левери похађао у Паризу почетком 1880-их?

          5. Шта је била тема Леверијевог престижног поруџенника из 1888. године?

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